Jeff’s Wacky SNL Review: Sabrina Carpenter/Sabrina Carpenter

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That’s that her, SNL host-o (CREDIT: NBC/Screenshot)

Jeff “jmunney” Malone watches every new episode of Saturday Night Live and then reviews all the sketches and segments according to a “wacky” theme.

Chop, chop, chop!

I said that because Sabrina Carpenter just fulfilled Double Duty on Saturday Night Live! (We would have also accepted a reference to Jesus Christ.) Anyway, she seems to have gotten really comfortable at Studio 8H the last few years. And I’m perfectly okay with that!

Since Sabrina is from the same county in Pennsylvania as me, the theme of this episode review is going to be “The Keystone.” Pennsylvania is nicknamed the Keystone State, ergo I shall identify the most key(stone) aspect of each sketch.

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Entertainment To-Do List: Week of 8/29/25

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Every week, I list all the upcoming (or recently released) movies, TV shows, albums, podcasts, etc. that I believe are worth checking out.

Movies
Caught Stealing (Theaters)
Jaws 50th Anniversary Re-Release (Theaters)
The Toxic Avenger Unrated (Theaters) – A reboot of the original, not an unrated version of the original.

TV
Beavis and Butt-Head Season 11 Premiere (September 3 on Comedy Central) – Note that this season is originally airing on the basic cable channel Comedy Central, as opposed to the streamer Paramount+, which was the case for the previous two seasons.
The Paper Season 1 (September 4 on Peacock) – A sort of spinoff of The Office.
Pokémon Concierge Episodes 4-8 (September 4 on Netflix)

Music
-The Beaches, No Hard Feelings
-Blood Orange, Essex Honey
-Belinda Carlisle, Once Upon a Time in California
-Sabrina Carpenter, Man’s Best Friend
-The Hives, The Hives Forever Forever The Hives
-Margo Price, Hard Headed Woman

Podcasts
What’s Our Podcast? – Hosted by Beck Bennett and Kyle Mooney.

jmunney’s Favorite Music of 2024

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Every week, I check the schedule of new albums coming out and listen to the ones that catch my ear. Then I make a note throughout the year of the ones that made a strong impression. And then to finalize my Best Albums of 2024 list, I re-listened to everything on that shortlist to confirm whether or not I did in fact like them enough to enshrine them among the crème de la crème.

As for my favorite new songs of the year, they can be hard to find, since I live in a city with reliable public transportation, and thus rarely drive, and thus rarely listen to the radio. So I hope that I’ll encounter some good ones on the albums that I seek out, or that they otherwise reach me via pop cultural osmosis. Also, I try to stick with songs that were released as singles, but it’s okay if they weren’t.

Anyway, here’s the music that happily stuck with me in 2024:

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Entertainment To-Do List: Week of 12/13/24

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That’s that me peppermint espresso (CREDIT: Alfredo Flores/Netflix)

Every week, I list all the upcoming (or recently released) movies, TV shows, albums, podcasts, etc. that I believe are worth checking out.

Movies
Kraven the Hunter (Theaters)
The Lord of the Rings: The War of the Rohirrim (Theaters)
Nickel Boys (Theaters)

TV
A Nonsense Christmas with Sabrina Carpenter (Streaming on Netflix) – This came out last week; I want to make sure I watch it before the end of 2024, partly because Kyle Mooney stops by at some point.
The Simpsons: O C’mon All Ye Faithful (December 17 on Disney+) – Streaming-exclusive Christmas special.
-A Saturday Night Live Christmas (December 18 on NBC)
Nate Bargatze’s Nashville Christmas (December 19 on CBS) – Nate’s a funny guy, so this might be funny too.

Music
-The National, Rome – First live album
-Saint Etienne, The Night
-Snoop Dogg, Missionary

Sports
-College Football Bowl Season (December 14-January 4 on Various Networks) – I’m most concerned about the Rate Bowl on December 26 between Rutgers and Kansas State.
-College Football Playoff (December 20-January 20 on ESPN, ABC, TNT, and Max) – I’m rooting for Indiana or Oregon.

Entertainment To-Do List: Week of 8/23/24

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Damn, these guest stars really kill (but only in the building, of course). (CREDIT: Hulu/YouTube Screenshot)

Every week, I list all the upcoming (or recently released) movies, TV shows, albums, podcasts, etc. that I believe are worth checking out.

Movies
Between the Temples (Theaters) – Jason Schwartzman and Robert Smigel are in this, among others.
Blink Twice (Theaters)
The Crow (Theaters)
Greedy People (Theaters)
Strange Darling (Theaters)

TV
Only Murders in the Building Season 4 Premiere (August 27 on Hulu)
Kaos Season 1 (August 29 on Netflix) – Goldblum as Zeus.

Music
-Sabrina Carpenter, Short n’ Sweet
-Bryce Dessner, Solos
-Sofi Tukker, BREAD
-Jack White, No Name – This was a surprise release last month that I wasn’t aware of until this week.

Sports
-US Open (August 26-September 8 on ESPN and ABC) – The Queens of Tennis
-2024 Summer Paralympics (August 28-September 8 on CNBC, USA, NBC, and Peacock)

Comedy
Adam Sandler: Love You (August 27 on Netflix)

Jeff’s Wacky SNL Review: Jake Gyllenhaal/Sabrina Carpenter

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A Trio of 49-Year-Olds (CREDIT: NBC/Screenshot)

Jeff “jmunney” Malone watches every new episode of Saturday Night Live and then reviews all the sketches and segments according to a “wacky” theme.

Congratulations, everybody! We made it to the end of another shenanigan-filled year of Saturday Night Live. The finale of Season 49 was hosted by none other than Jake Gyllenhaal (who will always be “Joe Geronimo” to me), with musical guest duties fulfilled by Sabrina Carpenter, who is also recognized for his acting resume.

For this review, I’ll be assessing each sketch in honor of a frequent SNL guest by asking that eternal question: Would Drew Barrymore Like That?

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‘Emergency’ Has an Attention-Grabbing Premise and Compelling Execution

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Emergency (CREDIT: Quantrell Colbert/© 2021 Amazon Content Services LLC)

Starring: Donald Elise Watkins, RJ Cyler, Sebastian Chacon, Sabrina Carpenter, Maddie Nichols, Madison Thompson, Diego Abraham, Summer Madison, Gillian Rabin

Director: Carey Williams

Running Time: 105 Minutes

Rating: R for College Partying Gone Way Wrong

Release Date: May 20, 2022 (Theaters)/May 27, 2022 (Amazon Prime Video)

Is it an emergency if you don’t see the 2022 film Emergency as soon as possible? Its title certainly sounds urgent, and I’m sure you don’t want to find out that somebody died because you, Very Specific Theoretical Audience Member, didn’t watch one particular movie when you very easily could have. Now before I go any further, let me be clear that I’m being HYPERBOLIC. I don’t want anyone to get it twisted! Let me also be clear that you don’t have to see any movie that you don’t want to see, no matter how much everyone else is talking about it. But even after all that preamble, I’ll confidently declare that you may still want to check out Emergency, as it offers a fascinating premise that leads into horrifying, hilarious, and thought-provoking directions.

Sean (RJ Cyler) and Kunle (Donald Elise Watkins) are two best buds and college roommates who just want to spend their Friday night making their way through a mythical rotation of campus parties. Well, that’s all Sean wants to do. Kunle’s on board, too, but he’s also worried about his bacteria cultures for a lab project, especially since a botched assignment could run afoul of his looming transition into grad school. But all  of that is waylaid when they discover a random semi-conscious girl (Maddie Nichols) on the floor of their apartment. Their other roommate Carlos (Sebastian Chacon) has no idea how she got there, and they immediately become concerned about the optics of three black and brown dudes hovering over a drunk white girl.

So instead of calling 911, the boys attempt to drive her to the hospital, which isn’t exactly a more prudent decision, as it leads to a series of increasingly dangerous misunderstandings. Getting the girl in an ambulance almost certainly would have been much better for everyone involved, but it’s not hard to understand their trepidation. It’s always tricky to make a movie like this one that taps into people of color’s deep-seated mistrust of authority, as it will unavoidably awaken raw emotions. So I won’t be surprised if Emergency is an automatic turn-off for some viewers. Nevertheless, I appreciate its uniquely thoughtful, grounded approach. At its core, this is a story of college kids who let a situation get out of hand, as so often happens in a college setting. The weightier threats linger because that’s just what a significant part of this country is like.

Emergency is Recommended If You Like: Maximum Tonal Discomfort

Grade: 3.5 out of 5 Busted Taillights

This Is a Movie Review: ‘The Hate U Give’ Confronts Racism and Police Brutality via High School Cinema

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CREDIT: Erika Doss/Twentieth Century Fox

This review was originally posted on News Cult in October 2018.

Starring: Amandla Stenberg, Regina Hall, Russell Hornsby, KJ Apa, Algee Smith, Lamar Johnson, Issa Rae, Sabrina Carpenter, Common, Anthony Mackie

Director: George Tillman Jr.

Running Time: 132 Minutes

Rating: PG-13 for Uneasy Race Relations and the Dangers of Living in a Volatile Neighborhood

Release Date: October 5, 2018 (Limited)/Expands October 12, 2018/Expands Nationwide October 19, 2018

About two-thirds of the way through The Hate U Give, Starr Carter’s father Maverick (Russell Hornsby) lines his children up on their front yard and has them recite a creed he has instilled in them since birth: “Reasons to live give reasons to die.” If you have ever worried, or experienced, how living up to your ideals can put you or your loved ones in danger, this moment is essential viewing. If you can be upstanding and strong-willed enough to avoid being taken down by scandal or shame, then you do not have to worry about too many vulnerabilities. But you can still be devastated if you have a lot of love. Maverick defiantly insists that his children make peace with that for the sake of their family, and his example is a wonderful expression of what parents should demand of their children, or indeed what everybody should demand of their fellow human beings.

This is the inflection point that brings into focus the dilemma that Starr (Amandla Stenberg) is struggling with throughout The Hate U Give. She is the only witness to her childhood friend Khalil (Algee Smith), an unarmed black teenager, being fatally gunned down by a white police officer during a routine traffic stop. She is thus Khalil’s best potential advocate for justice, but she must weigh going public with her account against the potential consequences. She risks alienation from her classmates at the predominantly white high school she attends, as well as much worse from the local drug dealer (Anthony Mackie) who would seek retribution for the wrong secrets getting out. Not to mention the moral and emotional responsibility of possibly becoming a symbol for an entire movement.

The power of The Hate U Give is in the well-realized vision of its lived-in community. Starr and her siblings are growing up in a classically American code-switching existence: living in a low-income, predominantly black community while getting educated at an upper-class, majority white school. The Carters have the means to move out of their home, but their familial and cultural connections make that decision a little complicated. Theirs is a family that has close blood relations with both police officers and career criminals in a manner that makes perfect sense.

The portrait of Starr’s high school, though, does not quite have as much depth. While the casual racism that her classmates display is believable, the white characters are not always fully fleshed out, occasionally sounding like little more than stereotypes. One partial exception is Starr’s boyfriend Chris (KJ Apa), who may say some clueless or insensitive things, but when confronted with a real crisis, he asks Starr genuinely, “How can I help?” This is absolutely no white savior narrative, but it is a story that recognizes the importance of communion and reconciliation.

The film’s title is inspired by the lyrics of 2Pac, who philosophized that communities of color were oppressed by outside institutions influencing them towards fulfilling their worst stereotypes. Ultimately, Starr realizes however that communities must heal themselves, as they are kept down not just by the hate they receive but also the hate that they self-inflect. The truest explanation is that it is really a combination of both, and while The Hate U Give attempts to end on a somewhat overly simplistic note, it does otherwise present a scenario that sincerely conveys that complication. There is hate out there, whether or not you give it or only receive it, but ultimately it is up to every individual to choose to live for love.

The Hate U Give is Recommended If You Like: John Hughes Films, Social Justice

Grade: 4 out of 5 Reasons to Live