Best Movies of 2018

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CREDIT: Courtesy of the Studios

This post was originally published on News Cult in December 2018.

I saw nearly 200 new movies in 2018, a personal record, and yet, there were still a couple dozen that I wish had more time to see. If you had told me just three years ago how many movies I would see this year, I would assume that everything would be crossed off my 2018 cinema checklist. But as I get deeper and deeper into the world of film journalism and analysis, I become ever more aware of just how seemingly limitless the cinematic landscape is. Despite my shortcomings, I am confident that I managed to put together a top 10 list that at the very least hints at all the storytelling diversity that the medium had to offer this year.

But before we get to that, here are some more 2018 movies that I loved: Assassination Nation, Bad Times at the El Royale, Boy Erased, Can You Ever Forgive Me?, The Commuter, The Death of Stalin, The Favourite, Gemini, Green Book, The Hate U Give, Hereditary, Instant Family, The Old Man & the Gun, Paddington 2, Pope Francis: A Man of His Word, Ralph Breaks the Internet, Searching, A Simple Favor, Suspiria, Teen Titans Go! To the Movies, Three Identical Strangers, Tully, and Venom.

10. Unsane – Claire Foy gets totally gaslit about her mental state, while Steven Soderbergh captures the whole charade on an iPhone. It’s more than a gimmick, as he expands his cinematic language, and a disturbing scam gets indicted in the process.

9. Isle of Dogs – Wes Anderson’s Japan-set animated canine adventure navigates some tricky business about cultural appropriateness, but it’s still a whimsical, yet thrillingly dangerous tale with delightfully quirky animation and an evergreen warning against tyrannical government.

8. Spider-Man: Into the Spider-Verse – The best superhero movie of 2018 was molded by the baggage of history while managing to also be revolutionary in a way that didn’t seem possible anymore in this era of comic book movie overload. Every Spider-Man story has partly been about how we all have the capacity to be heroic Spider-Beings; few prove it as imaginatively as Into the Spider-Verse.

7. Eighth GradeEighth Grade is basically anxiety distilled into its purest cinematic form. How could it not be? It focuses on a teenage girl in 2018 whose life is inexplicably tied to her screens, and it’s directed by Bo Burnham, who has captured his own anxiety for the raw material in his live shows. It sounds like a nightmare, and it kind of is, but it is also singularly exhilarating and inspiring.

6. BlacKkKlansman – Colorado Springs’ first black detective picks up the phone and cold-calls the KKK, setting off a batty infiltration that comments on the persistence of bigotry and the inspiration of blaxploitation. If Ron Stallworth’s story weren’t true, would Spike Lee have to have created it? He certainly had to do something to get us electrified in this still-way-too-discriminatory real world.

5. Widows – A trio of women lose their criminal husbands and are left to pull off a multimillion dollar heist in their (dis)honor. Meanwhile, Chicago’s political machine keeps dirtily chugging along. Steve McQueen’s top-notch skills elevate the message and thrills of every single frame.

4. First Reformed – The movie of 2018 that I’ve thought about the most since seeing it. Ethan Hawke plays Ernst Toller, a reverend counseling a man who has grown profoundly fatalistic over the state of a world ravaged by global warming. He catches something from this member of his flock – is it a disease, or perhaps an epiphany? If you’re alive in 2018 and cannot relate to Toller, you’re not paying attention.

3. The Endless – Two brothers are living on their own after escaping from the cult they grew up in, but they cannot quite escape the pull of its gravity. Upon returning for a visit, they discover the elliptical truth of what is really going on, and a new landmark vision of sci-fi horror comes to fruition.

2. Sorry to Bother You – Cash Green uses his “white voice” to become a successful telemarketer, and that’s only the start of capitalism taking him for all that he’s worth. Boots Riley’s incendiary clarion call to workers’ rights is bold, everything-AND-the-kitchen-sink filmmaking.

1. Annihilation – A group of scientists and doctors (who all happen to be female) head into Area X, where a bunch of weird goings-on confound and entrance them. All forms of life in this realm are more or less cross-bred with each other, creating utter strangeness, terrifying abominations, and above all, sublime beauty.

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This Is a Movie Review: Spider-Man: Into the Spider-Verse

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CREDIT: Sony Pictures Entertainment

This post was originally published on News Cult in November 2018.

Starring: Shameik Moore, Jake Johnson, Hailee Steinfeld, Mahershala Ali, Liev Schreiber, Bryan Tyree Henry, Luna Lauren Velez, Lily Tomlin, Nicolas Cage, Kimiko Glenn, John Mulaney, Kathryn Hahn, Chris Pine, Zoë Kravitz

Directors: Bob Persichetti, Peter Ramsey, and Rodney Rothman

Running Time: 117 Minutes

Rating: PG for Superhero Bumps and Bruises and Dimension-Altering Explosions

Release Date: December 14, 2018

Even if you prefer Tom Holland or Andrew Garfield’s versions of Peter Parker, it is fundamentally outrageous that the cinematic Spider-Man has been rebooted multiple times so soon after the massively successful Tobey Maguire chapters. Spider-Man: Into the Spider-Verse avoids this pitfall by forgoing the same old Peter Parker origin story, or even the same old Peter Parker himself. Instead, the focus this time is on Miles Morales (Shameik Moore), a Puerto Rican and African-American teenager who inherits the Spider-Man mantle after he too is bitten by a radioactive arachnid. Additionally, while Miles is the primary protagonist, room is also made for just about every parallel universe version of Spider-Man that has ever existed in the comics (including noir, manga, and porcine iterations). I would love it if the live-action Marvel action movies were similarly diverse, but there is more space to be bold within animation (at least according to how the blockbuster industry currently operates).

A running gag throughout Spider-Verse is each version of Spider-Man giving us the rundown on his (or her) origin story. The film assumes that the audience is significantly familiar with the web-crawler’s mythos, and thus we get shout-outs to iconic moments from both the panel and the screen, like the murdered uncle and the upside-down kiss in the rain. These moments could play as cheap nostalgia, but instead they are far from it because there is so much visual information to digest. The effect is more one of self-awareness and reinterpretation.

Spider-Verse follows in a line of recent animated franchise films like The Lego Movie and Teen Titans Go! To the Movies that benefit from their deep wealth of knowledge about their own histories. They all comment on their own pasts, avoiding snark in the name of favoring celebration while also managing to craft new adventures that stand on their own. Spider-Verse takes its unique place as one of the most visually vibrant entries in the history of CG-animated cinema, with a cornucopia of expressive and energetic styles. Add to that a sterling voice cast, and this is one of the witties (vocally and visually), and just plain most satisfying, experiences you’ll have in all of 2018.

Spider-Man: Into the Spider-Verse is Recommended If You Like: Every Spider-Man Comic Ever, Teen Titans Go! To the Movies, The Lego Movie

Grade: 4 out of 5 Alternate Dimensions