Entertainment To-Do List: Week of 11/19/21

November 19, 2021

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The Beatles: Get Back (CREDIT: Disney+)

Every week, I list all the upcoming (or recently released) movies, TV shows, albums, podcasts, etc. that I believe are worth checking out.

Movies
–Bad Luck Banging or Loony Porn (Theaters)
–C’Mon C’Mon (Theaters)
–King Richard (Theaters and HBO Max) – Tennis, anyone?

TV
–Cowboy Bebop Season 1 (November 19 on Netflix) – Might watch this just for the corgi.
–The Great Season 2 (November 19 on Hulu)
–Solar Opposites Holiday Episode (November 22 on Hulu)
–Hawkeye Series Premiere (November 24 on Disney+)
–Saved by the Bell Season 2 (November 24 on Peacock) – One of the best new shows of 2020 returns for 2021.
–The Beatles: Get Back (November 25-27 on Disney+) – Documentary series directed by Peter Jackson.
-National Dog Show (November 25 on NBC)
–South Park: Post Covid (November 25 on Paramount+) – First of 14 South Park films for Paramount+.

Music
-Adele, 30 – It’s Adele again.
-The Darkness, Motorheart
-Robert Plant and Alison Krauss, Raise the Roof
-Sting, The Bridge

Music on TV
-2021 Rock and Roll Hall of Fame Induction Ceremony (November 20 on HBO)

‘C’Mon C’Mon’ R’view R’view

November 18, 2021

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C’Mon C’Mon (CREDIT: A24)

Starring: Joaquin Phoenix, Woody Norman, Gaby Hoffman, Scoot McNairy, Molly Webster, Jaboukie Young-White

Director: Mike Mills

Running Time: 108 Minutes

Rating: R for Language (But I Say “Come On!” to the MPA! There’s Only One Scene of Really Bad Profanity!)

Release Date: November 19, 2021 (Theaters)

When you go see a movie with a title like “C’Mon C’Mon,” you can’t help but wonder if it’ll have you yourself yelling “C’Mon C’Mon!” back at the screen. Well, at least I can’t help but wonder that. Your mileage may vary. There are various reasons why one might have this reaction: cheering along, frustration, or maybe you just have to go to the bathroom and it’s a mantra to help you hold it in until the credits start rolling. If I counted correctly, there was precisely one time when I in fact yelled that “C’Mon C’Mon.” And it was merely an internal yell. (It would’ve been a little rude to my fellow moviegoers to scream in the middle of the theater, after all.) But that paucity is actually appropriate, because despite the title, this is a movie designed to be nodded along to as it gently washes over you.

Joaquin Phoenix plays radio journalist Johnny, who pops in for a rare visit to his sister Viv (Gaby Hoffman) and then suddenly finds himself babysitting his energetic nephew Jesse (Woody Norman) while Viv goes off to help Jesse’s father Paul (Scoot McNairy), who’s living with bipolar disorder. Johnny’s currently working on a project in which he and his colleagues are going around to various locales to interview teenagers about what it’s like to be a kid in their home cities in today’s world. That’s not exactly an ideal situation for a nine-year-old to be tagging along, but Johnny’s happy to actually get the opportunity to be an uncle, and he and Jesse develop a quick rapport.

Ultimately, C’Mon C’Mon is a gentle how-to guide about raising a kid. Much of the running time consists of Johnny and Viv texting or chatting on the phone to hash out all the child-rearing stresses that arise on a daily basis. Jesse’s a bit of a handful, though he’s hardly a demon child. The worst things he does are on the level of forgetting to pack his toothbrush or scaring his uncle half to death by wandering off. None of these moments lead to a full-blown emergency; instead, Johnny freaks out and Jesse gets upset, but things settle down soon enough. Then Johnny and Viv discuss the best way to talk to a child after these sorts of things happen. If you’re a new parent, or a new aunt or uncle who’s babysitting for the first time, this is a helpful movie to watch. I’m not quite there yet myself, but I might be relatively soon, so I feel like I must say thank you to everyone involved with making this movie.

C’Mon C’Mon is Recommended If You Like: Mike Mills’ gentle filmography, Texting conversations popping up on screen, Reading parenting blogs and magazines

Grade: 3.5 out of 5 Boom Mics

‘Ghostbusters: Afterlife’ is Very Similar to the First ‘Ghostbusters,’ and I Would Be Very Surprised If Anyone Argued Differently

November 16, 2021

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Ghostbusters: Afterlife (CREDIT: Screenshot)

Starring: McKenna Grace, Carrie Coon, Finn Wolfhard, Paul Rudd, Logan Kim, Celeste O’Connor, Bill Murray, Dan Aykroyd, Ernie Hudson, Sigourney Weaver, Annie Potts, Bokeem Woodbine

Director: Jason Reitman

Running Time: 125 Minutes

Rating: PG-13 for Shooting Lasers at Those Ghosts

Release Date: November 19, 2021 (Theaters)

Ghostbusters: Afterlife plays all the biggest hits of the original Ghostbusters, but in rural Oklahoma instead of Manhattan. A gluttonous spook chomping away, squishy treats running amok, hellbeasts hooking up, “Who you gonna call?” – it’s all right here! It’s like a recurring sketch on Saturday Night Live: perfectly professional, and it probably works best for those who haven’t seen the first edition. As for those who were around for the original, there’s the thrill – or sting – of familiarity. This time around, the main busters are a few precocious kids, as opposed to a crew of childlike adults, so the vibe is at least a little different, although pretty much everyone involved takes great pains to capture that 1984 mojo as best they can.

I frequently wonder why repetition is demonized so much more in cinema than it is in other mediums. Revivals are an essential piece of live theater, musicians are expected to play the same songs over and over at their concerts, superhero comic books thrive on retelling the same stories, etc. But when you trot out a repeat at the movie house, you might draw big crowds, though you likely won’t win much critical praise, at least not as much as you did the first go-round. It probably has something to do with scale and budget. It takes years to assemble sequels and reboots, so there is a lot riding on them to be worth it. Ghostbusters: Afterlife plays it safe, so we’ll probably continue to see proton packs around town for decades to come, but I don’t know if anyone will also start emulating Paul Rudd’s plaid ensembles. (Well, maybe they will, but less because of this movie and more because he’s the Sexiest Man Alive.)

I didn’t want to be preoccupied by all this context while watching Afterlife, but it’s kind of unavoidable when you’re as plugged into culture as much as I am. When I try to think about this movie in and of itself, I can at least say that I appreciate that Carrie Coon and McKenna Grace and Finn Wolfhard were free to do their own thing, more or less. And there is one scene that I must admit is just undeniably satisfying, and that is when a bunch of Stay Puft marshmallows impishly run amok in a brand name department store. It’s cute and chaotic – an eternally winning combination. It’s also curious and a little unpredictable, which are qualities that the rest of the movie could have definitely benefited from.

Ghostbusters: Afterlife is Recommended If You Like: SNL recurring sketches, the Minions going shopping in the first Despicable Me, Dead actors resurrected by technology

Grade: 2.75 out of 5 Spooks

‘Bad Luck Banging or Loony Porn’ is Thoughtful and Playful with Its Explicit Subject Matter

November 16, 2021

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Bad Luck Banging or Loony Porn (CREDIT: Magnolia Pictures)

Starring: Katia Pascariu, Claudia Ieremia, Olimpia Malai, Nicodim Ungureanu

Director: Radu Jude

Running Time: 106 Minutes

Rating: Unrated (But Do Know That It Gets Pretty Explicit)

Release Date: November 19, 2021 (Theaters)

Every once in a while, a movie breaks itself up into chapters via on-screen intertitles, but rarely can I ever discern much of a difference between those chapters, thematic or otherwise. But finally a film has come along with some clear reasons for the delineation. It has emerged out of Romania, and it goes by the name of Bad Luck Banging or Loony Porn (or Babardeală cu bucluc sau porno balamuc, if you prefer its native tongue). It has a fairly familiar premise: schoolteacher Emi (Katia Pascariu) makes a sex tape and then it’s accidentally discovered by the people in her life. But I can guarantee you don’t know what’s coming next. The first section consists of Emi walking around town in the wake of the tape leaking; the middle is a montage of “definitions” of various words and concepts; and then it all wraps up in a heated and often hilarious parent-teacher conference.

It’s immediately clear that Bad Luck Banging is far from the typical American version of this story, in terms of its sexual explicitness and its patience. So much of the cinematography of the first third consists of lingering shots of buildings and streetscapes. In the most literal sense, this portion is just about how Emi gets from point A to point B. And point C. And points D and E and F. I eventually started to wonder if writer-director Radu Jude had been influenced by Birdemic. This section does also serve the purpose of presenting what Romanian society looks like in the midst of the COVID-19 pandemic, which in a word is: RUDE! I sure hope it’s not always like that, as Emi’s day-to-day life is simply exhausting, in a way that has nothing to do with the sex tape.

The middle section is a grab bag of jokes and social commentary, and it’s really exciting to stumble across a movie that sticks some formal experimentation within a more traditional narrative structure. Another reason that it’s so exciting is because I don’t know what is going to pop up on screen on a second-by-second basis. And if I ever watch this movie again, that will still probably be true, because I haven’t remembered every single part of this section. If I had, I would’ve recounted them in detail to you fine readers of this review!

And finally, I guess I better talk about the last section, seeing as I talked about both of the previous sections. It’s only fair. During the parent-teacher conference, Emi is presented as the One Sane Woman amidst a phalanx of prudes, conspiracy theorists, and other nutcases. The crowd is understandably upset about what their kids have been exposed to, but they don’t seem very interested in finding a reasonable solution. Ultimately, this sequence is a Big Fat Plea to allow consenting adults to live their sex lives however they want to. And it’s playful throughout, particularly in a series of alternate endings that let the imagination run wild. Open-mindedness is useful for a number of reasons.

Bad Luck Banging or Loony Porn is Recommended If You Like: Jean-Luc Godard, Watching private parts in public, Curb Your Enthusiasm

Grade: 4 out of 5 Sex Tapes

Jeff’s Wacky SNL Review: Jonathan Majors/Taylor Swift

November 14, 2021

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SNL: Bowen Yang, Taylor Swift, Jonathan Majors, Aidy Bryant (CREDIT: NBC/Screenshot)

In case this is the first of my SNL reviews you’re reading this season (or if you just need a refresher), I’ve been mixing up the order in which I list each sketch. This time, I’ve listed them in order of how long my notes were for each sketch, starting with the most notes. (You’ll have to trust me on this one.)

Anyway, Jonathan Majors was booked as the host, while Taylor Swift managed to be the musical guest. This is his first time entertaining us from Studio 8H, while she’s been here multiple times already. Maybe she gave him some advice.

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That’s Auntertainment! Karaoke Korner 23

November 14, 2021

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Sarah Jett Rayburn isn’t just a Jeopardy! champion, she’s also the latest contributor to Karaoke Korner, as she has Jeff make his selections from the works of country gal Miranda Lambert, Euro-disco crew Boney M., and Mother Monster Lady Gaga.

‘Julia’ is on Fire

November 13, 2021

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Julia (CREDIT: Sony Pictures Classics/Screenshot)

Starring: Julia Child and Friends

Directors: Julie Cohen and Betsy West

Running Time: 95 Minutes

Rating: PG-13

Release Date: November 12, 2021 (Theaters)

The beginning of the Julia Child documentary Julia features footage of Ms. Child in the kitchen to the tune of Jimi Hendrix’s psychedelic hard rock classic “Fire.” Which had me going, “Awww, yeah!” I love that sort of juxtaposition! The rest of the movie is a fairly typical biographical documentary, what with its mix of archival footage and interviews with family, friends, and fans. But that opening has me wondering about other potential mashup ideas: the Barefoot Contessa set to Metallica, perhaps? Emeril Lagasse chopping away while Phish jams on? The Swedish Chef bork bork-ing as Yoko Ono howls with abandon? Chime in if you’ve got any other ideas!

Grade: 3 Chopped Fingers in the Beef Bourguignon

Jeff’s Wacky SNL Review: Kieran Culkin/Ed Sheeran

November 12, 2021

jmunney Saturday Night Live, SNL Weekly Recaps, Television , , , , , 1 Comment

SNL: Heidi Gardner, Kieran Culkin, Chris Redd (CREDIT: NBC/Screenshot)

I ran the New York City Marathon on Sunday, November 7, 2021, which made it a little difficult to post my review of the 11/6/21 SNL on Sunday as I normally do. Sorry, Kieran Culkin and Ed Sheeran! (They were the guests of this episode.) So I decided instead to write this review over the course of the week, at a rate of a few sketches per day. Anyway, maybe it was the post-marathon glow, but I really enjoyed this episode!

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Entertainment To-Do List: Week of 11/12/21

November 12, 2021

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The Shrink Next Door (CREDIT: Apple TV+)

Every week, I list all the upcoming (or recently released) movies, TV shows, albums, podcasts, etc. that I believe are worth checking out.

Movies
–Belfast (Theaters) – This takes place in Belfast.
–Clifford the Big Red Dog (Theaters and Paramount+) – I love dogs.
–Julia (Theaters) – Documentary about Julia Child.

TV
–The Shrink Next Door Series Premiere (November 12 on Apple TV+) – Starring Will Ferrell and newly minted Sexiest Man Alive Paul Rudd.
–Snoopy in Space Season 2 (November 12 on Apple TV+)
–The World According to Jeff Goldblum Season 2 Premiere (November 12 on Disney+)
–Riverdale Season 6 Premiere (November 16 on The CW)

Music
-Damon Albarn, The Nearer the Fountain, More Pure the Stream Flows
-Courtney Barnett, Things Take Time, Take Time
-Gov’t Mule, Heavy Load Blues

‘Belfast’ Presents a Coming-of-Age Story in a Time of Troubles

November 10, 2021

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Belfast (CREDIT: Rob Youngson/Focus Features)

Starring: Jude Hill, Catríona Balfe, Jamie Dornan, Judi Dench, Ciarán Hinds, Colin Morgan, Lara McDonnell, Olive Tennant

Director: Kenneth Branagh

Running Time: 97 Minutes

Rating: PG-13 for Explosive Violence and Some Language

Release Date: November 12, 2021 (Theaters)

If you’re a nine-year-old boy who takes school seriously, can’t you just pine after the classmate you’re sweet on without having to worry about a war raging in your neighborhood? That’s the conundrum in which little Buddy (Jude Hill) finds himself in 1960s Belfast, Northern Ireland in the film named after the city written and directed by Belfast native Kenneth Branagh. He’s at that age when he’s really starting to notice the opposite sex, but you get the sense that he’s also the one of those kids who never thought that girls were icky. His teacher has a system wherein whoever does best on the math tests gets to sit at the front of the room. Buddy’s stuck in the middle when we meet him, while his crush Catherine (Olive Tennant, daughter of David) is firmly ensconced in the #1 position. Will Buddy work his way up to the front? It’s good motivation if you can get it.

We never doubt Buddy’s sweetness, or his studiousness, but we do worry that he might get waylaid by forces beyond his control, considering the time and place he’s living. This was the beginning of “The Troubles,” a decades-long ethnic conflict in the country. As presented in Belfast, it’s primarily a fight against Catholics instigated by Protestants. Buddy’s family are Protestants, but they’re decidedly against participating in the fight in any capacity. My reaction to the presence of The Troubles, both within the movie and in real life, is much the same as that of Buddy’s dad (Jamie Dornan), who basically tells the local ringleader, “Get out of here. We don’t want any part of this.” I really just want to see Buddy’s budding love life and the rest of what he does for fun. Perhaps the context of national strife provides some extra dramatic oomph, but I’m pretty sure I like coming-of-age stories even when they take place in times of peace.

So what else did I like about this movie? Buddy’s relationships with his family members were certainly a treat to peak in on. His mom (Catríona Balfe) steadily holds down the fort, while his grandparents (Judi Dench and Ciarán Hinds) are founts of wisdom. Also, there’s this really memorable scene at the end when his dad gives him some great advice about tolerance and open-heartedness. The moments when the family watch movies are also quite a bit fun (partly because they provide a bit of color to the otherwise black-and-white presentation). This certainly feels like the most personal directorial effort I’ve ever seen from Branagh. It is semi-autobiographical after all, and you can feel that.

Belfast is Recommended If You Like: British villages, Love fueled by academic success, Guileless discussions about religion

Grade: 3.5 out of 5 Maths

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