
Jeff and his longtime friend, also named Jeff, go mad every March, and the culprit is: college basketball.
Jeff "Jmunney" Malone's Self-Styled "Expert" Thoughts on Movies, TV, Music, and the Rest of Pop Culture
March 27, 2022
Podcasts, That's Auntertainment basketball, college basketball, March Madness, Podcasts, That's Auntertainment Leave a comment

Jeff and his longtime friend, also named Jeff, go mad every March, and the culprit is: college basketball.
March 26, 2022
Awards Shows, Cinema, Oscars, Television 94th Academy Awards, 94th Oscars, Academy Awards, Oscar Predictions, Oscars Leave a comment

“Children of Deaf Adults”? More for like “Oscars FOR Deaf Adults!” (CREDIT: Apple TV+)
Here’s my quick rundown of who might just grab the gold on Sunday, March 27, 2022, and whom I would vote for if I had a ballot.
Best Picture
Prediction: CODA
Preference: King Richard
Best Director
Prediction: Jane Campion
Preference: Steven Spielberg
March 25, 2022
Cinema, Entertainment To-Do List, Movie Reviews 94th Academy Awards, Academy Awards, Everything Everywhere All at Once, How We Roll, Moon Knight, Mothering Sunday, Name That Tune, Oscars Leave a comment

Moon Knight (CREDIT: Csaba Aknay/©Marvel Studios 2022)
Every week, I list all the upcoming (or recently released) movies, TV shows, albums, podcasts, etc. that I believe are worth checking out.
Movies
–Everything Everywhere All at Once (Theaters)
–Mothering Sunday (Theaters)
TV
-94th Academy Awards (March 27 on ABC) – Da moviesh.
–Name That Tune Season Premiere (March 29 on FOX) – Celebrity contestants this time around.
–Moon Knight Series Premiere (March 30 on Disney+) – Oscar Isaac joins the MCU.
–How We Roll Series Premiere (March 31 on CBS) – Pete Holmes goes bowling.
March 22, 2022
Cinema, Movie Reviews Aaron Nee, Adam Nee, andra Bullock, Bowen Yang, Brad Pitt, Channing Tatum, Da'Vine Joy Randolph, Daniel Radcliffe, Oscar Nuñez, Patti Harrison, Raymond Lee, The Lost City 1 Comment

The Lost City (CREDIT: Paramount Pictures)
Starring: Sandra Bullock, Channing Tatum, Daniel Radcliffe, Da’Vine Joy Randolph, Patti Harrison, Oscar Nuñez, Brad Pitt, Raymond Lee, Bowen Yang
Directors: Aaron and Adam Nee
Running Time: 112 Minutes
Rating: PG-13 for A Few Bursts of Violence and Strategically Shot Nudity
Release Date: March 25, 2022 (Limited)
Should The Lost City be discovered, or should it remain lost? That is the question. Or maybe it’s not really the question, but I’ll nevertheless go ahead and ask it because I’d like to have something to focus this review around. And by bringing up the topic of focus, I don’t mean to imply that this film lacks focus. Far from it, in fact! You heard it here first, folks: this is a movie with a straightforward plot that’s easy to follow. Sandra Bullock plays Loretta Sage, a novelist who gets kidnapped and taken to a legendary location from her latest book, while Channing Tatum plays the ditzy cover model who attempts to rescue her, and eventually they make their way out the other end. It’s globe-trotting, high-stakes fun that’s designed to be oohed, ahhed, and laughed at. And I imagine that pretty dang close to 100% of audiences will know exactly when to provide those gasps and chuckles.
So if I have one big criticism about The Lost City, it’s that it’s perhaps a little too straightforward. I hoped for some charming repartee between Bullock and Tatum, as well as a full course of comic relief supporting performances from the likes of Da’Vine Joy Randolph, Patti Harrison, and Bowen Yang. And that’s exactly what I got! But not much more. There’s one surprising development early on involving one of the biggest stars, but afterwards I was left with a sense of, “Yes, that was an adventure.” Here’s the deal: if you’re going to cast Daniel Radcliffe as an eccentric billionaire villain, things should probably get unabashedly weird. Instead, they only get kind of weird. Who knows, maybe I was just infected by the malaise that Loretta was giving off by resenting her career and audience.
But here’s what stuck with me in a welcome way, and why The Lost City might just be worth tracking down. A showcase scene involves Bullock peeling leeches off Tatum after a jungle river swim, which necessitates him dropping trou to make sure she checks every crack and crevice. They keep it PG-13, but this is a classic case of survival-minded lack of modesty that keeps things rolling along. And then there’s an unforgettable performance from Oscar Nuñez (aka Oscar from The Office) as a guy who has a plane and a goat. It makes sense in context, or at least part of it does. And the rest that remained nonsensical is where I derived most of my joy from. So I guess my answer is: I’d like to find this titular city while still feeling like I’m at a loss.
The Lost City is Recommended If You Like: Sandra Bullock unexpectedly witnessing her male co-stars in the buff
Grade: 3 out of 5 Cover Models
March 20, 2022
Podcasts, That's Auntertainment 13 Going on 30, body swap, Christ B. Allen, Jennifer Garner, Podcasts, That's Auntertainment Leave a comment

It’s Jeff’s Birthday Month, so he asked Aunt Beth for a birthday-themed recommendation. And she responded by telling him to be thirty, flirty, and thriving.
March 18, 2022
Cinema, Entertainment To-Do List, Music, Television Atlanta, Charli XCX, CRASH, Deep Water, Human Resources, Motomami, One Perfect Shot, Rosalía, The Outfit, Umma, X Leave a comment

Human Resources (CREDIT: Netflix)
Every week, I list all the upcoming (or recently released) movies, TV shows, albums, podcasts, etc. that I believe are worth checking out.
Movies
–Deep Water (March 18 on Hulu) – Ben Affleck and Ana de Armas directed by Adrian Lyne.
–The Outfit (Theaters)
–Umma (Theaters)
–X (Theaters)
TV
–Human Resources Season 1 (March 18 on Netflix) – Big Mouth spin-off.
–Atlanta Season 3 Premiere (March 24 on FX)
–One Perfect Shot Series Premiere (March 24 on HBO Max) – Based on the Twitter account.
Music
-Charli XCX, CRASH
-Rosalía, Motomami
March 17, 2022
Cinema, Movie Reviews Brittany Snow, Dermot Mulroney, Fivel Stewart, Iris K. Shim, James Gaylyn, Jenna Ortega, Martin Henderson, MeeWha Alana Lee, Mia Goth, Odeya Rush, Owen Campbell, Sandra Oh, Scott Mescudi, Stephen Ure, Ti West, Tom Yi, Umma, X 5 Comments

Umma (CREDIT: Saeed Adyani/Sony Pictures); X (CREDIT: Christopher Moss/A24)
Starring: Sandra Oh, Fivel Stewart, Dermot Mulroney, Odeya Rush, MeeWha Alana Lee, Tom Yi
Director: Iris K. Shim
Running Time: 83 Minutes
Rating: PG-13 for Terrifying Memories and a Terrifying Present
Release Date: March 18, 2022 (Theaters)
Starring: Mia Goth, Jenna Ortega, Martin Henderson, Brittany Snow, Scott Mescudi, Owen Campbell, Stephen Ure, James Gaylyn
Director: Ti West
Running Time: 105 Minutes
Rating: R for Plenty of Sex and Violence
Release Date: March 18, 2022 (Theaters)
This week, we’ve got a couple of new horror releases arriving with pithy, vague titles. They pair well as a potential double feature, so I decided to go ahead and review them together. They’re also both operating in familiar subgenres with their own unique flourishes that you may or may not see coming. Let’s dig in.
First off, we’ll take a look at Umma, which to English speakers might sound like baby-talk. In a way it kind of is, but anyone who knows Korean will surely clock what’s in store. Starring Sandra Oh as a single mother named Amanda who lives alone with her daughter (Fivel Stewart) in an electricity-free home, this is one of those supernatural tales in which a ghost attaches to a person’s soul and just won’t let go. The East Asian pedigree suggests a throwback to the early 2000s when The Ring and The Grudge inaugurated a wave of J- and K-horror. But while those influences are certainly noticeable, a story of what we owe and inherit from our mothers resonates across cultures.
March 15, 2022
Cinema, Movie Reviews Alan Mehdizadeh, Dylan O’Brien, Graham Moore, Johnny Flynn, Mark Rylance, Nikki Amuka-Bird, Simon Russell Beale, The Outfit, Zoey Deutch 1 Comment

The Outfit (CREDIT: Nick Wall/Focus Features)
Starring: Mark Rylance, Zoey Deutch, Dylan O’Brien, Johnny Flynn, Simon Russell Beale, Nikki Amuka-Bird, Alan Mehdizadeh
Director: Graham Moore
Running Time: 106 Minutes
Rating: R for Turf Warfare and Mid-Century Profanity
Release Date: March 18, 2022 (Theaters)
Before watching The Outfit, I had no idea what the difference between a tailor and a cutter was. Actually, scratch that: before watching The Outfit, I had no idea that “cutter” was even the name of a profession. But now that a character played by Mark Rylance has told me what’s what, I won’t soon forget it. Basically, the gist is that whereas a tailor typically focuses on one particular article of clothing, a cutter can make adjustments to the entire ensemble. So that’s my biggest takeaway from this movie, and for that I’m quite grateful!
Rylance takes on the role of Leonard, a post-World War II transplant from London’s Savile Row who’s running a steady business in Chicago when we meet him. He left his bombed-out hometown to escape violence, but now he finds himself smack dab in the epicenter of gangster warfare. That’s right, the title of this flick refers to “outfit” in both senses of the term!
With that setup, this is more or less a how-to guide for how to survive amidst violence when you don’t have any interest in being loyal to either side. Leonard and his trusty assistant Mable (Zoey Deutch) both have the requisite amount of craftiness and self-reliance to keep themselves out of harm’s way just enough. By the time the credits are about to roll, there’s a very high probability that you’ll find yourself shouting, “That son of a gun was in control the whole time!” And hey, if you want somebody acting as a smooth operator in the middle of chaos, Mark Rylance is your guy!
Director Graham Moore (who also co-wrote the script with Johnathan McClain) keeps the action confined entirely to Leonard’s shop. You might call that a stagey decision (and honestly I’m surprised that this wasn’t based on a play), but the claustrophobia it conveys sure feels right. Besides, cinematographer Dick Pope always knows exactly where to direct our attention. And that tight confinement also makes it feel like we’re getting to know everyone better than we would have otherwise, which is especially appreciated when the cast includes the likes of Johnny Flynn and Teen Wolf vet Dylan O’Brien as the gangsters, which leads me to ponder, “Damn, these guys are now old enough to play career criminals?” Overall, it’s a nifty little construction, with every cut exactly where it’s meant to be.
The Outfit is Recommended If You Like: Crisp diction, secret pockets, acting showcases
Grade: 3.5 out of 5 Cutters
March 13, 2022
Saturday Night Live, SNL Weekly Recaps, Television Rosalía, Saturday Night Live, Saturday Night Live Season 47, SNL, SNL Season 47, Zoë Kravitz Leave a comment

SNL: Mikey Day, Rosalía, Zoë Kravitz, Chris Redd (CREDIT: NBC/Screenshot)
And now for something completely… all about the 15th episode of the 47th season of Saturday Night Live. For this outing, the host is a descendant of famous people, and wouldn’t you know it, she has SNL guesting in her blood. Current Catwoman Zoë Kravitz’s dad has been a musical guest a couple of times, while her stepdad hosted a few years ago. As for this episode’s musical guest Rosalía, I don’t think she has any family members who have previously stopped by Studio 8H, but she herself did give Bad Bunny an assist last season.
Since this episode aired on the weekend that Daylight Savings Time took over, I will be listing the sketches in order of how much sunlight they feature (whether literal or metaphorical), from least bright to brightest.