Jeff "Jmunney" Malone's Self-Styled "Expert" Thoughts on Movies, TV, Music, and the Rest of Pop Culture
October 31, 2025
Cinema, Movie Reviews A House of Dynamite, Abubakr Ali, After the Hunt, Andrew Garfield, Angel Reese, Anthony Ramos, Arielle Friedman, Arturo Castro, Ayo Edebiri, Aziz Ansari, Ben Leonberg, Brian Tee, Brittany O'Grady, Chloë Sevigny, Damian Lewis, Evan Peters, Francesca Carpanini, Gabriel Basso, Gbenga Akinnagbe, George Orwell, Gillian Anderson, Good Boy, Good Fortune, Greta Lee, Hasan Minhaj, Idris Elba, Indy the Nova Scotia Duck Tolling Retriever, Jared Harris, Jared Leto, Jason Clarke, Jeff Bridges, Joachim Rønning, Jodie Turner-Smith, Jonah Hauer-King, Julia Roberts, Kaitlyn Dever, Kathryn Bigelow, Keanu Reeves, Keke Palmer, Kyle Allen, Larry Fessenden, Lío Mehiel, Luca Guadagnino, Malachi Beasley, Michael Stuhlbarg, Moses Ingram, Noah Oppenheim, Orwell 2+2=5, Raoul Peck, Rebecca Ferguson, Renée Elise Goldsberry, Sandra Oh, Seth Rogen, Shane Jensen, Stuart Rudin, Tracy Letts, Tron, TRON: Ares, Willa Fitzgerald Leave a comment
Good Boy, Good Times at the Movies (CREDIT: Ben Leonberg/Independent Film Company and Shudder)
Okay, here we go. It’s time for me to release my thoughts about the new movies that I saw in the month known as October 2025 that I haven’t explicated until now. Trick-or-treat furever!
July 31, 2025
Cinema, Movie Reviews Alex Borstein, Anthony Ramos, Awkwafina, Craig Robinson, Danielle Brooks, Lilly Singh, Marc Maron, Maria Bakalova, Natasha Lyonne, Pierre Perifel, Richard Ayoade, Sam Rockwell, The Bad Guys, The Bad Guys 2, Zazie Beetz Leave a comment
As bad as they want to be (CREDIT: DreamWorks Animation/Universal Pictures)
Starring: Sam Rockwell, Marc Maron, Awkwafina, Craig Robinson, Anthony Ramos, Zazie Beetz, Danielle Brooks, Natasha Lyonne, Maria Bakalova, Alex Borstein, Richard Ayoade, Lilly Singh
Director: Pierre Perifel
Running Time: 104 Minutes
Rating: PG for Gravity-Defying Cartoon Action
Release Date: August 1, 2025 (Theaters)
What’s It About?: Following their release from prison, the anthropomorphic professional criminal crew known straightforwardly as “The Bad Guys” – Mr. Wolf (Sam Rockwell), Mr. Snake (Marc Maron), Mr. Tarantula (Awkwafina), Mr. Shark (Craig Robinson), and Mr. Piranha (Anthony Ramos) – is trying to break good. But that’s not so easy with their notorious resumes holding them back. Plus, there are certain factions who would rather they stay in the heist game, particularly a group of lady criminals who frame them, kidnap them, and force them into their plan to commandeer a space station to steal all of the world’s gold. Through it all, they try to convince the skeptical chief of police (Alex Borstein) that she can trust them, even though they keep forgetting that she’s been promoted to commissioner. At least they have an ally in the form of Governor Diane Foxington (Zazie Beetz), who’s tried to help them on the inside while doing her best to keep her own sketchy past a secret.
What Made an Impression?: Laughing the Story Along: The plot of The Bad Guys 2 revolves around a device called “MacGuffinite,” which made me and a few other adults in the screening chuckle. If you’re a cinephile, you probably already know that a MacGuffin (also spelled “McGuffin”) is a device that drives the action of a story forward, without being what the story is really about. I doubt that the youngsters that this movie is primarily targeted towards will get the reference, but it’s a nice touch nonetheless.
Vibrant Colors & Familiar Voices: Weirdly enough, I haven’t seen the first Bad Guys movie, nor have I read the graphic novels they’re based on, nor do I have any kiddos in my life to pester me about their love for them. So while I’m not bringing much emotional investment to this theatrical experience, I can still appreciate the zippy painterly animation (and its occasional hallucinatory switches into other styles) and also enjoy playing a round of, “Hey, Who’s That Actor’s Voice I’m Pretty Sure I Recognize?”
Completing the Assignment: Ultimately, The Bad Guys 2 held my attention and provided some mildly diverting attention for an hour and a half. And I wasn’t asking for anything more than that! Maybe you’ll vibe with this one a little more than I did, whether or not you’re a kid, and whether or not you have kids. But we can go ahead and file this review of mine under “Not a Rave, But Can’t Complain.”
The Bad Guys 2 is Recommended If You Like: Heists for Beginners
Grade: 3 out of 5 MacGuffinites
July 17, 2024
Cinema, Movie Reviews Anthony Ramos, Brandon Perea, Daisy Edgar-Jones, Daryl McCormack, David Corenswet, Glen Powell, Harry Hadden-Patton, Katy O'Brian, Kiernan Shipka, Lee Isaac Chung, Maura Tierney, Nik Dodani, Sasha Lane, Tunde Adebimpe, Twisters 2 Comments
(from left) Kate (Daisy Edgar-Jones), Javi (Anthony Ramos) and Tyler (Glen Powell) in Twisters, directed by Lee Isaac Chung.
Starring: Daisy Edgar-Jones, Glen Powell, Anthony Ramos, Brandon Perea, Maura Tierney, Harry Hadden-Patton, Sasha Lane, Daryl McCormack, Kiernan Shipka, Nik Dodani, David Corenswet, Tunde Adebimpe, Katy O’Brian
Director: Lee Isaac Chung
Running Time: 122 Minutes
Rating: PG-13 for Windborne Injuries
Release Date: July 19, 2024 (Theaters)
What’s It About?: Twisters, the legacyquel to 1996’s Twister, is the movie that dares to ask the question: what if there were MORE than one tornado? Honestly, though, wasn’t there already more than one in the first edition? Maybe I’m misremembering, but I’m pretty sure that tornadoes are generally not something that happens in total isolation. Regardless, Twisters is basically positing a once-in-a-generation confluence of as many tornadoes as have ever been observed. Hot on their tail are meteorologist Kate Cooper (Daisy Edgar-Jones), her storm chasing colleague Javi (Anthony Ramos), and peacocking YouTube storm chaser Tyler Owens (Glen Powell). Along the way, there might just be some romance, and maybe even a bit of humanitarian aid.
What Made an Impression?: You’ve Climate Changed, Man: After a bravura opening sequence that ends with the loss of a few of Kate and Javi’s fellow chasers, the fallout cuts ahead five years, with Kate working an office job in New York City and Javi tracking her down for a new and exciting opportunity. These moments have a vibe that suggest that they’re outside of harm’s way in the city, but anyone who’s lived in the mid-Atlantic U.S. in the past few years is all too aware of how tornado territory has been expanding more and more lately. Any ecological disaster movie can easily be read as a warning about climate change, but Twisters doesn’t have to take it to extremes. The storms may be deadly, but they’re too believable to feel like a roller coaster. With that in mind, this is more like a speculative documentary than a work of fiction.
Don’t Forget the People: Is Twisters ashamed of itself? Or is it just feeling a little guilty? That’s the sense I gather from scenes of the chasers offering food and water to the people who have been in harm’s way in the paths of the tornadoes. I don’t think it would have been irresponsible to leave these moments out, but Joseph Kosinski’s script apparently disagrees. Maybe it could have gone even further and transformed the entire movie into a Tornado Relief Telethon halfway through. That certainly would have been more predictable than what we got, which is competent, but also kind of quotidian.
Twisters is Recommended If You Like: Finding a soul beneath the YEEHAW!
Grade: 3 out of 5 Forecasts
September 13, 2023
Cinema, Movie Reviews America Ferrera, Anthony Ramos, Craig Gillespie, Dane DeHaan, Dumb Money, Myha'la Harold, Nick Offerman, Paul Dano, Pete Davidson, Rushi Kota, Sebastian Stan, Seth Rogen, Shailene Woodley, Talia Ryder 1 Comment
So Dumb (CREDIT: Sony Pictures/Screenshot)
Starring: Paul Dano, Pete Davidson, Seth Rogen, Shailene Woodley, America Ferrera, Nick Offerman, Anthony Ramos, Sebastian Stan, Dane DeHaan, Myha’la Harold, Rushi Kota, Talia Ryder
Director: Craig Gillespie
Running Time: 104 Minutes
Rating: R for Dumb Profanity and Cheeky Nudity
Release Date: September 15, 2023 (Limited Theaters)/September 29, 2023 (Expands Wide)
What’s It About?: STONKS! I could attempt to continue to write the rest of this review of Dumb Money in the lingua franca of the r/WallStreetBets subreddit, but alas, I’m probably not well-versed in it enough to produce something coherent. So I’ll instead keep it generally prosaic. Back in 2020 and early 2021, r/WallStreetBets was the social media hub for something rather strange happening in the stock market. Based on the advice of a chicken tender-obsessed financial analyst named Keith Gill (Paul Dano), a whole cadre of amateur traders decide to go all in on the retail chain GameStop. Meanwhile, Wall Street types like Gabe Plotkin (Seth Rogen) and Kenneth Griffin (Nick Offerman) are fairly confident that they should do exactly the opposite by short selling GameStop stock, what with the general decline of in-person retail video game sales. But the meme-fueled enthusiasm of working class folks like a nurse (America Ferrera), a couple of college classmates (Myha’la Harold and Talia Ryder), and even a GameStop cashier (Anthony Ramos) ensures that Opposite Day will be arriving very soon.
What Made an Impression?: Cutting Through the Malarkey: If you feel that the financial markets are a rigged game, it’s probably because their rules are too intricate and incomprehensible to anyone who can’t afford to spend hours poring over them every day. So it’s a bit of a minor miracle that Dumb Money is so easy to understand despite all that. It certainly helps that it’s based on a story that was widely covered by the media. And the underlying concepts are straightforward enough that you don’t have to sweat the details. But maybe we’ve also become more financially literate as a society since the days of Occupy Wall Street and the other populist movements that followed in its wake, along with the democratizing rise of the Robinhood stock trading app, which plays a major role in this story. But also, it comes down to simple storytelling skills: the characters are compelling, so it’s easier to pay attention to what’s going on.
A Busy Pandemic: Recent history is a major part of popular cinema, and if that trend is going to continue, then we can’t ignore the COVID-19 of it all. As this story takes place during the height of the pre-vaccinated pandemic, there are a lot of face masks. That was a time of heightened anxiety, but it was also a time of doing whatever the hell else was part of your life, whether that meant surreptitiously texting in class, trying not to curse in front of your kids, or even trying to run that sub-4:00 mile you could never quite pull off in college. Buying stocks that become worth millions of dollars isn’t cool, you know what is cool? Making billion dollars’ worth of memories that you’ll cherish forever.
What’s Behind the Screen?: Context is king. Dumb Money relies on a fair amount of pre-existing news footage, as well as clips of real politicians from Congressional hearings. This mix of documentary and dramatization equals illumination. The events of this story initially played out behind Zoom screens and Internet-speak, and now we get some juicy peeks into how those scenes might have played out in the flesh. They’re filled with the high-stakes foibles of humanity, offering an irresistible mix of voyeurism but also sympathy, as well as savagery but also a dollop of optimism. If the Almighty Dollar remains king, we’ll all remain dumb for it, but hopefully we can still blast through the status quo a bit in the meantime.
Dumb Money is Recommended If You Like: The Social Network, The Big Short, Memes
Grade: 4.5 out of 5 STONKS
June 8, 2023
Cinema, Movie Reviews Anthony Ramos, Colman Domingo, Cristo Fernández, David Sobolov, Dean Scott Vazquez, Dominique Fishback, John DiMaggio, Liza Koshy, Luna Lauren Velez, Michaela Jaé Rodriguez, Michelle Yeoh, Pete Davidson, Peter Cullen, Peter Dinklage, Ron Perlman, Steven Caple Jr., Tobe Nwigwe, Tongayi Chirisa, Transformers, Transformers: Rise of the Beasts Leave a comment
Beast Mode (CREDIT: Skydance/Paramount Pictures)
Starring: Anthony Ramos, Dominique Fishback, Luna Lauren Vélez, Tobe Nwigwe, Dean Scott Vazquez, Peter Cullen, Pete Davidson, Liza Koshy, Cristo Fernández, John DiMaggio, Ron Perlman, Michelle Yeoh, David Sobolov, Tongayi Chirisa, Peter Dinklage, Michaela Jaé Rodriguez, Colman Domingo
Director: Steven Caple Jr.
Running Time: 127 Minutes
Rating: PG-13 for Metal Injuries
Release Date: June 9, 2023 (Theaters)
What’s It About?: Hey, remember the 90s? The makers of Transformers: Rise of the Beasts sure do, because they went ahead and set the latest adventure of these extraterrestrial morphing robots in the era of g-funk and baggy jorts. But besides the occasional Wu-Tang or LL Cool J needle drop, that setting is mostly besides the point, as Rise of the Beasts is primarily concerned about the quest for a MacGuffin. That would be the Transwarp Key, a device with the power to allow Optimus Prime and the rest of the Autobots to return to their home planet of Cybertron after years in exile on Earth. Of course, if it instead falls into the wrong hands, it means that their enemies could destroy even more worlds. In their efforts to secure it, they recruit some human allies in the form of struggling family man Noah (Anthony Ramos) and museum intern Elena (Dominique Fishback). When they touch down in Peru, things get especially hairy, as they meet up with the breed of animalistic Transformers known as the Maximals.
What Made an Impression?: I know I’m not the only one who abandoned the Michael Bay-directed Transformers at a certain point. And with that in mind, the highest compliment I can pay Rise of the Beasts is that it continues the trend that began a few years ago with Bumblebee in which these movies’ climaxes are no longer incomprehensible onslaughts of metal clanking against metal. You can actually tell who’s talking! Distinct personalities can be detected! And some of those personalities are decently entertaining! Director Steven Caple Jr. and his screenwriting team don’t reinvent the mold at all, but you could imagine this movie actually coming out in 1994, when clarity and an adventurous spirit were valued as a matter of course.
While I appreciate that the Rise of the Beasts crew focused on the fundamentals, they didn’t exactly inspire me to become a diehard Transformers devotee. I’m about ten years too young for their original heyday, but anyone who’s more steeped in the lore than I am will probably find plenty to appreciate. And it certainly helps that you’ve got dignified actors like Michelle Yeoh and Peter Dinklage bringing their voices to life. But I’m mostly focused on Pete Davidson’s lil-stinker performance as the hologram-projecting Mirage. It’s the sort of comic relief that on paper seems like it would be a step too far for the Transformers status quo, but instead it’s just the hit of mustard needed to make the whole course palatable.
Transformers: Rise of the Beasts is Recommended If You Like: Some Transformers, but not too many Transformers
Grade: 3 out of 5 Maximals
June 9, 2021
Cinema, Movie Reviews Anthony Ramos, Christopher Jackson, Corey Hawkins, Daphne Rubin-Vega, Dascha Polanco, Gregory Diaz IV, In the Heights, Jimmy Smits, Jon M. Chu, Leslie Grace, Lin-Manuel Miranda, Marc Anthony, Melissa Barrera, Noah Catala, Olga Merediz, Quiara Alegría Hudes, Stephanie Beatriz 1 Comment
In the Heights (CREDIT: Warner Bros. Pictures/YouTube Screenshot)
Starring: Anthony Ramos, Melissa Barrera, Corey Hawkins, Leslie Grace, Olga Merediz, Daphne Rubin-Vega, Jimmy Smits, Gregory Diaz IV, Stephanie Beatriz, Dascha Polanco, Noah Catala, Lin-Manuel Miranda, Marc Anthony, Christopher Jackson
Director: Jon M. Chu
Running Time: 143 Minutes
Rating: PG-13 for Young Adults and Older Adults Dealing with Adult Stuff
Release Date: June 10, 2021 (Theaters and HBO Max)
How could anyone possibly sing and dance on the streets of Manhattan as the temps creep up into the high 90s? This is the conundrum that In the Heights forces us to face. Sure, it’s a musical, and its attendant heightened reality isn’t meant to represent literal truth. But the vibe of this movie-based-on-a-Broadway-show is very much “This is what life is really like in the neighborhood of Washington Heights.” So how to explain it? Well, the heat can make people do some pretty irrational things. And you can get away with a few bouts of illogic here and there if you’re generally focused on friends and family.
So just who are these Washington Heights-ians in the midst of a heat wave and looming blackout in this movie musical based on the stage musical by Lin-Manuel Miranda and Quiara Alegría Hudes (the latter of whom also wrote the screenplay)? First off, there’s Usnavi (Anthony Ramos), Navi for short, a young bodega owner who’s looking to buy himself a plot of land in the Dominican Republic. Then there’s his teenage cousin Sonny (Gregoy Diaz IV), who could really use some documentation to firm up his immigration status. Also hanging around the bodega is his good buddy Benny (Corey Hawkins), who really ought to make things right with Nina (Leslie Grace), who’s buckling under the pressure of being the first one in her family to make it to college. Most of that pressure is coming from her kind-of pushy dad Kevin (Jimmy Smits), who never met a financial pickle he wouldn’t crunch his way out of. And then strolling right through is Vanessa (Melissa Berrera), who’s keen on starting a fashion design career while also making sure that Navi isn’t too much of a dingus for the two of them to consummate their obvious feelings for each other. Finally, looking over it all with grace and a steady heart is Navi’s abuela Claudia (Olga Merediz). And I cannot fail to mention that LMM is also present on screen as the local shaved ice cart pusher who has an only-in-New York rivalry with the neighborhood Mr. Softee ice cream truck driver (fellow Hamilton alum Christopher Jackson).
This story all plays out via the framing device of Navi telling the tale to a quartet of kids on the beach several years later. And that’s obviously the right sort of vibe. The older generation tells the younger generation stories of their families that happened before they were born so that they know where they came from. And I love to see it, because I am just innately fulfilled by keeping track of how people are related to each other and who’s friends with whom. In the Heights doesn’t need to have song-and-dance numbers to pull off that energy, but because it is a musical, I know that these characters’ familial, romantic, and platonic emotions are indeed larger than life.
Remember at the beginning of this review when I mentioned how senseless it is to be moving your body in the midst of the mucky Manhattan heat? Let me clarify: I’m not mad at In the Heights for that. Sometimes it makes sense to be senseless, especially when you’re in a city that’s not exactly designed to offer relief for that rising mercury AND you’re in the midst of a days-long massive power outage. Hopefully in this situation, you have enough brain cells to take care of what you need to take care of, and the thrill of In the Heights is making sure that these characters maintain the minimum number of brain cells. (Barest of Spoiler Alerts: They do.)
In the Heights is Recommended If You Like: Hamilton, Step Up 3D, Family reunions
Grade: 3.5 out of 5 Lottery Tickets
October 5, 2018
Cinema, Movie Reviews A Star is Born, A Star is Born 2018, Andrew Dice Clay, Anthony Ramos, Bradley Cooper, Dave Chappelle, Lady GaGa, Sam Elliott, Shangela, Willam 1 Comment
CREDIT: Warner Bros.
This review was originally published on News Cult in October 2018.
Starring: Lady Gaga, Bradley Cooper, Andrew Dice Clay, Sam Elliott, Anthony Ramos, Dave Chappelle
Director: Bradley Cooper
Running Time: 135 Minutes
Rating: R for Mumbled Profanity, Intense Alcoholism, and a Few Intimate Moments
Release Date: October 5, 2018
Bradley Cooper’s dialogue is often difficult to understand throughout A Star is Born, and I think that is part and parcel of the sort of storytelling he is presenting here in his directorial debut. This isn’t a film that is meant to be processed perfectly concretely, in which you hang on to every last word and every frame is a piece in the puzzle. Instead, it is about the overall experience, in which you let all wash over you. Logic and slavish accounting of details are beside the point. Does it make sense that someone could so suddenly become so famous and beloved on the basis of talent alone? And how come we never know how much time has passed? These are often worthwhile questions, but A Star is Born is more concerned about emotional and aesthetic truth within its improbable framework.
This is the fourth Star is Born film, with each of them telling the story of an unknown female entertainer discovered by a famous male performer who is on a bit of a decline. In this case, country-blues-rocker Jackson Maine (Cooper) stumbles across Ally (Lady Gaga) at a drag queen bar after one of his concerts. Immediately enthralled, he brings her onstage during his show the very next night, and thus begins a massively successful career and a whirlwind romance. This edition does not introduce anything particularly groundbreaking to the Star is Born template, but it is in the retelling that it derives its power. By emerging once again into the popular consciousness, it reaches the level of myth, as the rise-fall-endure narrative is how we continue to understand and process the fame narrative.
A myth story tends to work best when it is timeless. The fact that A Star is Born is set in the present day thus makes things a little tricky. Whenever specific markers of this day and age (Ally signing to Interscope Records, Ally performing on SNL with Alec Baldwin hosting, Halsey appearing as herself as a Grammy presenter) appear, it’s a little jarring. But these moments could be even more unsettling; instead, they go along with a dreamlike quality in which everything is woven into the timeless fabric. The details could be specific, as when Ally’s first duet with Jackson goes viral and her father (Andrew Dice Clay) marvels at how many views the video has gotten online, without ever mentioning the actual number of views. But that’s the thing about a star being born: it’s not a specific number of viewers that determine it, but when enough people are watching, you can feel that the birth has happened.
A Star is Born is Recommended If You Like: Creation and Rebirth myths, Lady Gaga as person and entertainer, Actors really flexing their directorial muscles
Grade: 3.5 out of 5 Discoveries
September 27, 2018
Cinema, Movie Reviews Anthony Ramos, John David Washington, Kelvin Harrison Jr., Monsters and Men, Reinaldo Marcus Green Leave a comment
CREDIT: NEON
This review was originally posted on News Cult in September 2018.
Starring: John David Washington, Anthony Ramos, Kelvin Harrison Jr.
Director: Reinaldo Marcus Green
Running Time: 95 Minutes
Rating: R for Language, But Nothing Particularly Explicit Given the Subject Matter
Release Date: September 28, 2018 (Limited)
Monsters and Men, which details the fallout of a police officer fatally shooting an unarmed black man in Brooklyn, is emblematic of a certain strain of realistic film that leaves you hanging but justifies its anticlimax by ensuring verisimilitude. While its lack of a firm ending – or even a firm thesis statement – may be true to life, it is not exactly a formula for great cinema. It is respectable enough and hard to get angry at, but it is entirely legitimate if, as a filmgoer, you would prefer more satisfaction. A happy ending is not necessarily what we’re looking for here, but a firmer political stance or a clearer artistic point of view would have been beneficial.
The action is divided into three vignettes centered around three young men of color in Brooklyn’s Bed-Stuy neighborhood. There’s Manny (Anthony Ramos), the boy who recorded the shooting on his phone and struggles with the potential consequences of releasing the footage; Dennis (John David Washington), a black police officer who explains the racism he has experienced to his colleagues and the officer’s perspective to his friends and relatives; and Zyrick (Kelvin Harrison Jr.), a high school baseball star being courted by the major leagues who feels drawn to activism despite his father’s fears for his safety.
Manny and Zyrick’s dilemmas are compelling but ultimately thinly sketched. Dennis’ predicament, however, could have been meaty enough to build an entire film around. Washington has already played another code-switching cop this year in the much rowdier and more effective BlacKkKlansman. That film, in attempting to explain how a black man could justify a job in law enforcement, had the benefit of digesting the past, noting for one thing the significance of breaking racial barriers. Explaining this dilemma in 2018 may be an even thornier issue; it’s a topic worth tackling by a bold film, but Monsters and Men isn’t quite bold enough.
Monsters and Men is Recommended If You Like: The long journey of racial equality, Slice-of-life short stories
Grade: 3 out of 5 Dilemmas
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