Should You Press (Kid ‘N) Play on This Year’s ‘House Party’?

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thank you brond james (CREDIT: Warner Bros. Pictures/Screenshot)

Starring: Jacob Latimore, Tosin Cole, DC Young Fly, Karen Obilom, Andrew Santino, Melvin Gregg, Rotimi, Allen Maldonado, Kid Cudi, LeBron James, Mýa

Director: Calmatic

Running Time: 110 Minutes

Rating: R for Party Vices and a Shockingly Violent Turn in the Final Act

Release Date: January 13, 2023 (Theaters)

What’s It About?: Kevin (Jacob Latimore) and Damon (Tosin Cole) – that’s duh-MON, not DAY-muhn – have just found out they’re about to be fired from their house cleaning job after getting busted for toking up on the job. But they’ve got a side hustle as party promoters, so they decide to go all in on that venture when they find out that the last house they’re cleaning belongs to none other than LeBron James. The NBA great is away on a mindfulness retreat, so they take over his crib for one wild night in the hopes of clearing their debts and launching themselves into the social stratosphere. Naturally enough, though, chaos ensues. A championship ring is stolen, a koala turns violent, and the Illuminati are contacted. And of course, there’s the whole business about the two friends falling apart but then ultimately becoming closer than ever.

What Made an Impression?: If you weren’t around 30 years ago, you might have missed that 2023’s House Party is a remake of the 1990 flick of the same name that starred hip-hop duo Kid ‘n Play and spawned a couple of sequels. That connection feels rather beside the point, though, as it’s not like the original House Party owns a copyright on any and all depictions of cinematic house parties. If you want to make a movie about a party at someone’s house, it’s not like you need Kid ‘n Play’s permission. Although I suppose the brand name recognition helps, and Kid and Play do in fact stop by for a quick cameo.

In that vein, much of the 2023 edition feels like a time capsule from the 90s or at least the early 2000s. In addition to Kid ‘n Play’s pop-in, Bill Bellamy, Lil Wayne, Juvenile, and Snoop Dogg all stop by for some cameos. (Although I guess we can recognize Snoop as eternal at this point.) Plus, there’s a running thread in which Damon tries to book Mýa for the party, and I’m thinking, “Mýa? I haven’t heard from her since ‘Lady Marmalade’!” She still looks great, though!

Anyway, does this 21st century House Party deliver the requisite laughs and welcoming hangout vibes? It’s definitely a little too sleepy at first, as the opening act mostly consists of Kevin and Damon by themselves in a very big house, and there’s just none of the cacophony necessary to fill all that air. When the party eventually starts poppin’, it’s still not exactly a nonstop laugh riot, though there are enough bizarre digressions to at least hold my attention. And Lena Waithe shows up for a scene or two to deliver some chuckle-worthy stoner thoughts. So ultimately, Kevin and Damon string us along on a journey that starts out at Dreadful and ends up at Not Too Bad.

House Party is Recommended If You Like: Movies That Are Surreal But Not Quite Surreal Enough

Grade: 2 out of 5 Koalas

‘Plane’ Keeps It Plain and Simple by Gerard Butler Standards

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Not Pictured: The Plane (PHOTO CREDIT: Kenneth Rexach)

Starring: Gerard Butler, Mike Colter, Yoson An, Tony Goldwyn, Daniella Pinda, Kelly Gale, Rami Adeleke, Haleigh Hekking, Lily Krug, Joey Slotnick, Oliver Trevena, Paul Ben-Victor, Quinn McPherson

Director: Jean-François Richet

Running Time: 107 Minutes

Rating: R for Guns and Machetes

Release Date: January 13, 2023 (Theaters)

What’s It About?: I don’t work in the airline industry, but I’m pretty sure the flight in Plane never should have been cleared for takeoff. (Although to be fair, that is the conclusion that the majority of the airline workers in this movie arrive at.) Anyway, widowed Captain Brodie Torrance (Gerard Butler) just wants to get through this one last flight before he’s able to visit his daughter Daniela (Haleigh Hekking). But instead, his titular aircraft is struck by lightning, and he’s forced to make an emergency landing in a remote jungle in the Philippines. He sticks the landing, but now he’s got to deal with a bunch of thirsty, irritable passengers, one of whom is a prisoner (Mike Colter) charged with homicide who for some reason is being extradited on a commercial flight. And an even bigger headache arrives when they discover that they’re in an essentially lawless area that’s run by a militia that may just be interested in holding them for ransom.

What Made an Impression?: I’ve never really been a fan of the Gerard Butler Brand of Action Thrillers, which tend to posit that the world is a sick, violent place, and someone has to stand up if anybody is going to survive. Sure, kidnappings and coups do happen in the real world, but that doesn’t mean that movies about them have to be so joyless. But while it’s not my cup of cinematic tea, there appears to be a loyal audience for this type of genre flick. So for those of you in the market, you’ll be pleased to know that Plane has a clear premise, clearly established stakes, and cleanly shot action. I at least appreciated that the beachside setting allowed for plenty of sunny cinematography. I’m still not a Butler convert, but I respect him for committing to do what works for him.

Plane is Recommended If You Like: Olympus/London/Angel Has Fallen, Chuck Norris and Steven Seagal’s Complete Filmographies

Grade: 2.5 out of 5 Planes

‘Broker’ and ‘RRR’ Weekend: What Are They Cooking in Korea and India?

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The only reason to wear suspenders (CREDIT: Screenshot)

RRR:

Starring: N.T. Rama Rao Jr., Ram Charan, Ajay Devgn, Alia Bhatt, Shriya Saran, Samuthirakani, Ray Stevenson, Alison Doody, Olivia Morris, Twinkle Sharma, Edward Sonnenblick

Director: S.S. Rajamouli

Running Time: 182 Minutes

Rating: PG-13

Release Date: March 25, 2022 (Theaters)

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‘M3GAN’ Captures What It Means to Be Both a Robot and a Human in 2023

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In another scene, M3GAN reminds Cady to flush the toilet! (CREDIT: Universal Pictures)

Starring: Allison Williams, Violet McGraw, Amie Donald, Jenna Davis, Ronny Chieng, Brian Jordan Alvarez, Jen Van Epps, Stephane Garneau-Monten, Lori Dungey

Director: Gerard Johnstone

Running Time: 102 Minutes

Rating: PG-13 for Horrifying Demises That Cut Away Before the Goriest Parts

Release Date: January 6, 2023 (Theaters)

What’s It About?: Roboticist Gemma (Allison Williams) becomes the guardian to her young niece Cady (Violet McGraw) after her sister and brother-in-law die in a violent accident. But at the same time, she’s facing a deadline for a major project that could make or break her entire career. Isn’t that just how it always  goes?! 😛 But as it turns out, maybe she can take care of everything in one fell swoop by completing her passion project: the Model 3 Generative Android, aka “M3GAN” (Amie Donald, with Jenna Davis providing the voice). She’s a lifelike talking doll with a titanium foundation and artificial intelligence-fueled learning abilities. She imprints onto Cady and thereby becomes a best friend, surrogate parent, and sworn protector. Initially, she proves to be a wonderfully therapeutic tool for a grieving child, but when it becomes clear that M3GAN’s interpretation of her duties has no ethical bounds, well, then, you’d better watch out.

What Made an Impression?: M3GAN delivers a whirlwind of emotions. It kicks off with a commercial for a line of Furby-esque talking animal toys called Purrpetual Pets that feels like it was plucked from the Cinco company of Tim and Eric Awesome Show, Great Job! Which is to say, it was designed for the most demented consumer market imaginable. But the entirety of the movie doesn’t operate on quite that same bizarro logic. At least not entirely. To clarify: just about every scene features a thrilling tonal mix. I constantly found myself switching between cracking up, choking up, and tightening up for fight-or-flight mode within the span of just one minute.

Take, for example, the scene in which Gemma and her colleagues make the big pitch about M3GAN’s capabilities to the company bigwigs. The presentation immediately goes off the rails when Cady, who’s too upset to stick to the script, breaks down after she’s suddenly hit by the grief of losing her parents that she’s yet to fully process. Everyone steels themselves for a disaster, but M3GAN is a master improviser, so she coaxes a supremely silly story out of Cady about a time that her mom found a cockroach in her school bag. This goofy bonding proves to be exactly what Cady needed in the moment to work through her trauma, and then M3GAN caps it all off with a stunning singing performance, and everyone in the room is blown away by the revolution they’ve just witnessed.

Of course, this being a horror movie and all, M3GAN’s methods for looking after Cady quickly turn much more sinister. And while the scares are effective, they arrive in a much different fashion than you might expect. MEGAN‘s most obvious antecedents are creepy doll franchises like Child’s Play and Annabelle that stare deep into the bowels of the uncanny valley. But M3GAN is more concerned with the unchecked power of artificial intelligence and robotic technology. Essentially, this is The Terminator updated for an era grappling with AI voice assistants that know everything about us, AI portraits that rival the work of human painters, and AI chatbots that can write sophisticated newspaper articles. Every generation activates Skynet in its own particular way, and we are so lucky that the warning postulated by M3GAN allows us to experience the full spectrum of what it means to be alive and human.

MEGAN is Recommended If You Like: The Terminator, AI-generated art, The “Aerodynamics of Gender” episode of Community, The Wikibear sketches from Conan

Grade: 4.5 out of 5 Roasted Chestnuts

‘Wakanda Forever’ and Ever, Amen

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Forever? Forever Ever? (Credit:
Marvel Entertainment/Screenshot)

Starring: Letitia Wright, Angela Bassett, Tenoch Huerta Mejía, Lupita Nyong’o, Danai Gurira, Martin Freeman, Winston Duke, Julia Louis-Dreyfus, Florence Kasumba, Dominique Thorne, Michaela Coel, Divine Love Konadu-Son

Director: Ryan Coogler

Running Time: 161 Minutes

Rating: PG-13]

Release Date:] November 11, 2022 (Theaters)

Upon seeing the first Black Panther back in 2018, my expectations were sky-high, and there was pretty much no way to meet them. For Wakanda Forever, however, I arrived with significantly subdued enthusiasm. I doubted that it could fully process the grief of Chadwick Boseman’s passing or that it could be another Landmark Cultural Event. So I ended up seeing it more than a month after its release with a much more chillaxed approach. And you know that? That may just have made all the difference. Also, the conflict with Namor was plenty satisfying and I totally didn’t see it coming.

Grade: No Love Lost (No Amor Perdido)

I Chose ‘The Way of Water,’ and That Made All the Difference (In Terms of No Longer Being Parched)

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Water?! No, ‘Way’!
Way!
Excellent.
(CREDIT: Screenshot)

Starring: Sam Worthington, Zoe Saldaña, Stephen Lang, Sigourney Weaver, Kate Winslet, Cliff Curtis, Joel David Moore, CCH Pounder, Edie Falco, Brendan Cowell, Jemaine Clement, Jamie Flatters, Britain Dalton, Trinity Jo-Li Bliss, Jack Champion

Director: James Cameron

Running Time: 192 Minutes

Rating: PG-13

Release Date: December 16, 2022 (Theaters)

It’s another December in Pandora. Just as in 2009, I spent this day in 2022 at the very same theater, in the very same auditorium, along with one of my very same moviegoing companions, with the very same restaurant (albeit with a new name) for the pre-movie meal, and both times buffeted in between by some suspiciously similar extreme weather. Which is to say, it all felt like home.

I wasn’t as thrilled that Col. Quaritch was back, though. Didn’t we already take care of this guy? Villains gonna villain, I guess. The whaling expeditions were new and fascinating, at least, so thank you for that, Jimmy C. and company. Ultimately, it just felt right to be flying, running, and swimming in Pandora once again.

Grade: A Whale of a Time

‘I Wanna Dance with Somebody’ is Straightforward But Powerful

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Singing about dancing (CREDIT: Emily Aragones/TriStar Pictures)

Starring: Naomi Ackie, Stanley Tucci, Nafessa Williams, Ashton Sanders, Tamara Tunie, Clarke Peters

Director: Kasi Lemmons

Running Time: 146 Minutes

Rating: PG-13 for Dramatized Real-Life Drug Addiction

Release Date: December 23, 2022 (Theaters)

What’s It About?: She’s been called the greatest voice of her generation. To make it even more elemental, her nickname was simply “The Voice.” Maybe this movie about her should have been called The Voice. Sure, there’s also a popular reality competition show by that name, but wouldn’t it have been the most aptly brazen decision? Instead, I Wanna Dance with Somebody opted for the typical musical biopic convention of using one of the artist’s most popular songs as the title.

I’m talking about Whitney Houston, of course. And if you’ve been paying attention at all to popular music for the last 40 years, then you surely already know the whole story. I Wanna Dance with Somebody covers the whole shebang, with every triumph and tragedy on full widescreen display.

What Made an Impression?: I Wanna Dance with Somebody has absolutely no intention of reinventing the biopic playbook. It starts with Houston’s origin story and ends with her untimely passing, covering every career highlight in between. With all the drama inherent to her story, this box-checking approach is certainly hard to resist. But also, her story has already been told plenty of times in high-profile formats, so a biopic is hardly necessary. Nevertheless, I Wanna Dance with Somebody manages to distinguish itself in a couple of ways.

First of all, Kasi Lemmons is a wonderful director of emotions. She corrals every feeling, whether big or subtle, exactly where they’re supposed to be. And there’s plenty to corral here! It certainly helps that she’s assembled a cast who know exactly where to find the moment. Naomi Ackie summons Whitney’s spirit as fervently as possible, while Stanley Tucci is basically the second coming of her mentor-producer Clive Davis. As Cissy and John Houston, Tamara Tunie and Clarke Peters bring mythological heft to parenting, while Ashton Sanders is an absolute scoundrel as Bobby Brown.

The film’s other distinguishing figure is serving as a corrective to the historical record regarding Houston’s sexuality. Before her marriage to Brown, Whitney shacked up with her longtime assistant and creative director Robyn Crawford, here played with steely loyalty by Nafessa Williams. The real Crawford detailed their relationship in her memoir, but that’s not something you’re likely to have heard in the most mainstream tellings. But for I Wanna Dance with Somebody, there was clearly no way around it, and I for one am grateful for that.

I Wanna Dance with Somebody is Recommended If You Like: Behind the Music, Juicy tell-alls, Scrolling through YouTube for classic live performances

Grade: 3.5 out of 5 #1 Hits

‘Women Talking,’ Audience Listening

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Women Talking, ooh, Women Talking! (Credit: Michael Gibson/©2022 Orion Releasing LLC. All Rights Reserved.)

Starring: Rooney Mara, Claire Foy, Jessie Buckley, Judith Ivey, Ben Whishaw, Frances McDormand, Sheila McCarthy

Director: Sarah Polley

Running Time: 104 Minutes

Rating: PG-13 for Discussions of Abuse and Assault

Release Date: December 23, 2022 (Theaters)

What’s It About?: Women Talking is indeed about a group of women who are talking. What are they talking about? Let’s dig into it.

These women are members of a Mennonite colony, which means that they’re rather insular and isolated by nature. And with their current set of circumstances, they’re even more isolated than usual. The men in their community have been severely abusing them, and it’s time to decide what to do about that. Their options are: do nothing, stay and fight, or leave and start anew. None of those choices are perfect, but they’ve reached a breaking point and something must be done. So these very opinionated women hash it out for as long as necessary until they can come to a solution that enough of them can go along with, while Ben Whishaw plays the one kindly man who stays behind to take the minutes.

What Made an Impression?: One of the first things you’ll notice about Women Talking – unless you’re too drowsy to notice – is how hypnotically desaturated the color palette is. It’s liable to lull you to sleep; I’ll leave it up to you all to decide whether or not that’s a positive. I will say that I felt transported, which is one of the best (if not THE best) ways to feel sleepy at a movie theater. I was whisked away into a mysterious land, where the secrets flowed forth like a geyser.

The other major element of Women Talking that is impossible to ignore is Hildur Guðnadóttir’s rustic score that I would label “thriller lite.” It captures the sense of needing to run away while you’re sitting still. There’s also a vibe to those plucking strings that can best be described as The Temptation of Comfort. Stillness and chaos, bound together.

And as a final note, I will register my surprise at how much of a peek we get at the outside world, particularly in the form of a census worker driving by and calling out for the members of the community to come and be counted for the 2010 population. These Mennonites mostly eschew modern amenities, so even knowing what year it is feels like a betrayal of their trust. But that beckoning, that frisson, is what this conflict is all about. The times they are a-changin’, no matter what year you decide to live in.

Women Talking is Recommended If You Like: 12 Angry Men, but if it were set in a barn

Grade: 3.5 out of 5 Votes

‘Puss in Boots: The Last Wish’ Shoots for the Stars!

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When You Wish Upon a Puss in Boots… (CREDIT: Dreamworks Animation)

Starring: Antonio Banderas, Salma Hayek, Harvey Guillén, John Mulaney, Florence Pugh, Olivia Colman, Ray Winstone, Samson Kayo, Wagner Moura, Da’Vine Joy Randolph, Anthony Mendez, Kevin McCann, Betsy Sodaro

Director: Joel Crawford

Running Time: 102 Minutes

Rating: PG for Cartoon Kitty Catastrophes

Release Date: December 21, 2022 (Theaters)

What’s It About?: A talking cat? A talking, swashbuckling cat?! Well, yes indeed. We’ve known this debonair furball for years at this point. Decades even. He lives in a fairy tale world where plenty of the animals are anthropomorphized, after all. Puss in Boots (Antonio Banderas) has had no trouble making a name for himself. But alas, he seems to be losing a bit of his mojo lately. And when you’re a feline, that means having only one of your reputed nine lives left to spare. But this being a fairy tale world and all, there exist methods for magical restoration. So when Puss hears about the existence of a Wishing Star, he naturally wants to get his claws on it. But he’s not the only one, as Jack Horner (John Mulaney), Goldilocks (Florence Pugh) and the three bears (Olivia Colman, Ray Winstone, Samson Kayo), and Puss’ old flame Kitty Softpaws (Salma Hayek) all have their own plans to procure the star’s powers. Also, Harvey Guillén voices a dog.

What Made an Impression?: If the only Shrek film you’ve seen previously was the first one, you could be forgiven for not realizing that Puss in Boots: The Last Wish takes place in the same universe. Sure, both of them are populated by fairy tale characters, but their modus operandi are totally different. Where the green ogre was irreverent, his feline colleague is more purely adventurous. The likes of Jack Horner, Goldi, and Pinocchio are thein window dressing in a sense, with their cultural histories mostly beside the point. The Last Wish‘s spacey climax on the Wishing Star feels like something out of an LSD trip, or a Super Mario video game, which is to say: not at all what I was expecting.

In that vein, The Last Wish actually reminded me of Halloween Ends, insofar as they’re both latter-day franchise entries with confoundingly unpredictable narrative left turns. In both cases, it’s plenty fascinating, and I suspect it will be easier to get away with this time around, since Puss doesn’t have to bear the weight of expectations that Michael Myers does. If his creators want to make his latest adventure more fantastical than any corner of the Shrek universe has ever been, then there’s really no reason not to. It certainly gives the voice cast something new to bite into, to the point that John Mulaney appears to be experiencing Heath Ledger-as-Joker-level glee in his revolution of a classic character. There’s room to color outside the lines here, and I can’t complain about that.

Puss in Boots: The Last Wish is Recommended If You Like: Super Smash Bros., Mario Kart, John Mulaney & the Sack Lunch Bunch

Grade: 3 out of 5 Swords

‘Babylon’ is an Overlong, Overexcited Warping of ‘Singin’ in the Rain’

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Babble on! (CREDIT: Scott Garfield/Paramount Pictures)

Starring: Margot Robbie, Brad Pitt, Diego Calva, Jean Smart, Jovan Adepo, Li Jun Li, Lukas Haas, Max Minghella, Samara Weaving, Olivia Wilde, Katherine Waterston, Flea, Jeff Garlin, Olivia Hamilton, P.J. Byrne, Rory Scovel, Eric Roberts, Tobey Maguire

Director: Damien Chazelle

Running Time: 188 Minutes

Rating: R for Bacchanalian Partying, Sudden Bloody Ends, and a Few Bumps of the Hard Stuff

Release Date: December 23, 2022 (Theaters)

What’s It About?: It’s the 1920s, and Hollywood is Big Business. And when they’re not making movies, it’s basically a non-stop party. But danger also lurks around every corner. With the talkie era looming, Nellie LaRoy (Margot Robbie) is ready to be a supernova, Jack Conrad (Brad Pitt) is hoping to stay relevant, trumpeter Sidney Palmer (Jovan Adepo) wants to be treated with respect, and dozens of other folks also have their skin in the game. There will be a rise! There will be a fall! There will be an epilogue! You know how it goes.

What Made an Impression?: If you’re thinking that this premise sounds a lot like Singin’ in the Rain, well, writer-director Damien Chazelle doesn’t make any effort to hide that influence. Babylon is essentially the answer to the question, “What if Singin’ in the Rain had ten more storylines and a hundred more exposed private parts?” If that sounds like overkill to you, I would advise you to trust your instincts. The jazz is great, though. Chazelle absolutely knows how to assemble a musical montage.

Babylon‘s next biggest influence, weirdly enough, appears to be the grossest of gross-out comedies in the vein of the Farrelly brothers, as mass quantities of bodily fluids spurt out unexpectedly in all directions on multiple occasions. Within the first five minutes, an elephant excretes what appears to be an entire week’s worth of its meals. A little later, the fanciest of fancy parties is ruined by a heaping helping of projectile vomit. Chazelle’s timing when it comes to yukking it up aren’t on quite the same level as his musical skills. I’m not sure if these moments are meant to be hilarious, tragic, or just plain matter-of-fact.

There are also a lot of deaths in Babylon, and most of them are given exactly zero seconds to investigate the consequences. I’m not surprised that movie set workplace safety wasn’t exactly a top priority a hundred years ago, but it can only work as a punchline so often in this sort of overstimulated movie. After a certain point, it’s just alarming without examining what happens afterward. Babylon is filled with inexplicable decisions, is what I’m trying to say.

Babylon is Recommended If You Like: Being Overstimulated

Grade: 2.5 out of 5 Parties

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