Best Movies of 2018

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CREDIT: Courtesy of the Studios

This post was originally published on News Cult in December 2018.

I saw nearly 200 new movies in 2018, a personal record, and yet, there were still a couple dozen that I wish had more time to see. If you had told me just three years ago how many movies I would see this year, I would assume that everything would be crossed off my 2018 cinema checklist. But as I get deeper and deeper into the world of film journalism and analysis, I become ever more aware of just how seemingly limitless the cinematic landscape is. Despite my shortcomings, I am confident that I managed to put together a top 10 list that at the very least hints at all the storytelling diversity that the medium had to offer this year.

But before we get to that, here are some more 2018 movies that I loved: Assassination Nation, Bad Times at the El Royale, Boy Erased, Can You Ever Forgive Me?, The Commuter, The Death of Stalin, The Favourite, Gemini, Green Book, The Hate U Give, Hereditary, Instant Family, The Old Man & the Gun, Paddington 2, Pope Francis: A Man of His Word, Ralph Breaks the Internet, Searching, A Simple Favor, Suspiria, Teen Titans Go! To the Movies, Three Identical Strangers, Tully, and Venom.

10. Unsane – Claire Foy gets totally gaslit about her mental state, while Steven Soderbergh captures the whole charade on an iPhone. It’s more than a gimmick, as he expands his cinematic language, and a disturbing scam gets indicted in the process.

9. Isle of Dogs – Wes Anderson’s Japan-set animated canine adventure navigates some tricky business about cultural appropriateness, but it’s still a whimsical, yet thrillingly dangerous tale with delightfully quirky animation and an evergreen warning against tyrannical government.

8. Spider-Man: Into the Spider-Verse – The best superhero movie of 2018 was molded by the baggage of history while managing to also be revolutionary in a way that didn’t seem possible anymore in this era of comic book movie overload. Every Spider-Man story has partly been about how we all have the capacity to be heroic Spider-Beings; few prove it as imaginatively as Into the Spider-Verse.

7. Eighth GradeEighth Grade is basically anxiety distilled into its purest cinematic form. How could it not be? It focuses on a teenage girl in 2018 whose life is inexplicably tied to her screens, and it’s directed by Bo Burnham, who has captured his own anxiety for the raw material in his live shows. It sounds like a nightmare, and it kind of is, but it is also singularly exhilarating and inspiring.

6. BlacKkKlansman – Colorado Springs’ first black detective picks up the phone and cold-calls the KKK, setting off a batty infiltration that comments on the persistence of bigotry and the inspiration of blaxploitation. If Ron Stallworth’s story weren’t true, would Spike Lee have to have created it? He certainly had to do something to get us electrified in this still-way-too-discriminatory real world.

5. Widows – A trio of women lose their criminal husbands and are left to pull off a multimillion dollar heist in their (dis)honor. Meanwhile, Chicago’s political machine keeps dirtily chugging along. Steve McQueen’s top-notch skills elevate the message and thrills of every single frame.

4. First Reformed – The movie of 2018 that I’ve thought about the most since seeing it. Ethan Hawke plays Ernst Toller, a reverend counseling a man who has grown profoundly fatalistic over the state of a world ravaged by global warming. He catches something from this member of his flock – is it a disease, or perhaps an epiphany? If you’re alive in 2018 and cannot relate to Toller, you’re not paying attention.

3. The Endless – Two brothers are living on their own after escaping from the cult they grew up in, but they cannot quite escape the pull of its gravity. Upon returning for a visit, they discover the elliptical truth of what is really going on, and a new landmark vision of sci-fi horror comes to fruition.

2. Sorry to Bother You – Cash Green uses his “white voice” to become a successful telemarketer, and that’s only the start of capitalism taking him for all that he’s worth. Boots Riley’s incendiary clarion call to workers’ rights is bold, everything-AND-the-kitchen-sink filmmaking.

1. Annihilation – A group of scientists and doctors (who all happen to be female) head into Area X, where a bunch of weird goings-on confound and entrance them. All forms of life in this realm are more or less cross-bred with each other, creating utter strangeness, terrifying abominations, and above all, sublime beauty.

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This Is a Movie Review: Widows

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CREDIT: Twentieth Century Fox

This post was originally published on News Cult in November 2018.

Starring: Viola Davis, Elizabeth Debicki, Michelle Rodriguez, Cynthia Erivo, Colin Farrell, Brian Tyree Henry, Daniel Kaluuya, Liam Neeson, Jacki Weaver, Carrie Coon, Robert Duvall, Lukas Haas, Garret Dillahunt, Molly Kunz, Jon Bernthal, Manuel Garcia-Rulfo

Director: Steve McQueen

Running Time: 129 Minutes

Rating: R for Professional Criminals at Their Scariest

Release Date: November 16, 2018

Sometimes I am at a loss of what to say about a film because of how powerfully it has affected me. Widows is one of those films. Its immediate effect was similar to that of The Dark Knight, in which I sat stunned, not quite sure what had happened, but certain that I had seen something special. Steve McQueen’s massively sprawling saga about Chicago crime and politics is populated by a ridiculously sterling cast, with at least ten, or maybe fifteen, of them receiving the gift of really juicy material to bite into.

Chief among them, in all fairness, are the titular widows, who are left to clean up the very expensive mess left behind by their recently deceased criminal husbands. Veronica (Viola Davis), Linda (Michelle Rodriguez), and Alice (Elizabeth Debicki) are forced to form an uneasy alliance or run the risk of the rest of their livelihoods dissolving away. While each actress is compelling, their characters are not necessarily likable. Do they bear some guilt for benefitting from their husbands’ activity despite not knowing what they were tup to? On the other hand, they are in many ways trapped in a situation with no good options for escape. Their predicament demonstrates the limits of feminism and standing up for a yourself in a world ruled by violence.

Thus far in this review, I have barely touched upon even 10% of this film. It runs just a little over two hours, but it is so stuffed with goodness that I am amazed it is under three hours, yet it is simultaneously so sleek that it feels like it is running for just an hour and a half. There are about six (maybe more) stories running alongside each other and somehow they run seamlessly together. There’s Bryan Tyree Henry as a crime boss trying to break good by running for alderman in a gentrifying neighborhood and Daniel Kaluuya as his brother and terrifying enforcer. His opponent is Colin Farrell, who is struggling with maximal agita as he finds his place as a successor in a long line of Chicago politicians. And we cannot forget Cynthia Erivo as a babysitter/beautician/hustler who also plays a big part in all this. Plus there is plenty more to know about the shadowy machinations of ringleader Harry Rawlins (Liam Neeson), Veronica’s husband. And how is there also room for Matt Walsh to show up for one key scene?! McQueen is dynamite with his clear, effective craftsmanship. If you see Widows, you will likely understand everything that happens plot-wise, and you might also just feel compelled to take part in the exhaustive analysis of every frame that is sure to follow in the years to come.

Widows is Recommended If You Like: Heat, The Town, The Dark Knight, “Sisters Are Doin’ It for Themselves” by Eurythmics and Aretha Franklin

Grade: 4.5 out of 5 Aldermen