‘The Forever Purge’ is a Modern Dystopian Nightmare

June 30, 2021

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The Forever Purge (CREDIT: Universal Pictures/YouTube Screenshot)

Starring: Ana de la Reguera, Tenoch Huerta, Josh Lucas, Cassidy Freeman, Leven Rabin, Alejandro Edda, Will Patton

Director: Evarardo Gout

Running Time: 103 Minutes

Rating: R for Sniveling, Racist, Terroristic Violence

Release Date: July 2, 2021 (Theaters)

I thought we were done with The Purge. With the 2016 release of The Purge: Election Year, a new administration ascended and officially ended the annual night of state-sanctioned lawlessness. But horror franchises never say die, so this one went the prequel route with 2018’s The First Purge. There was also a two-season TV series that debuted that same year, which I watched one episode of. As far as I know, it has little, if any, bearing on the movies. Now all the legal crime’s been reinstated in The Forever Purge, and as the title indicates, there’s a contingent intent on it never ending. But after such a satisfying conclusion in Election Year, that’s such a depressing prospect to me. So pretty much the only way I can find The Forever Purge palatable is by pretending that it’s essentially a standalone entry, so that’s what I’ll do.

It’s not too hard to pull off this mental trick, as Forever carries over no characters from any previous entries (save for the ever-present specter of the “New Founding Fathers of America” regime that conceived of The Purge in the first place). This time around we’re in Texas, with a white ranch-owning family and a Mexican family that works on the ranch as our requisite set of people who would prefer to barricade themselves up during this here Purge, thank you very much. (Josh Lucas’s Dylan Tucker, the biggest jackass of these clans, has the most selfish reason for opposing this ritual, as he declares, “I hate the damn Purge. It’s just hard to be social on that night.”) Then there are the truly demented forever purgers, among the most thoroughly evil caricatures of any good grindhouse flick.

After living through a pandemic and its attendant heightened anxiety, I’m not exactly in the mood for the 24/7 terror promised by The Forever Purge. Hell, I’m not usually ever in the mood for that, but at least when the earlier Purge editions came out, they felt much further removed from reality than they do now. But insurrectionists demanding that the government make their already-extreme policies even more extreme is very much a part of recent American history. At least The Forever Purge allows for some catharsis by making it very clear that it is on the side of the systemically downtrodden. This has always been an “eat the rich” franchise, and this time that’s clearer than ever, what with the villains aiming to essentially start a race war. In conclusion, I can’t remember any other mainstream film in my lifetime basically saying “Maybe Mexico is a better place to live than America right now,” so I have to applaud The Forever Purge‘s gumption and conviction.

The Forever Purge is Recommended If You Like: Revisiting a nightmare world

Grade: 3 out of 5 Purges

Do Yourself a Favor and Check Out the Questlove Documentary Jawn ‘Summer of Soul’

June 29, 2021

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Summer of Soul: Sly Stone (CREDIT: Searchlight Pictures)

Starring: The Performers and Attendees of the 1969 Harlem Cultural Festival

Director: Questlove

Running Time: 117 Minutes

Rating: PG-13 for Rock ‘n’ Roll

Release Date: June 25, 2021 (New York and Los Angeles)/July 2, 2021 (Expanding Theatrically/Hulu)

The 1969 Harlem Cultural Festival is widely known as “Black Woodstock,” and if you watch the Questlove-directed concert documentary Summer of Soul (…Or, When the Revolution Could Not Be Televised), it’s pretty obvious why. Two landmark music festivals, held in the same summer, in the same state, only about 100 miles apart. One of them has enjoyed one of the biggest footprints in American cultural history. The other was permanently relegated to the dustbin … until now.

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‘Zola’ Has Me Feeling All ‘Abandon Hope, All Ye Who Enter Here’

June 28, 2021

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Zola (CREDIT: A24)

Starring: Taylour Paige, Riley Keough, Colman Domingo, Nicholas Braun, Ari’el Stachel, Jason Mitchell

Director: Janicza Bravo

Running Time: 90 Minutes

Rating: R for The Full Array of Language, Nudity, and Violence

Release Date: June 30, 2021 (Theaters)

There’s a lot of balls to Zola, both in the sense of chutzpah and exposed private parts. Check your pulse at the door, this one is not for the faint of heart. It has the verve and vibe of a no-holds-barred good time, but it’s all in the name of pandemonium. The ostensible attraction of this story for moviegoers is that while it’s terrifying for the people it happened to, it’s exhilarating to witness from the comfort and safety of your local multiplex or couch. But by the end, the only thought I was left with was, “I’m glad that didn’t happen to me.” And I suspect that’s exactly the sort of trick that director/co-writer Janicza Bravo was attempting to pull off.

This is definitely a story of something happening to someone, as opposed to that someone taking charge. Aziah “Zola” King (Taylour Paige) would probably like to think of herself as a person who’s in control of her own life, at least as much as anyone can be while getting by in a capitalist society. But when ripped outside your comfort zone, you might suddenly find yourself at the mercy of powerful forces.

Based on a viral tweet thread by the real Zola and a Rolling Stone article inspired by that thread, the movie tracks the quick rise and fall of her friendship with the alluring Stefani (Riley Keough). One day, Zola is Stefani’s waitress; the next, they’re best buds driving hundreds of miles to make it rain at some Florida strip clubs. But what Zola hadn’t bargained for is the annoying presence of Stefani’s hangdog boyfriend Derrek (Nicholas Braun). And what she REALLY hadn’t bargained for was Stefani’s pimp X (Colman Domingo) advertising her adult services without her consent.

Zola presents Stefani as a perpetrator of instant betrayal and someone she never should have trusted with in the first place. One of the most telling moments happens when the movie suddenly switches perspectives, with Stefani offering a much shorter, cleaner, and more unbelievable version of the entire journey. That section might seem to be the closing argument of Stefani as a dangerous siren, but it’s also further evidence to me about how much she is being manipulated by X or anyone else in a position to destroy her whole life. There’s no way out for Stefani, and no indication that she’s even considered the possibility of how to escape. For Zola and the rest of us, it’s a relief that this was just a temporary scrape with the underworld.

Zola is Recommended If You Like: Watching a great time turn into an awful time

Grade: 3.5 out of 5 Backpage Ads

Entertainment To-Do List: Week of 6/25/21

June 25, 2021

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Every week, I list all the upcoming (or recently released) movies, TV shows, albums, podcasts, etc. that I believe are worth checking out.

Movies
–F9 (Theaters) – Getting everyone back together.
–Werewolves Within (Theaters)
–No Sudden Move (July 1 on HBO Max) – Soderbergh on HBO Max again.

TV
–Central Park Season 2 Premiere (June 25 on Apple TV+) – Still catching up on Season 1, though.

Music
-Lucy Dacus, Home Video
-Doja Cat, Planet Her
-Modest Mouse, The Golden Casket
-Tyler, the Creator, Call Me If You Get Lost

At the 2021 Tribeca Film Festival: Back At It

June 24, 2021

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CREDIT: YouTube Screenshot

After a one-year, pandemic-prompted absence, the Tribeca Film Festival returned in 2021 with a hybrid edition of in-person and virtual screenings. As per usual, I procured a press credential, and this time around, most of the press showings were of the at-home variety. So I summoned up some of these festival flicks on my laptop and proceeded to stick my HDMI cable into my trusty television.

When deciding which movies to watch at Tribeca (or any festival), I try to opt for ones that I would be less likely to check out otherwise, and I made even more of a point of doing that this year. All of my selections are films that aren’t playing at a theater near you anytime soon (at least that I’m aware of). I watched from the comfort of domestic furniture, but the festival vibe was present at least a little bit, thanks to some pre-recorded introductions. That’s a small detail, but an important one that I very much appreciated.

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‘F9’ Goes Full Looney Tunes

June 21, 2021

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F9: Explosion (CREDIT: YouTube Screenshot)

Starring: Vin Diesel, Michelle Rodriguez, Jordana Brewster, Tyrese Gibson, Chris “Ludacris” Bridges, Nathalie Emmanuel, John Cena, Sung Kang, Charlize Theron, Vinnie Bennett, Finn Cole, J.D. Pardo, Michael Rooker, Lucas Black, Shad Moss, Jason Tobin, Kurt Russell, Helen Mirren

Director: Justin Lin

Running Time: 145 Minutes

Rating: PG-13 for The Usual Cascade of Absurd Action

Release Date: June 25, 2021 (Theaters)

F9 is easily the silliest of the Fast & Furious series, which is saying something for a franchise that already went up to 11 and beyond on the Over-the-Top Scale at least four movies ago. It’s not the level of ambition that’s different so much as the tenor. The main attraction of Fast Five through Furious 7 was how technically brilliant the stunts were; this time it’s all about how they could fit right in with something out of Bugs Bunny and company. Roman (Tyrese) and Tej (Ludacris) definitely have a Wile E. Coyote/Roadrunner vibe. (Which one is which depends on any given moment.) Another apt comparison: Muppet Labs’ Dr. Bunsen Honeydew and his assistant Beaker. (Once again, the roles can flip-flop depending on the situation.)

So here’s the deal this time around: Dom has a brother that we’ve never seen before! Also, the gang goes to space! How did the former remain a secret for so long? Ehh, don’t worry about it, they’ll figure out a way. It doesn’t matter if it makes sense or not. Did you hear the part I just mentioned about space? This series, and this entry in particular, doesn’t really concern itself with what’s probable. Well, actually I kind of take that back, as it actually does concern itself with probability, but only in terms of playing lip service to the concept. To wit: there’s a running bit in which Roman, Tej, and Ramsey (Nathalie Emmanuel) ponder if they’re something akin to invincible superheroes. The movie doesn’t actually say that they are, but it doesn’t not say that either.

What’s also making me feel good with F9 is the Tokyo Drift reunion. What had previously seemed like the ugly stepchild in the franchise and what I had originally pegged as a potential so-bad-it’s-good contender has instead evolved into something resembling a cult classic full of hidden treasures. Sung Kang has already returned as Han multiple times, and the trailer has already spoiled that he’s back from the dead for this go-round. But on top of that, we’ve also got Lucas Black, Jason Tobin, and Shad “Bow Wow” Moss back in action. They’re not drifting their rides this time around, but they are more explosive than ever. Remember that Muppet Labs comparison. This is a trio of Bunsen Honeydews right here. Also of note: with appearances by Frog and Robopine, I believe this is the first Fast & Furious movie to feature two (2) Masked Singer alums.

I haven’t talked too much about John Cena showing up and wreaking havoc as Dom’s long-lost brother Jakob, or Jordana Brewster as their sister Mia getting back in the swing of things after skipping the last chapter, even though that is of course the main storyline. And well, that’s because, we all know how this story goes: something threatens the stability of the family, and then crazy stunts are pulled off all over the globe in the name of strengthening the family’s core and opening up that family to new members. I don’t worry too much about the villainy, because nobody stays a villain for very long in this universe. As long as there are enough silly shenanigans going on in the margins – and in the most important moments – then we’re good to go.

F9 is Recommended If You Like: Fast Five, Tokyo Drift, Violent kid-friendly cartoons

Grade: 3.5 out of 5 Electromagnets

That’s Auntertainment! Episode 32: Pose

June 20, 2021

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Look at all those Poses (CREDIT: FX/YouTube Screenshot)

The Category is…Live… Work… A Podcast Episode About Pose!

Entertainment To-Do List: Week of 6/18/21

June 18, 2021

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Kevin Can F*** Himself (CREDIT: Jojo Whilden/AMC)

Every week, I list all the upcoming (or recently released) movies, TV shows, albums, podcasts, etc. that I believe are worth checking out.

Movies
–Luca (June 18 on Disney+)
–Rita Moreno: Just a Girl Who Decided to Go for It (Theaters)
–The Sparks Brothers (Theaters)

TV
–Physical Series Premiere (June 18 on Apple TV+) – Rose Byrne gets into 80s aerobics.
–Evil Season 2 Premiere (June 20 on Paramount+)
–Kevin Can F*** Himself Series Premiere (June 23 on AMC) – Annie Murphy hates sitcom clichés.
–Rick and Morty Season 5 Premiere (June 20 on Adult Swim)
–College Bowl Reboot Premiere (June 22 on NBC) – Peyton Manning hosts.
–Card Sharks Season Premiere (June 23 on ABC)
–Conan Series Finale (June 24 on TBS) – Headed to HBO Max.
–The Good Fight Season 5 Premiere (June 24 on Paramount+)
–RuPaul’s Drag Race All Stars Season 6 Premiere (June 24 on Paramount+)
–When Nature Calls with Helen Mirren (June 24 on ABC) – Something with animals.

Music
-H.E.R., Back of My Mind

‘The Sparks Brothers’ Review: Weird Band, Great Documentary

June 16, 2021

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The Sparks Brothers (CREDIT: Anna Webber/Focus Features)

Starring: Ron Mael, Russell Mael, and Plenty of Their Biggest Fans

Director: Edgar Wright

Running Time: 140 Minutes

Rating: R for Language (That I Remember Being Pretty Mild, Honestly)

Release Date: June 18, 2021 (Theaters)

What separates a Behind the Music-style biography from a truly feature-worthy documentary? Attitude, for one thing. And Ron and Russell Mael (aka the pop/rock duo known as Sparks) have got plenty of attitude. A friendly attitude, that is! But inscrutable nonetheless. The Edgar Wright-directed The Sparks Brothers posits that you could look these brothers up on Wikipedia and still know nothing about them. That’s more than a bit of an exaggeration, as their actual Wiki page is a healthy length for a band that’s been around for 50+ years. (It’s about as long as, say, Edgar Wright’s.) But it becomes clear pretty quickly that that contention is hardly meant to be literal. The real story of Sparks is that they’ve remained perpetually under the radar despite their impressive influence and proflicacy to the point that plenty of music lovers have never heard of them. And even among their biggest fans, they are – and will probably forever be – a mystery.

The structure of this film is hardly groundbreaking as far as music documentaries (or documentaries in general) go. Vintage performance clips are mixed in with interviews of the musicians and their colleagues and fans. But that ostensible normalcy is perfectly fine, as the subjects themselves are just so confounding. They don’t appear to live on this planet Earth with the rest of us, or if they do, it’s within a different sort of dimension entirely. Really, how do you explain a Hitler mustache-sporting keyboard player and his moptopped singer brother that seemingly everybody loves and who have been at the forefront of so many of the major historical trends in popular music? If you’re Edgar Wright, you make a whole dang movie about them so that people like myself who never knew about them before can witness the wonderful world of Sparks.

One major thread running through The Sparks Brothers is the idea that people don’t take comedy in music very seriously. Performers who are decidedly comedic tend to be relegated to the novelty act heap. And indeed, the comedy is a major part of Ron and Russell’s appeal, which helps explain why some of the interviewees include the likes of such professional funny people as Mike Myers, Patton Oswalt, and Scott Aukerman, as well as Comedy Music Extraordinaire himself, “Weird Al” Yankovic. As far as Sparks go, they haven’t exactly had a Yankovic-style career; instead, they’ve existed in some sort of no man’s land that seems like a parallel universe version of major rock ‘n’ rollers like Rolling Stones or Talking Heads or even Prince. This is not a tragedy, far from it. All signs point to them being quite content with the life and career they’ve lived. So check out their story, and I bet it’ll bring a smile to your face.

The Sparks Brothers is Recommended If You Like: Any of the popular music from the 60s to today

Grade: 3.5 out of 5 Sparks

‘Rita Moreno: Just a Girl Who Decided to Go for It’ is Just a Documentary That Decided to Be About Rita Moreno

June 15, 2021

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CREDIT: Roadside Attractions

Starring: Rita Moreno, and Friends

Director: Mariem Pérez Riera

Running Time: 90 Minutes

Rating: PG-13 for Casual Hollywood Cruelty

Release Date: June 18, 2021 (Theaters)

Rita Moreno: Just a Girl Who Decided to Go for It is your typical celebrity biography documentary, though the subject is far from your typical celebrity. She was the third person ever to EGOT, after all! So obviously respect must be paid. We get to know the skeleton of her story via interviews with the 89-year-old living legend herself, as well as some of her closest friends and collaborators. She had struggles early in her life, as she dropped out of school at 15 and became the breadwinner for her family. She also had struggles throughout her career, as she endured sexism and harassment and navigated Hollywood’s notorious habit of racism by employing what she refers to as the “Universal Ethnic Accent.” She also had some romantic encounters that came and went along the way (Marlon Brando comes up a fair bit), and there’s that one project that looms large above them all (West Side Story, of course). Once again, this is typical celeb profile fodder through and through, but it’s worth paying attention to, because Moreno has endured, clear-headed and still full of energy.

I believe that all movies are best experienced on the big screen, even something as straightforward as Just a Girl Who Decided to Go for It. Alas, I did not see this particular movie in a theater (studios are back in the swing of holding in-person press screenings, though not quite at the pre-pandemic rate), and while I wish I had, the Sunday evening that it spent on my television felt appropriate. This very much feels like the sort of in-depth human-interest reporting that you would see on PBS on CBS that tends to air on the first day of the week. If someone told me that this was a series of about ten separate CBS Sunday Morning and 60 Minutes features stitched together to form one feature-length piece, I wouldn’t be surprised, both in the sense that it has the vibe of those shows and because it’s perfectly believable that Moreno would be covered that often on the same program. So if you’re a big Rita Moreno fan and you have the opportunity to make it out to the theater, I recommend it, but if you prefer waiting until you can lounge at home and summon her up on your TV, that’s not a bad option either.

Rita Moreno: Just a Girl Who Decided to Go for It is Recommended If You Like: Rita Moreno herself of course, Celebrity features on newsmagazine shows

Grade: 3 out of 5 EGOTs

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