Entertainment To-Do List: Week of 7/31/20

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CREDIT: YouTube Screenshot

Every week, I list all the upcoming (or recently released) movies, TV shows, albums, podcasts, etc. that I believe are worth checking out.

Movies
Black is King (July 31 on Disney+) – A new visual album from Beyoncé.
An American Pickle (August 6 on HBO Max)

TV
The Go-Go’s (July 31 on Showtime)
Muppets Now Series Premiere (July 31 on Disney+) – It’s time to play the music again!
Star Trek: Lower Decks Series Premiere (August 6 on CBS All Access) – The first animated series in Trek history.

I Have My Doubts That Anyone Thought ‘The Secret: Dare to Dream’ Into Existence

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The Secret: Dare to Dream (CREDIT: Lionsgate)

Starring: Katie Holmes, Josh Lucas, Jerry O’Connell, Celia Weston, Sarah Hoffmeister, Aidan Brennan, Chloe Lee, Katrina Begin

Director: Andy Tennant

Running Time: 107 Minutes

Rating: PG for Life in Debt

Release Date: July 31, 2020 (Premium Video on Demand)

If I follow the advice of Rhonda Byrne’s 2006 best-selling self-help book The Secret, then it shouldn’t be too difficult for me to write a great movie review. All I have to do is think about it and it will surely come to be if I want hard enough. But I’m not sure I want to write a great review about The Secret: Dare to Dream, the thoroughly blah adaptation of Byrne’s book. I’d much rather visualize myself watching any other movie and writing a review about that instead. What does The Secret have to say about how to power yourself through a less-than-inviting obligation? Based on Dare to Dream, I have no idea. But I can tell you for sure that this wasn’t the movie I visualized when I heard they were making another fictional narrative out of an advice book.

There’s one scene early in the film in which a pizza delivery arrives after everyone else imagines it. (It turns out that someone they know sent it as a surprise.) But other than that moment, I don’t see how this adaptation demonstrates the principle of its source material. That’s not necessarily a problem. Even if it fails in that regard, it can still be entertaining. But alas, it fails in that regard as well, as it is a rather mundane story about a down-on-their-luck family who experience a little bit of luck after a stranger (who maybe isn’t a stranger) suddenly arrives in their lives.

That family would be the widowed Miranda (Katie Holmes) and her three kids, who find themselves wondering what the deal is with wandering handyman Bray, who is played by Voice of Home Depot Josh Lucas. Bray carries with him some Very Important Documents that almost definitely have something to do with Miranda’s dead husband. He was planning on showing them to her as soon as they met, but he decides instead to hang around for a bit and fix up her house after a hurricane tears through it. He also stays because he just has a … feeling. You know, one of those “the universe is trying to tell me something” feelings. That contrivance lasts long enough for Miranda to realize that she isn’t in love enough with her boss (Jerry O’Connell) to marry him, even though he’s a swell guy who looks after her and the kids. Then when the truth comes out about why Bray is really there, Miranda feels betrayed, which I guess makes sense, but it also comes off as overwrought and perfunctory. Even more perfunctory is the moment when she sees the whole picture and decides to give Bray another chance.

To make a movie actually come into being, it really does require a lot of believing that it can actually happen. Considering that The Secret: Dare to Dream is based on that very principle, it’s a little sad to see that the result is so thoroughly right-down-the-middle.

The Secret: Dare to Dream is Recommended If You Like: Pretending you’re watching another movie so hard that it actually happens

Grade: 1.5 out of 5 Banalities

Documentary Review Time: The ACLU Keeps Bringing ‘The Fight’ to the Trump Administration

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Dale Ho in “The Fight” (CREDIT: Magnolia Pictures)

Starring: The ACLU

Directors: Elyse Steinberg, Josh Kriegman, and Eli Despres

Running Time: 96 Minutes

Rating: PG-13 for Legal Stress

Release Date: July 31, 2020 (Theaters and On Demand)

Documentary feature film productions typically shoot many more hours of footage than they could possibly include in the final product. With that in mind, organization is an incalculably important virtue during the editing process. I always greatly appreciate it when a (non-abstract) documentary concretely guides where my attention should go. Thus, The Fight is the beneficiary of my filmgoing gratitude, as it cleanly divides its narrative into four sections, each covering one lawsuit brought against the federal government with the support of the American Civil Liberties Union in the wake of the election of one Donald J. Trump. The cases and their primary issues are as follows: Garza v. Hargan, abortion rights; Stone v. Trump, transgender military ban; Department of Commerce v. New York, the census citizenship question; and Ms. L. v. ICE, separated families at the border.

In a country as famously litigious as the United States, it makes sense to expect that there would be plenty of legal challenges whenever a new administration takes office. That is exponentially true in the case of Trump, who promised to make any sense of political decorum a permanent thing of the past. As an organization dedicated to protecting legally guaranteed rights, the ACLU set itself in ready-position in 2017. But really, that was already their default status – this historical moment merely amplified that.

As is often the case in these multi-part documentary narratives, one character emerges as the most compelling among the rest. This time, it’s the constantly agitated but charming Dale Ho, who takes the lead in the census case. He finds himself uncomfortably thrust into the moment as he prepares to argue in front of the Supreme Court for the first time in his life. All of the lawyers we meet in The Fight focus on keeping their arguments soundly intellectual, but that cannot stop them from having intense physiological reactions to what they’re stepping into, and that’s especially true in Dale’s case.

The title of this film implies an eternal battle that has been going on before Trump’s election and that will likely continue after he leaves office. There are a few victories here and there, but it is made perfectly clear that they could very well be minor and short-lived in the grand scheme of things. If The Fight has one underlying message that synthesizes everything else it has to say, it is that we must be continuously prepared for these battles. The title could have been “The Struggle,” which is my go-to word for something that requires persistence. But instead we have something that’s just as eternal, but more pugilistic. That feels like the right call. These cases are wading through forces that affect and disrupt wide swaths of society. It’s rough out there, and it’s important to be reminded of that.

The Fight is Recommended If You Like: Recent Left-Leaning Political Documentaries

Grade: 3.5 out of 5 Lawsuits

That’s Auntertainment! Episode 15 Part 2: Best TV Dramas of the 2010s

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Aunt Beth and Jeff wrap up July 2020, aka “Best TV of the Decade Month,” with their top 5 Drama selections of the 2010s. There are dangerous lead characters in both of their #1’s and some folks you’ve gotta call in both of their #4’s.

Entertainment To-Do List: Week of 7/24/20

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CREDIT: YouTube Screenshot

Every week, I list all the upcoming (or recently released) movies, TV shows, albums, podcasts, etc. that I believe are worth checking out.

Movies
The Rental (July 24 on Demand) – Dave Franco directs his wife Alison Brie!

TV
-NBA Countdown: NBA Restart (July 25 on ABC)

Jmunney’s 2020 Emmy Wish List, Part 4: Variety and Reality

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CREDIT: ABC; IFC

The 2020 Emmy nominations will be announced on July 28. As per annual tradition, I have assembled a Wish List for as many categories as I have something to say about. There is no minimum or maximum number per category, nor is there any strict adherence to official Emmy rules. And of course, there is the necessary caveat that I have not seen everything. Even with much of the country shut down for the past few months, that’s impossible.

Now that I have made my way through the avalanche of award-worth Dramas, Comedies, and Limited Series, it’s time to get a little silly with the Variety shows. And this year, I decided to also talk about Reality, as there are enough competition shows that I plainly love to be able to fill out a ballot.

Conan is my top choice among the talkies, as Mr. O’Brien and company adapted quite naturally to the new reality of at-home production and Zoom interviews. The Soul Train/American Bandstand homage that is Sherman’s Showcase is the easy choice in Sketch Series; seriously folks, you gotta check this show out. And while I don’t always include SNL in the field, it earned a spot this year thanks to the resiliency demonstrated in its at-home episodes.

Moving on to Reality, where my Competition Program picks are dominated by game shows, naturally enough. At the top of the heap is the mini-golf showcase Holey Moley, one of the most purely fun and positive shows on the air right now. And Joe Tessitore and Rob Riggle are the perfect silly/serious M.C. pair to present the whole shebang.

KEY:
Bold=My winner

CREDIT: YouTube Screenshot

Variety Talk Series
CONAN
Full Frontal with Samantha Bee
Last Week Tonight with John Oliver

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Jmunney’s 2020 Emmy Wish List, Part 3: Limited Series

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CREDIT: YouTube Screenshot

The 2020 Emmy nominations will be announced on July 28. As per annual tradition, I have assembled a Wish List for as many categories as I have something to say about. There is no minimum or maximum number per category, nor is there any strict adherence to official Emmy rules. And of course, there is the necessary caveat that I have not seen everything. Even with much of the country shut down for the past few months, that’s impossible.

(Check out my previously published thoughts on Drama and Comedy.)

It was a banner year for Limited Series, or at least it was a banner year for Limited Series being on my radar. Damon Lindelof and Co.’s take on Watchmen is the cream of the crop, although it’s not my top pick in most of the acting categories. That would be the very unique Dispatches From Elsewhere, which goes 3 out of 4 and misses out only Lead Actress due to having nobody in the running in that field. As for the rest of the nominations, I had a lot of fun spreading the love around to the likes of the passionate lovers of Normal People, the game show freaks of Quiz, the political ladies of Mrs. America, the politically concerned citizens of The Plot Against America, and Nick Offerman’s glorious beard.

KEY:
Bold=My winner

Limited Series
Devs
Dispatches From Elsewhere
Mrs. America
Normal People
The Plot Against America
Quiz
Watchmen

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‘Amulet’ Joins the Long Line of Creepy Cinematic Abodes

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Amulet (CREDIT: Rob Baker Ashton/Magnet Releasing)

Starring: Carla Juri, Alec Secareanu, Imelda Staunton, Angeliki Papoulia, Anah Ruddin

Director: Romola Garai

Running Time: 99 Minutes

Rating: R for Freaky and Disturbing Images

Release Date: July 24, 2020 (Theaters and On Demand)

It’s nice when people open their houses up to someone who doesn’t have anywhere else to stay. But it’s not so nice when there’s something demonic lurking within that house. Not to mention all the structural problems that often go hand-in-hand with supernatural occupancy. Maybe the guest can summon some exorcism skills, but when the pipes are leaking and the walls are cracking, it can be tough to get in a good night’s sleep. This is the predicament that the homeless Tomaz (Alec Secareanu) finds himself in in Amulet, Romola Garai’s feature directorial debut. He’s given an offer he’s not in much of a place to refuse: to stay at the home of Magda (Carla Juri), a young woman who seems entirely cut off from the rest of the world as she cares for her dying mother.

As Amulet starts up, it strikes me as a slow-burn horror in the vein of It Comes at Night, where it’s not clear that we’ll ever fully see what’s causing all the commotion. I also detect notes of The Innkeepers, in terms of a general feeling of spookiness instead of any fully present monsters. If anything, it seems for a while that the scariest figure could be a stern nun played by Imelda Staunton. (And by Imelda Staunton standards, she’s actually fairly nice.)

But then a bat shows up in a toilet. I thought it was a pig at first. But no, it’s very much a bloodsucking mammal, and it’s in a foul mood. And that description would also accurately describe Magda’s mom and the whole house itself (not so much the mammal part for the latter). In the final act, Amulet ruthlessly turns macabre and baroque right quick. It’s a little overwhelming and presumably would have been even more so if I had seen it in a theater instead of at my home. Thie go-for-broke set design would almost certainly be more enveloping on a bigger screen, but its boldness is at least still impressive no matter what the scale. And that’s important, because that is pretty much where Amulet pulls all of its eggs in the basket when everything is said and done.

Amulet is Recommended If You Like: Vampire bats

Grade: 3 out of 5 Home Repairs

‘Radioactive’ is a Curie-ous Biopic

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Radioactive (CREDIT: Amazon Studios)

Starring: Rosamund Pike, Sam Riley, Anya Taylor-Joy, Aneurin Barnard

Director: Marjane Satrapi

Running Time: 110 Minutes

Rating: PG-13 for A Little Love and Some Death

Release Date: July 24, 2020 (Amazon Prime Video)

Is there anyone who has been more iconic in the annals of both science and romance as Marie Curie? Her research has had far-reaching effects on human society, she was the first woman to win a Nobel Prize (and the first person of any gender to win a second Nobel), and she was married to a fellow scientist who by all accounts greatly respected and encouraged her work. Considering all that, a biopic about her ought to be pretty wondrous, and that does seem to be what the Marjane Satrapi-directed Radioactive is after. As Marie, Rosamund Pike delivers an appropriately ethereal and almost supernatural performance. But like many true life cinematic stories that cover a wide range of time, the film struggles to focus on its strongest elements.

The Curie love story is sweet as Marie and Pierre (Sam Riley) find their way to each other via their own peculiarities. Their courtship is marked by lines like, “How do I look at you? Like a fermenting brain?” She initially holds him at arm’s length, worried that he will expect her to be the sort of wife who gives up her own pursuits for the sake of marriage. Of course, dramatic irony and the historical record assures us that isn’t the case, and it is lovely to see how the mutual respect of these two played such a big part in influencing the future of the whole planet.

Alas, the Curies’ marriage lasted barely more than a decade, as Pierre died in an accident at the age of 46. That leaves a pretty good chunk of movie left, during which Marie and Pierre’s elder daughter Irene (Anya Taylor-Joy), yet another scientist in the family, ascends to fill the role of her mother’s on-screen partner. During this back half, we get plenty of foreshadowing of the deadly fate that awaits Marie due to her years of exposure to radiation. Satrapi and screenwriter Jack Thorne could have played up this element a bit more to achieve more of a horror bent. It probably wasn’t what they were aiming for, but it would’ve made the film more distinct.

Beyond all that, the most effective element of Radioactive is the handful of flash-forwards we get to demonstrate the influence of Marie’s work: a doctor employing an experimental treatment on a young boy with cancer, the bombing of Hiroshima, a nuclear test explosion in Nevada, and a visit to the Chernobyl disaster. I wish there had been more of these moments, as they’re where the message really hits home the hardest. If the movie were structured more thoroughly around them, it could have made for a fully affecting film instead of an intermittently affecting one.

Radioactive is Recommended If You Like: Science, Feminism, Colleague Spouses

Grade: 3 out of 5 Radiums

Jmunney’s 2020 Emmy Wish List, Part 2: Comedy

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CREDIT: YouTube Screenshots

The 2020 Emmy nominations will be announced on July 28. As per annual tradition, I have assembled a Wish List for as many categories as I have something to say about. There is no minimum or maximum number per category, nor is there any strict adherence to official Emmy rules. And of course, there is the necessary caveat that I have not seen everything. Even with much of the country shut down for the past few months, that’s impossible.

Yesterday I kicked off my Emmy Wish List coverage with plenty of Drama. Today it’s time to laugh along with the Comedies, and boy, what a year for laughter it was! At the top of my list are those wacky vampires (Vacky vampires? Wacky wampires? Vacky wampires?) of What We Do in the Shadows, which in its second season staked itself permanently in my heart. It’s my winner for Comedy Series and all but one of the acting categories. Too bad it doesn’t have a Supporting Actress, otherwise it would’ve been a clean sweep.

Matt Berry is at the top of the Lead Actor heap thanks almost entirely to the Jackie Dayton episode (which ought to also earn Mark Hamill a Guest Actor trophy). Meanwhile, Mark Proksch slays the Supporting Actor Field thanks to Colin Robinson taking full advantage of his promotion. And Natasia Demetriou is the #1 Lead Actress because Nadja is awesome in every episode.

As for the Supporting ladies, I’ve got a little bit of everything, and ultimately it just felt right to go with the representative of the oldest show on my ballot as the winner.

Some other notables: Never Have I Ever and mixed-ish make the strongest showings of freshman series, Sex Education switches its category placement from Drama to Comedy (and remains worthy of praise), and I’m currently only on Season 2 of Schitt’s Creek, but I’m sure it’s just as good in its final season.

KEY:
Bold=My winner
!( )!=I haven’t caught up to the current season of this show, but I still wanted to recognize it.

Comedy Series
Atypical
Baskets
It’s Always Sunny in Philadelphia
Mixed-ish
Never Have I Ever
Sex Education
!(Schitt’s Creek)!
What We Do in the Shadows

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