This Is a Movie Review: ‘Skyscraper’ is at Its Best When It Keeps It Simple

Leave a comment

CREDIT: Kimberley French/Universal Studios

This review was originally posted on News Cult in July 2018.

Starring: Dwayne Johnson, Neve Campbell, Chin Han, Richard Møller, Pablo Schreiber, Noah Taylor, Hannah Quinlivan, Matt O’Leary, Byron Mann, McKenna Roberts, Noah Cottrell

Director: Rawson Marshall Thurber

Running Time: 102 Minutes

Rating: PG-13 for A Tall Building on Fire, But Mostly the Gunfire

Release Date: July 13, 2018

One of the many revolutionary joys of Die Hard was the motivation of the villains. They presented themselves as terrorists, but they were really just simple thieves. There are several reasons why Skyscraper, which is basically “Die Hard, but in the tallest building in the world,” is not as entertaining as John McClane’s original exploits. The premise is now far from unique, obviously. Plus, any character played by Dwayne Johnson, even an amputee in this case, is already too larger-than-life for any of his heroics to be surprising. But the most fundamental mistake is that the villains’ purpose is never clear. I’m pretty sure they’re not after money, but if they are terrorizing, it is never clear what point they are trying to make, if any. It is possible this was all explained at some point while I was momentarily distracted, but if it was that hard to miss, then that’s a problem.

Thus, then, just about the only reason to check out Skyscraper is to see Johnson pull off some gravity-defying stunts. If you suffer from acrophobia or vertigo, you will definitely want to stay away, whereas if your favorite action scene ever is Ethan Hunt on the Burj Khalifa, then you will find some thrills. Johnson does not quite reach Tom Cruise’s poetic heights, but he is not far off from them. It would just be nice if the whole affair were undergirded by more of a purpose.

But there is one piece of Skyscraper that I can endorse wholeheartedly, and that is its use of the old “turn it off and turn it back on again” trick. Seriously, that is the solution that solves the day, and it is actually quite satisfying. Bringing it back to Die Hard: brilliant in its simplicity.

Skyscraper is Recommended If You Like: Die Hard “on a whatever” (minus the memorable villains), Death-Defying Stunts

Grade: 2.5 out of 5 Prosthetic Legs

This Is a Movie Review: ‘Ant-Man and the Wasp’ Keeps It Cool for the Summer

Leave a comment

CREDIT: Disney/Marvel Films

This review was originally posted on News Cult in July 2018.

Starring: Paul Rudd, Evangeline Lilly, Michael Douglas, Michael Peña, Walton Goggins, Abby Ryder Fortson, Bobby Cannavale, Judy Greer, Hannah John-Kamen, Laurence Fishburne, Tip “T.I.” Harris, David Dastmalchian, Michelle Pfeiffer, Randall Park

Director: Peyton Reed

Running Time: 118 Minutes

Rating: PG-13 for Large-Scale and Small-Scale Action Movie Destruction

Release Date: July 6, 2018

Ant-Man and the Wasp has left me feeling a lot more peaceful than other recent Marvel movies. I would it put about on the same quality level as Black Panther and Thor: Ragnarok, but those blockbusters left me with nagging bits of emptiness, whereas Paul Rudd and company just give off good vibes. That is partly a function of my own expectations, but it is also a matter of how this franchise and its sub-franchises are promoted. The excursions to Wakanda and the garbage planet promised that they would be unprecedented game-changers. Whether or not they lived up to that hype, it is hard to match the buoyancy of their ad campaigns, and it takes effort for audiences to avoid every commercial. But with the original Ant-Man and now with The Wasp, you can just come in, be chill, and not have to worry about it being the best movie ever.

Director Peyton Reed and his team of five credited screenwriters (including Rudd) maintain those good vibes by allowing for some conflict, but avoiding true evil, and establishing that those who are at odds are ultimately really on the same team as each other. The main story thrust is the recovery of Janet van Dyne (Michelle Pfeiffer) from the “Quantum Realm,” a subatomic space where the normal laws of space and time do not apply. Her husband Hank (Michael Douglas) and daughter Janet, aka the Wasp (Evangeline Lilly), have the science skills to track her down, but they need the help of Ant-Man Scott Lang, as his previous venture into and escape from the Quantum Realm has allowed Janet to establish him as a point of contact. Standing in their way is a black market dealer (Walton Goggins), who sniffs out a big potential profit, but he does not have the killer instinct to tear them down. More serious are those who represent the skeletons in Hank’s closet, but their threat is neutralized by the ultimate realization that they can solve each other’s problems together.

A-M and the W has genuine, successful humor to match its laid-back style. The comedy in Marvel movies often has the cadence of a joke without actually being funny, but here there is a cast that is trained to find the laughter. Rudd obviously has more of a comedy background than any other Marvel headliner. Michael Peña delivers another round of his motor-mouthed, very detail-oriented storytelling. And the most delightful subplot features Fresh Off the Boat‘s Randall Park as a fastidious FBI agent hounding Scott while he remains under house arrest. If their jobs did not require them to be enemies, they would be friends for the ages.

It is certainly odd that Ant-Man and the Wasp arrives in the apocalyptic wake of Infinity War, but die-hard MCU fans will be happy to discover that the connective tissue is clear and satisfying. And those who are tired of every superhero movie being about the end of the world will be happy that that connectivity does not get in the way of everyone just having a good time.

Ant-Man and the Wasp is Recommended If You Like: The Marvel Cinematic Universe but with lower stakes

Grade: 3.5 out of 5 Quantum Realms

This Is a Movie Review: The First Purge

Leave a comment

CREDIT: Universal Pictures

I give The First Purge 3 out of 5 New Founding Fathers: https://uinterview.com/reviews/movies/the-first-purge-movie-review-themes-have-never-been-clearer-but-storytelling-has-rarely-been-weaker/

This Is a Movie Review: Sorry to Bother You

3 Comments

CREDIT: Annapurna Pictures

I give Sorry to Bother You 5 out of 5 Hybrids: https://uinterview.com/reviews/movies/sorry-to-bother-you-movie-review-boots-rileys-mind-blowingly-original-debut-is-one-of-2018s-best-films/

This Is a Movie Review: Leave No Trace

1 Comment

CREDIT: Bleecker Street

I give Leave No Trace 3.5 out of 5 Trails: https://uinterview.com/reviews/movies/leave-no-trace-movie-review-director-of-winters-bone-returns-with-another-story-of-life-on-the-edge/

This Is a Movie Review: Three Identical Strangers

Leave a comment

CREDIT: NEON

I give Three Identical Strangers 4 out of 5 Long-Lost Siblings: https://uinterview.com/reviews/movies/three-identical-strangers-movie-review-stranger-than-fiction-documentary-shows-story-of-lost-siblings-with-dark-truth-lurking/

This Is a Movie Review: ‘Uncle Drew’ Shows the Youngbloods How It’s Done

Leave a comment

CREDIT: Quantrell D. Colbert/Lionsgate.

This review was originally posted on News Cult in June 2018.

Starring: Kyrie Irving, Lil Rel Howery, Erica Ash, Shaquille O’Neal, Chris Webber, Reggie Miller, Nate Robinson, Lisa Leslie, Nick Kroll, Tiffany Haddish, JB Smoove, Mike Epps

Director: Charles Stone III

Running Time: 103 Minutes

Rating: PG-13 for General Shenanigans and a 7-Foot-Tall Man’s Bare Behind

Release Date: June 29, 2018

One of the joys of growing up in the 1990s was savoring the plethora of sports movies and athletes moonlighting as movie stars. It was something of a golden age, or at least that’s how it appeared to my impressionable mind. There were the minor, but era-defining hits like Rookie of the Year, Shaq was basically allowed to do whatever he wanted, even Dennis Rodman teamed up with Jean-Claude van Damme before he became buddies with Kim Jong Un. And of course there was the landmark success of Space Jam. This is all to say, movies like Uncle Drew, which stars NBA star Kyrie Irving as a character he originated for Pepsi Max, don’t really get made anymore. And while it certainly does not reinvent the sports flick or old-people-drag genres, it is heartening to know that something like this can still exist.

The title character, a Harlem streetball legend spoken about in mythical terms, certainly plays into a desire to return to past glories, as he chastises and schools young ballers on the right way to play the game. He is also prone to decry the “rappity-hippity-hop” music of today’s “youngbloods,” instead preferring to listen to hours-long funk jams on the eight-track player in his vintage van. But the film manages to avoid unhealthy nostalgia, as Drew’s version of the past is too goofy and demented to tempt anyone away from dismissing reality. The humor of this team of old farts, while certainly broadly drawn, is based on actual characterization instead of shallow punch lines. Actual NBA and WNBA stars like Reggie Miller, Nate Robinson, and Lisa Leslie have plenty of natural charisma. And there is just something inherently satisfying about dressing Shaq up like Wolverine’s grandfather and continuing to rib Chris Webber for one of the biggest mental lapses in basketball history.

What will make Uncle Drew a great choice over the coming years to watch for the hundredth time with friends is its fundamental niceness. We come to meet Drew via Dax (Lil Rel Howery), a streetball manager dedicated to the game but who gave up playing it years ago after a mortifying middle school defeat. Recently homeless, he is desperate to win the $100,000 grand prize at a high-profile Harlem tournament, thus why he turns to Drew and his band of old coots despite their clashing personalities and body temperatures. When the team finds out about Dax’s financial troubles, they feel a little betrayed upon discovering his true motivations, but they mostly encourage him to get back in touch with his love of the game. That ethos of bonhomie is matched by Uncle Drew‘s fundamentally welcome silliness and lovingly shot footage of between-the-legs dribbling, lights-out three pointers, and slam dunks.

Uncle Drew is Recommended If You Like: Space Jam, Coming to America, ESPN 30 for 30 documentaries

Grade: 3 out of 5 Boom Boom Rooms

This Is a Movie Review: Sicario: Day of the Soldado

Leave a comment

CREDIT: Richard Foreman, Jr./SMPSP

I give Sicario: Day of the Soldado 2.5 out of 5 False Flags: https://uinterview.com/reviews/movies/sicario-day-of-the-soldado-movie-review-cia-vs-drug-cartel-sequel-is-tense-and-well-crafted-but-shallow/

This Is a Movie Review: ‘Damsel’ is a Gonzo Western With an Important Message on Its Mind

Leave a comment

CREDIT: Magnolia Pictures

This review was originally posted on News Cult in June 2018.

Starring: Robert Pattinson, Mia Wasikowska, David Zellner, Nathan Zellner, Joseph Billingiere, Robert Forster

Directors: David Zellner and Nathan Zellner

Running Time: 113 Minutes

Rating: R for Sharpshooting Violence and Occasional Graphic Nudity, Often Mixed Together

Release Date: June 22, 2018 (Limited)

I would call Damsel a revisionist Western, except that the Western genre is not really popular enough anymore to really need revising. Nevertheless, co-directing brothers David and Nathan Zellner have plenty of revising on their minds, though their ideas do not apply exclusively to frontier America. Ultimately, I don’t how else to classify it, so let’s stick with “revisionist Western” and maybe throw in a “wacky” and “iconoclastic” in there for good measure.

Robert Pattinson strolls merrily into town as Samuel Alabaster, a man out of place and out of time. His stomach does not agree with the saloon he walks into (or any saloon really), his spirit is more poetic than cowboy, and his vocabulary is a bit too 21st Century, though it does not really fit in any era. Actually, none of the characters particularly speak they are from any recognizable time in American history. The Zellners have crafted a fantasy world that might be too bizarre for some audiences, but it is just delightful to my tastes, and Pattinson subsumes himself into this environment unforgettably.

There is one way that Samuel fits into the Wild West mold, and that is his instinct to rescue the damsel in distress. His beloved Penelope (Mia Wasikowska) has been kidnapped, and he is on his way to free her and make her his wife. But eventually it becomes clear that Samuel may not have the most trustworthy of perspectives and that Damsel is actually an indictment of a certain strain of toxic, entitled masculinity that is insidious in today’s society. It makes me wonder if willful misinterpretation regarding attempted romantic coercion was just as much of a problem hundreds of years ago as it is today. It certainly seems possible, as miscommunication has been causing conflicts throughout human history. Those struggles are not always as strange as the one portrayed in Damsel, but the stranger the example, the more memorable the movie.

Damsel is Recommended If You Like: Irreverent Westerns like Django Unchained, but with a defiantly feminist twist

Grade: 4 out of 5 Outhouse Explosions

This Is a Movie Review: Jurassic World: Fallen Kingdom

1 Comment

CREDIT: Universal Studios and Amblin Entertainment, Inc.
and Legendary Pictures Productions, LLC.

I give Jurassic World: Fallen Kingdom 3 out of 5 Eruptions: https://uinterview.com/reviews/movies/jurassic-world-fallen-kingdom-movie-review-dino-sequel-provides-action-with-surprising-drama/

Older Entries Newer Entries