Cinema | Jmunney's Blog

This Is a Movie Review: Teen Titans Go! To the Movies

July 28, 2018

jmunney Cinema, Movie Reviews Aaron Horvath, Greg Cipes, Hynden Walch, Khary Payton, Kristen Bell, Peter Rida Michail, Scott Menville, Tara Strong, Teen Titans, Teen Titans Go! to the Movies, Will Arnett Leave a comment

CREDIT: Warner Bros. Animation

I give Teen Titans Go! To the Movies 4 out of 5 Doomsday Devices: https://uinterview.com/news/teen-titans-go-to-the-movies-movie-review-underdog-cartoon-heroes-show-the-rest-of-the-dc-universe-how-its-done/

This Is a Movie Review: Unfriended: Dark Web

July 21, 2018

jmunney Cinema, Movie Reviews Andrew Lees, Betty Gabriel, Colin Woodell, Connor Del Rio, Douglas Tait, Rebecca Rittenhouse, Savira Windyani, Screenlife, Stephanie Nogueras, Stephen Susco, Unfriended, Unfriended: Dark Web 1 Comment

CREDIT: BH Tilt

Unfriended: Dark Web repeats the same format and many of the same methods as the first Unfriended, but the feelings it inspires are of a different breed. The original was a dark morality tale about some truly awful teenagers experiencing karmic justice. But the twenty-somethings in Dark Web all appear to be decent human beings, yet the fates they experience are even worse. It is a thoroughly cruel movie, though I hesitate to call it mean-spirited, as the type of sadistic evil it presents does exist in the real world, and it can therefore work as a bleak warning.

Once again, the action unspools via Skype conversation and other laptop applications. Instead of a vengeful ghost, the big bad this time is a network of criminal hackers. Their technical prowess strains credulity, though it might be a case of sufficiently advanced (fictional) technology appearing like magic to us. (It might have been a good idea to explain it a tad.) Standout features include the difficulty of communicating via sign language over a computer and a particularly fraught case of the dilemma of being forced to choose which of two loved ones gets to survive. Telling the entire story on a laptop screen is once again initially disorienting but then disarmingly natural. Overall, my reaction to Dark Web is much like my reaction to Phantom Thread: I appreciate how well-made it is, but the experience of watching it is just so unpleasant.

I give Unfriended: Dark Web 3 Trephinations out of 5 Facebook Messages.

This Is a Movie Review: ‘Blindspotting’ is a Little Messy, But It Has Plenty to Say About Violence and Gentrification

July 21, 2018

jmunney Cinema, Movie Reviews Blindspotting, Carlos López Estrada, Daveed Diggs, Ethan Embry, Janina Gavankar, Jasmine Cephas Jones, Oakland, Rafael Casal, Wayne Knight 1 Comment

CREDIT: Ariel Nava/Lionsgate

This review was originally published on News Cult in July 2018.

Starring: Daveed Diggs, Rafael Casal, Janina Gavankar, Jasmine Cephas Jones, Ethan Embry

Director: Carlos López Estrada

Running Time: 95 Minutes

Rating: R for Confrontational Profanity and Intense Physical Violence

Release Date: July 20, 2018 (Limited)

Are we defined by the most extreme moments in our lives? Please, somebody, tell Blindspotting, because it would like to know!

Longtime friends and Oakland, California natives Daveed Diggs and Rafael Casal star as longtime friends and Oakland, California natives Collin and Miles, respectively. They work together at a moving company, managed by Collin’s ex Val (Janina Gavankar). Collin is approaching the end of his probation, his jail stint the result of a violent incident that has forever seared itself on Val’s memory. A central question in Blindspotting is whether or not Val can ever look past Collin at his worst, and looming even wider is the question of whether or not Collin and Miles can look past the version of their hometown that they grew up in.

Gentrification has arrived for every urban area in this country with any hint of trendiness, and Miles could not be more opposed. Collin is more serene about the matter, perhaps because he has more intimate experience with the consequences of myopia. Development efforts may take away local color, but they also can make cities safer. Alas, they often just tuck the danger away into hidden corners, which Blindspotting does not turn its eyes away from. If only gentrification could clean up a population’s morality and make it more compassionate. It is a phenomenon that has its failings, but those failings do not call for as violent a reaction as Miles is predisposed towards. There is a lot of confrontation from all directions in this movie – the challenge is to cut through your blind spots and find the most useful message.

Blindspotting is Recommended If You Like: Daveed Diggs breaking big, Socially conscious sitcoms, Wayne Knight cameos

Grade: 3.5 out of 5 Kwik Ways

This Is a Movie Review: ‘Mamma Mia! Here We Go Again,’ I Can (Mostly) Resist You

July 21, 2018

jmunney Cinema, Movie Reviews ABBA, Alexa Davies, Amanda Seyfried, Andy García, Cher, Christine Baranski, Colin Firth, Dominic Cooper, Hugh Skinner, Jeremy Irvine, Jessica Keenan Wynn, Josh Dylan, Julie Walters, Lily James, Mamma Mia, Mamma Mia! Here We Go Again, Meryl Streep, Ol Parker, Pierce Brosnan, Stellan Skarsgård Leave a comment

CREDIT: Jonathan Prime/Universal Studios

This review was originally posted on News Cult in July 2018.

Starring: Lily James, Amanda Seyfried, Christine Baranski, Julie Walters, Pierce Brosnan, Colin Firth, Stellan Skarsgård, Jessica Keenan Wynn, Alexa Davies, Jeremy Irvine, Hugh Skinner, Josh Dylan, Dominic Cooper, Andy García, Cher, Meryl Streep

Director: Ol Parker

Running Time: 114 Minutes

Rating: PG-13 for Some Spicy Dialogue

Release Date: July 20, 2018

Mamma Mia! Here We Go Again wants us to care about how a young Donna Sheridan (Lily James) met the three possible fathers of her daughter Sophie (Amanda Seyfried). Or really, it just wants us to accept that as the framework around which some beautiful people frolic around a sunny Greek isle while singing the songs of ABBA … again! Audiences who already dig this sort of thing appear generally willing to accept whatever thin framework there is. (The setup in the present day, in which Sophie re-opening her late mom’s hotel is threatened by rain, is even thinner.) So it feels petty of me to call out Here We Go Again for its vaguely drawn backstories. But I wouldn’t call attention to them if the script didn’t also keep doing the same thing. Donna and her suitors keep on talking about the lives they are running away from, and if that motivation is so important, I just want to know the specifics. Or really, I think these characters want to tell us the specifics.

For certain audiences, those shortcomings won’t matter one lick, but for me, Here We Go Again never overcomes the inherent weirdness of a musical. But there is some fun to be had along the way that threatens to sweep up everyone in its path. Certainly, Christine Baranski’s tasty bons mot (“be still my beating vagina”) cannot be beat. Cinematographer Robert Yeoman really lets the colors pop, especially the oranges. And the final number, featuring the entire main cast, including Meryl Streep as a beyond-the-grave Donna and Cher as basically herself, really does manage to be irresistible. I don’t want to be a fuddy-duddy, so I will admit I enjoyed myself, but I must say it all feels rather fluffy and empty.

Mamma Mia! Here We Go Again is Recommended If You Like: Singing and Dancing Along Without Asking Any Questions

Grade: 2.5 out of 5 Waterloos

This Is a Movie Review: In ‘Don’t Worry, He Won’t Get Far on Foot,’ Joaquin Phoenix is a Recovering Alcoholic Quadriplegic, And Jonah Hill is There to Help Him Out

July 12, 2018

jmunney Cinema, Movie Reviews Beth Ditto, Carrie Brownstein, Don't Worry He Won't Get Far on Foot, Gus van Sant, Jack Black, Joaquin Phoenix, John Callahan, Jonah Hill, Kim Gordon, Mark Webber, Rooney Mara, Udo Kier Leave a comment

CREDIT: Scott Patrick Green, Courtesy of Amazon Studios

This review was originally posted on News Cult in July 2018.

Starring: Joaquin Phoenix, Jonah Hill, Rooney Mara, Jack Black, Mark Webber, Udo Kier, Kim Gordon, Beth Ditto, Carrie Brownstein

Director: Gus van Sant

Running Time: 113 Minutes

Rating: R for General Alcoholic Behavior, And Maintaining a Sexual Appetite Even When Your Body Can’t Move Freely

Release Date: July 13, 2018 (Limited)

Don’t Worry, He Won’t Get Far on Foot, based on John Callahan’s memoir of the same name, stars Joaquin Phoenix as Callahan, a recently paralyzed recovering alcoholic who discovers a passion for and makes a career out of wry, off-color cartoons. His moment of rock bottom could not be more dramatic, as an all-night session of non-stop partying ends in a terrible car crash that renders him a quadriplegic. There is plenty to Callahan’s story, but for my money, Don’t Worry is really about Jonah Hill’s weirdly transfixing performance as Donnie, John’s AA sponsor.

Hill was on hand for an interview after the screening I went to, where it was noted that Donnie’s homosexuality was probably the least interesting thing about him, and not even all that noticeable. While Donnie is certainly well-rounded enough to not be defined by his sexual orientation, that orientation is in fact clear eno9ugh. Although, the possibility that a straight man could be as fey and as much of an aesthete as Hill plays Donnie is plenty intriguing. He is an inspiration for everyone to be themselves. It is a lesson that John takes to heart. Extreme trauma is a roadblock that is always lurking; if you survive it, you shouldn’t let it stop you from discovering who you are.

Don’t Worry, He Won’t Get Far on Foot is Recommended If You Like: 50/50, ’70s Style and Interior Decorating

Grade: 3 out of 5 Motorized Wheelchairs

This Is a Movie Review: ‘Eighth Grade’ is a Rewarding Portrayal of Adolescent Anxiety

July 12, 2018

jmunney Cinema, Movie Reviews anxiety, Bo Burnham, Eighth Grade, Elsie Fisher, Josh Hamilton 1 Comment

CREDIT: A24

This review was originally posted on News Cult in July 2018.

Starring: Elsie Fisher, Josh Hamilton

Director: Bo Burnham

Running Time: 94 Minutes

Rating: R, Because The MPAA is Worried the Target Audience Can’t Handle a Frank Portrayal of Teen Sexuality

Release Date: July 13, 2018 (Limited)

I tend to be careful about recommending any movie that effectively showcases anxiety, because if it is well-made, it will all but guarantee an unpleasant experience for viewers who are prone to anxiety. In the case of Eighth Grade, which unflinchingly portrays the age that is for many the height of discomfort, it would seem to be the peak of a risky proposition. As 13-year-old Kayla, Elsie Fisher thoroughly embodies a state of constant uncertainty. If you have any empathy at all, it is a big ask on the part of the film to watch her story. But the end result is not a transfer of Kayla’s anxiety, but rather invigoration. It is quite the emotional wringer, but I am grateful for the experience, and I imagine you will be, too.

Writer/director Bo Burnham has talked about his own experiences with anxiety in his comedy performances, and he has found that teenage girls related to that side of himself more than any other group. Thus why he made a film about a middle school girl instead of what could have easily been something autobiographical. His understanding of permanent unease is clearly fundamental, which is abundantly clear in his sensory decisions. Kayla’s arrivals at various locations – school, the mall, a pool party – are accompanied by her own internal soundtrack. It tends to be exuberant party music, but overly busy with a staccato rhythm that gives it a jagged edge.

Kayla attempts to lift up herself (as well as anyone who might be out there listening) with YouTube videos offering advice about how to be more confident and adventurous in day-to-day life. Alas, we see her in a seemingly unending struggle to reap the benefits of following her own words. But by the end, she is genuinely excited for high school and in a much warmer place with her doting single father (Josh Hamilton). It seems like there really is a light at the end of the anxiety tunnel, and against all odds, Eighth Grade manages to leave me more hopeful than most movies. I hope that is not due to the randomness of my own shifting emotions, but rather genuine inspiration.

Eighth Grade is Recommended If You Like: Crazy Ex-Girlfriend, Inside Out, Emotional nakedness

Grade: 4.5 out of 5 Guccis

This Is a Movie Review: ‘Skyscraper’ is at Its Best When It Keeps It Simple

July 12, 2018

jmunney Cinema, Movie Reviews Byron Mann, Chin Han, Dwayne Johnson, Hannah Quinlivan, Matt O’Leary, McKenna Roberts, Neve Campbell, Noah Cottrell, Noah Taylor, Pablo Schreiber, Rawson Marshall Thurber, Richard Møller, Skyscraper Leave a comment

CREDIT: Kimberley French/Universal Studios

This review was originally posted on News Cult in July 2018.

Starring: Dwayne Johnson, Neve Campbell, Chin Han, Richard Møller, Pablo Schreiber, Noah Taylor, Hannah Quinlivan, Matt O’Leary, Byron Mann, McKenna Roberts, Noah Cottrell

Director: Rawson Marshall Thurber

Running Time: 102 Minutes

Rating: PG-13 for A Tall Building on Fire, But Mostly the Gunfire

Release Date: July 13, 2018

One of the many revolutionary joys of Die Hard was the motivation of the villains. They presented themselves as terrorists, but they were really just simple thieves. There are several reasons why Skyscraper, which is basically “Die Hard, but in the tallest building in the world,” is not as entertaining as John McClane’s original exploits. The premise is now far from unique, obviously. Plus, any character played by Dwayne Johnson, even an amputee in this case, is already too larger-than-life for any of his heroics to be surprising. But the most fundamental mistake is that the villains’ purpose is never clear. I’m pretty sure they’re not after money, but if they are terrorizing, it is never clear what point they are trying to make, if any. It is possible this was all explained at some point while I was momentarily distracted, but if it was that hard to miss, then that’s a problem.

Thus, then, just about the only reason to check out Skyscraper is to see Johnson pull off some gravity-defying stunts. If you suffer from acrophobia or vertigo, you will definitely want to stay away, whereas if your favorite action scene ever is Ethan Hunt on the Burj Khalifa, then you will find some thrills. Johnson does not quite reach Tom Cruise’s poetic heights, but he is not far off from them. It would just be nice if the whole affair were undergirded by more of a purpose.

But there is one piece of Skyscraper that I can endorse wholeheartedly, and that is its use of the old “turn it off and turn it back on again” trick. Seriously, that is the solution that solves the day, and it is actually quite satisfying. Bringing it back to Die Hard: brilliant in its simplicity.

Skyscraper is Recommended If You Like: Die Hard “on a whatever” (minus the memorable villains), Death-Defying Stunts

Grade: 2.5 out of 5 Prosthetic Legs

This Is a Movie Review: ‘Ant-Man and the Wasp’ Keeps It Cool for the Summer

July 6, 2018

jmunney Cinema, Movie Reviews Abby Ryder Fortson, Ant-Man, Ant-Man and the Wasp, Bobby Cannavale, David Dastmalchian, Evangeline Lilly, Hannah John-Kamen, Judy Greer, Laurence Fishburne, Marvel Cinematic Universe, MCU, Michael Douglas, Michael Peña, Michelle Pfeiffer, Paul Rudd, Peyton Reed, Randall Park, Tip “T.I.” Harris, Walton Goggins Leave a comment

CREDIT: Disney/Marvel Films

This review was originally posted on News Cult in July 2018.

Starring: Paul Rudd, Evangeline Lilly, Michael Douglas, Michael Peña, Walton Goggins, Abby Ryder Fortson, Bobby Cannavale, Judy Greer, Hannah John-Kamen, Laurence Fishburne, Tip “T.I.” Harris, David Dastmalchian, Michelle Pfeiffer, Randall Park

Director: Peyton Reed

Running Time: 118 Minutes

Rating: PG-13 for Large-Scale and Small-Scale Action Movie Destruction

Release Date: July 6, 2018

Ant-Man and the Wasp has left me feeling a lot more peaceful than other recent Marvel movies. I would it put about on the same quality level as Black Panther and Thor: Ragnarok, but those blockbusters left me with nagging bits of emptiness, whereas Paul Rudd and company just give off good vibes. That is partly a function of my own expectations, but it is also a matter of how this franchise and its sub-franchises are promoted. The excursions to Wakanda and the garbage planet promised that they would be unprecedented game-changers. Whether or not they lived up to that hype, it is hard to match the buoyancy of their ad campaigns, and it takes effort for audiences to avoid every commercial. But with the original Ant-Man and now with The Wasp, you can just come in, be chill, and not have to worry about it being the best movie ever.

Director Peyton Reed and his team of five credited screenwriters (including Rudd) maintain those good vibes by allowing for some conflict, but avoiding true evil, and establishing that those who are at odds are ultimately really on the same team as each other. The main story thrust is the recovery of Janet van Dyne (Michelle Pfeiffer) from the “Quantum Realm,” a subatomic space where the normal laws of space and time do not apply. Her husband Hank (Michael Douglas) and daughter Janet, aka the Wasp (Evangeline Lilly), have the science skills to track her down, but they need the help of Ant-Man Scott Lang, as his previous venture into and escape from the Quantum Realm has allowed Janet to establish him as a point of contact. Standing in their way is a black market dealer (Walton Goggins), who sniffs out a big potential profit, but he does not have the killer instinct to tear them down. More serious are those who represent the skeletons in Hank’s closet, but their threat is neutralized by the ultimate realization that they can solve each other’s problems together.

A-M and the W has genuine, successful humor to match its laid-back style. The comedy in Marvel movies often has the cadence of a joke without actually being funny, but here there is a cast that is trained to find the laughter. Rudd obviously has more of a comedy background than any other Marvel headliner. Michael Peña delivers another round of his motor-mouthed, very detail-oriented storytelling. And the most delightful subplot features Fresh Off the Boat‘s Randall Park as a fastidious FBI agent hounding Scott while he remains under house arrest. If their jobs did not require them to be enemies, they would be friends for the ages.

It is certainly odd that Ant-Man and the Wasp arrives in the apocalyptic wake of Infinity War, but die-hard MCU fans will be happy to discover that the connective tissue is clear and satisfying. And those who are tired of every superhero movie being about the end of the world will be happy that that connectivity does not get in the way of everyone just having a good time.

Ant-Man and the Wasp is Recommended If You Like: The Marvel Cinematic Universe but with lower stakes

Grade: 3.5 out of 5 Quantum Realms