Entertainment To-Do List: Week of 3/5/21

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Kamp Koral (CREDIT: Paramount Plus/YouTube Screenshot)

Every week, I list all the upcoming (or recently released) movies, TV shows, albums, podcasts, etc. that I believe are worth checking out.

Movies
Coming 2 America (March 5 on Amazon) – “2,” not “to.”
Raya and the Last Dragon (Theaters and Premier Access on Disney+)
Stray (Theaters and On Demand) – Dog documentary.

TV
Kamp Koral: SpongeBob’s Under Years (Premiered March 4 on Paramount+)
-2021 Critics Choice Awards (March 7 on The CW)
The Masked Singer Season 5 Premiere (March 10 on FOX)
Game of Talents Series Premiere (March 10 on FOX) – Hosted by Wayne Brady!
South ParQ: Vaccination Special (March 10 on Comedy Central)

Music
-Kings of Leon, When You See Yourself

‘Coming 2 America’ Actually Goes to Zamunda for the Most Part

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Coming 2 America (CREDIT: Quantrell D. Colbert/Paramount Pictures)

Starring: Eddie Murphy, Jermaine Fowler, Arsenio Hall, Leslie Jones, Tracy Morgan, Kiki Layne, Shari Headley, Wesley Snipes, Teyana Taylor, James Earl Jones, Bella Murphy, Akiley Love, Paul Bates, John Amos, Louie Anderson, Luenell, Colin Jost, Vanessa Bell Calloway, Paul Bates, Nomzamo Mbatha

Director: Craig Brewer

Running Time: 110 Minutes

Rating: PG-13 for Occasionally Crude Silliness and a Drunken Sex Flashback

Release Date: March 5, 2021 (Amazon Prime Video)

So the big question we must all ourselves is: does Coming 2 America make me want to come 2 America? Well, I’m already in America, and have spent the vast majority of my life in this country, but I have to believe that there’s a difference between “coming to” and “coming 2,” because otherwise why even make this 30-plus-years-later sequel? Maybe in this case, “2” means the opposite of “to,” considering that this time around, Prince Akeem (Eddie Murphy, happy to be surrounded by friends) and company actually spend more time in Zamunda than they do in the U.S. of A. With that in mind, maybe “America” is a state of mind more than just a physical place. Looking back at Queens in 1988, that was a magical place for Akeem, despite its rough-and-tumble exterior. It’s where he found his queen, and it can now be seen as the wellspring of his own family, and in the sequel, it’s been elevated to the level of myth with the recreation of special Queens landmarks in Zamunda (in particular, the McDonald’s-knockoff McDowell’s). Is that feeling of home just as strong in 2021?

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‘Chaos Walking’ is an Impenetrable But Fascinating Piece of Dystopian Sci-Fi

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Chaos Walking (CREDIT: Lionsgate)

Starring: Tom Holland, Daisy Ridley, Mads Mikkelsen, David Oyelowo, Demián Bichir, Cynthia Erivo, Nick Jonas, Kurt Sutter, Óscar Jaenada

Director: Doug Liman

Running Time: 109 Minutes

Rating: PG-13 for Wham-Bam Action

Release Date: March 5, 2021

Chaos Walking is one of those movies where I’m not entirely sure what’s going on, but I kind of wish I did know more, because the things that I can make sense out of really do grab my attention. It’s an apt title then. Chaos really is walking everywhere, baby! That’s most obvious in the form of its signature visual motif: a swirl of inner thoughts dancing around people’s heads known as “the Noise.” All the men on this planet are afflicted by this condition, and it’s presented so matter-of-factly and therefore so effectively. I initially found it jarring, almost overwhelming, but within ten minutes it made all the sense in the world. I wish I could say the same thing about the plot, though. It’s driven by some sort of fight to figure out the secrets underpinning society, as is the case with so much dystopian sci-fi. I can tell that Tom Holland is earnest and well-intentioned and that Daisy Ridley is probably the key to everything and that Mads Mikkelsen doesn’t want them to succeed because he’s so grumpy, but beyond that, I feel like I needed to study the novel trilogy the film is based on to really understand the specifics.

If you can’t quite follow a movie’s storyline, you can at least vibe with it a bit if you can get on the wavelength of its action energy and its stylistic approaches. From a production design standpoint, Chaos Walking‘s decor is basically Hunger Games-esque arboreal but without the whiz-bang flamboyance. On a thematic level, it clearly has something to say about religion, though who’s to say what exactly that something is, though it’s at least fun to hear characters shout things like “I am the sinner! Purify my sin!” And on the action front, director Doug Liman is a reliable pro. He can even make you absolutely compelled by a chase scene that’s clearly a ripoff of Return of the Jedi‘s speeder bike sequence. (It even features Star Wars‘ very own Daisy Ridley, to boot!)

In many ways, Chaos Walking struck me as shouty, empty, and stitched-together. But I don’t want to dismiss it entirely, because it also struck me as intriguing, unique, and unburdened by expectations. This is a movie that’s comfortable being its own damn self, almost a little too much so. But that qualification is also why I admire it. At first glance, it looks like a generic slice of dystopian YA, but sticking with it allows it time to reveal that it’s a bit of an odd beast. Chaos is  indeed walking, and it’s reigning supreme, and I can’t argue with that.

Chaos Walking is Recommended If You Like: Lots of trees, Visually loud neuroticism, Differences between boys and girls writ large

Grade: 3 out of 5 Spackle Noises

Let ‘Stray’ Introduce You to the Homeless Dogs of Turkey

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Stray (CREDIT: Magnolia Pictures)

Starring: The Homeless Dogs and People on the Streets of Istanbul

Director: Elizabeth Lo

Running Time: 72 Minutes

Rating: Unrated (But It Would Surely Be a G)

Release Date: March 5, 2021 (Theaters and On Demand)

I recently had the pleasure of watching the documentary Stray, which follows a trio of homeless dogs around the streets of Turkey (the country, not the famous answer from Family Fortunes). The runtime clocks in at a perfectly reasonable seventy-two minutes, though I would certainly be happy to spend even more time with these pooches. The three lead mutts are Zeytin, Nazar, and Kartal, who seem to be local celebrities in their neighborhoods, but alas that fame doesn’t mean that anyone is available to offer them a furever home. At least they don’t seem to mind too much; if you let a dog roam, it’s gonna roam!

If these pooches were wandering the streets of America, I imagine that they would end up in a shelter and quite possibly be euthanized. But Turkey has a no-kill, no-capture policy toward stray dogs, and that sensibility seems to have permeated the general attitude of the Turkish people. The humans that we see in this film accept the dogs as a fact of day-to-day life in much the same way that the dogs accept the humans. Director Elizabeth Lo accordingly offers a straightforward, essentially dog’s-eye view that allows viewers to simply discover this fact of life if they weren’t aware of it already.

While looking over my notes for Stray, I noticed that I happened to have written down on the same page some thoughts about the most recent Puppy Bowl, and I was struck by the juxtaposition of these two very different facets of canine culture. The Puppy Bowl is a beloved annual event in which the dogs are coddled and catered to, with the promise of a permanent residence at the end of it all. Meanwhile in Stray, the pooches are just as much the star of the show, but the resources aren’t quite there for them to have regular lodging. If you’re as much of a dog lover as I am, then you’re liable to fall for both the Puppy Bowl and Stray equally hard, since they’re both about dogs being dogs. And that leads me to the conclusion that I think Elizabeth Lo would like us to draw and that I would happily co-sign, which is that dogs are eternally watching and emulating.

Stray is Recommended If You Like: The philosophy of Diogenes the Cynic, Fights over street meat, Making new friends and running around with them

Grade: 3.5 out of 5 Howls

Jeff’s Wacky SNL Review: Nick Jonas

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SNL: Bowen Yang, Nick Jonas, Ego Nwodim (CREDIT: YouTube Screenshot)

Hellooooooooooooooooooooooo to my readers! I am about to review the February 27, 2021 episode of Saturday Night Live, which featured Nick Jonas as host and musical guest. He’s previously appeared before as musical guest once on his own and twice with his brothers, but this time, it’s something different, and my review should reflect that.

I had eggs and some side dishes for breakfast Sunday morning.

The opening sketch is A Message From Dr. Fauci (Grade: Pfizer Visor Consolation Prize), which promptly turns into a game show entitled “So You Think You Can Get the Vaccine,” with a trio of current American governors serving as the judges. I was most amused by Pete’s Andrew Cuomo inexplicably mentioning Five Guys.

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That’s Auntertainment! Episode 27: The Chase and ABC Fun & Games (w/ Dave Coyle)

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The Chase (CREDIT: Ron Batzdorff/ABC)

The Chase is on! It’s on the telly, that is, if on a Thursday night at 9:00 you find yourself with Aunt Beth or Jeff or their special guest Dave Coyle.

Entertainment To-Do List: Week of 2/26/21

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Tom & Jerry (CREDIT: Warner Bros/YouTube Screenshot)

Every week, I list all the upcoming (or recently released) movies, TV shows, albums, podcasts, etc. that I believe are worth checking out.

Movies
The Father (Theaters) – Olivia Colman plays Anthony Hopkins’ father
The SpongeBob Movie: Sponge on the Run (March 4 on Paramount+) – This is the day CBS All Access rebrands as Paramount+.
Tom & Jerry (Theaters and HBO Max) – Colin Jost in the Wedding of the Century!
The Vigil (Theaters and On Demand)

TV
RuPaul’s Drag Race: Corona Can’t Keep a Good Queen Down (February 26 on VH1)
-78th Golden Globe Awards (February 28 on NBC)

Music
-Alice Cooper, Detroit Stories – Loved him on The Muppet Show; glad to see he’s still making music.

‘Night of the Kings’ is a Visually Captivating Piece of Storytelling Emanating From a Prison in Côte d’Ivoire

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Night of the Kings (Courtesy of NEON)

Starring: Koné Bakary, Steve Tientcheu, Rasmané Ouédraogo, Issaka Sawadogo, Denis Lavant

Director: Phillipe Lacôte

Running Time: 93 Minutes

Rating: R for A Bit of Nudity and a Fairly Violent Prison Milieu

Release Date: February 26, 2021 (Theaters)/March 5, 2021 (On Demand)

I recently had the pleasure of watching Night of the Kings, Côte d’Ivoire’s official entry for Best International Feature Film at the 93rd Academy Awards. If you’re familiar with classic international literature, it will probably strike you as it struck me, i.e., as a modern Ivorian version of the Arabian Nights. The setting is the notorious MACA Prison, which is essentially run by the inmates. A new prisoner who is dubbed “Roman” (Koné Bakary) finds himself thrust into the worst of it, as he is forced to tell a story over the course of the night, and if his fellow inmates don’t like what he’s offering, the penalty is death.

Luckily for Roman, he is able to summon his inner Scherherazade without too much fuss. And luckily for us, director Phillipe Lacôte has the requisite visual craftsmanship to match his main character’s imagination. There aren’t too many other movies nowadays that feature a woman dancing in a way that turns an elephant into a hawk, after all. As a lifelong American resident who only gets bits and pieces of African news, I don’t know much about the culture of Côte d’Ivoire, and I imagine that Night of the Kings represents only a very small piece of that culture anyway. But I think it offers a fine opportunity to take your first bite to discover what Ivorian cinema is all about. Much like the MACA inmates, I found it compelling because of the enduring, worldwide appeal of just listening to someone tell a story. On a narrative and thematic level, I’m not entirely sure how to best explain Night of the Kings, but on an emotional level, I can say with confidence that it felt just right and just so.

Night of the Kings is Recommended If You Like: City of God, Framing devices of characters telling a story, Giving a chance to movies from countries you know very little about

Grade: 3.5 of 5 Microbes

‘The Vigil’ Puts a Hasidic Spin on Supernatural Horror

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The Vigil (CREDIT: IFC Midnight)

Starring: Dave Davis, Menashe Lustig, Lynn Cohen, Malky Goldman, Fred Melamed

Director: Keith Thomas

Running Time: 89 Minutes

Rating: PG-13 for Creepy Creatures Who Have No Concerns About People’s Mental Health

Release Date: February 26, 2021 (Theaters and On Demand)

The Vigil is the sort of movie that tells you exactly as much setup information as you need to know in case you’re not a member of the community where it takes place. I would pitch it as a sort of Orthodox Jewish spin on The Babadook, with a few elements of The Grudge thrown in as well. At the heart of the film is the role of a “shomer,” a person who fulfills the task of looking over the body of a recently deceased person until it’s buried. Typically, this is performed by a family member, but in cases where that’s not an option, there can be shomers hired from outside the family. That’s where Yakov Ronen’s (Dave Davis) story begins when his old rabbi (Menashe Lustig) shows up asking for a favor.

Yakov used to be a member of the Hasidic Jewish community in Brooklyn’s Borough Park neighborhood, but he’s recently opted for a less rigidly religious existence. But the community isn’t quite done with him, particularly in the form of Rabbi Reb Shulem, who offers him a few hundred bucks to be the shomer until dawn for an old man named Mr. Litvak whose widow (Lynn Cohen) lives alone and supposedly suffers from Alzheimer’s. Yakov could certainly use the cash, though he’s not sure it’s worth it since he’s been trying to cut off all contact with Reb. Ultimately, though, he takes the job, but it ends up being a lot more than he bargained for when evil spirits that had been haunting Mr. Litvak start turning their attention towards Yakov.

As in The Babadook, the supernatural forces in The Vigil also work metaphorically as a manifestation of the main character’s psychological state. The specifics of who or what these spooky beings really are is never specified, but ultimately that’s beside the point. I can imagine that Jewish folkloric creatures like dybbuks and the ghosts of the Holocaust served as inspiration. But what is most important here is the anxiety that Yakov is experiencing as a young man riddled by memories of guilt and trauma who’s also attempting to move forward in his life by learning fairly common but frequently challenging behaviors like learning how to talk to girls. Serving as a shomer on this particular night is like an hours-long panic attack manifesting as his worst nightmares come to life. It’s a gauntlet that could potentially lead to hospitalization or even a descent into Hell, or it could instead make him the strongest Yakov he’s ever been if he manages to somehow get through it. And those of us watching are liable to experience some secondhand catharsis.

The Vigil is Recommended If You Like: The Babadook, Spirits sneaking into technology, Cathartic horror

Grade: 4 out of 5 Shomers

Jeff’s Wacky SNL Review: Regé-Jean Page/Bad Bunny

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SNL: Bad Bunny, Regé-Jean Page, Melissa Villaseñor (CREDIT: YouTube Screenshot)

Here’s something I’ve never done before: written a review of an SNL episode hosted by Regé-Jean Page with musical guest Bad Bunny. (How Bad is he?!) Here’s to new experiences!

I got up early on Sunday morning, enjoyed some heart-shaped Honey Nut Cheerios, visited the bathroom a few times, and got to watching the comedy.

If the real Britney Spears were to host a talk show, do you think it would go a little something like Oops, You Did It Again (Grade: “Oops”? Or Maybe It Was on Purpose?). For the purposes of the people who wrote this week’s cold opening, the answer is “Yes.” Much of this sketch was more stuck in the muckety-muck than it was ha-ha, but Pete Davidson as Andrew Cuomo was just plain-old counterintuitively inspired.

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