‘Americana’ is One of Those Movies Where It All Comes Together

Leave a comment

This movie used to be called “National Anthem” (CREDIT: Ursula Coyote/Lionsgate)

Starring: Sydney Sweeney, Paul Walter Hauser, Halsey, Eric Dane, Zahn McClarnon, Gavin Maddox Bergman, Simon Rex, Derek Hinkey, Toby Huss

Director: Tony Tost

Running Time: 107 Minutes

Rating: R

Release Date: August 15, 2025 (Theaters)

The August 2025 theatrical release Americana has what must be called – I’m just going to come out and say it – a P-shaped narrative. It’s told in five sections. The first part unfolds, then we curve around a few days to jump into Part 2. Then by Part 3 we catch back up to Part 1, and that’s followed by a mad dash to the conclusion. Part 1 initially feels like it could be a prelude to everything else, but then someone who dies in that section shows back up in subsequent parts, thereby forcing us viewers to adjust our temporal orientation. Anyway, I haven’t really talked about the plot, but that’s only because I wanted to talk about the structure more.

Grade: Not Bad, But I Prefer the Halsey Song “New Americana”

Entertainment To-Do List: Week of 10/25/24

Leave a comment

It turns out that this album isn’t coming out this week

Every week, I list all the upcoming (or recently released) movies, TV shows, albums, podcasts, etc. that I believe are worth checking out.

Movies
Conclave (Theaters)
Your Monster (Theaters)

TV
American Dad! Season 21 Premiere (October 28 on TBS)

Music
-JC Chasez, Playing with Fire
-Bootsy Collins, Album of the Year #1 Funkateer (Rescheduled for April 2025)
-Ben Folds, Sleigher – Christmas Album
-Halsey, The Great Impersonator
-Pixies, The Night the Zombies Came – Lol.
-Soccer Mommy, Evergreen

Sports
-World Series (Begins October 25 on FOX) – Yankees v. Dodgers

‘MaXXXine’ Underscores the Killer Pastiche with Surprising Vulnerability

2 Comments

Blinded by the starpower (CREDIT: Justin Lubin/A24)

Starring: Mia Goth, Kevin Bacon, Giancarlo Esposito, Elizabeth Debicki, Moses Sumney, Michelle Monaghan, Bobby Cannavale, Halsey, Lily Collins, Sophie Thatcher, Ned Vaughn, Chloe Farnworth, Simon Prast

Director: Ti West

Running Time: 104 Minutes

Rating: R for Extravagant Gore, A Fair Amount of T&A, and Some Hits of Blow

Release Date: July 5, 2024 (Theaters)

What’s It About?: Maxine Minx (Mia Goth) will simply never, never, never, never, never, never, EVER accept a life that she doesn’t deserve. It’s a lesson that her father instilled deep into her psyche from a very young age. Cut ahead to 1985, when she’s now one of the biggest names in adult entertainment, but anxious to cross over into mainstream cinema. Her talent is undeniable, especially to the casting team of “The Puritan II.” It’s a schlocky demonsploitation horror sequel, but the director (Elizabeth Debicki) is trying to make an artistic statement, and she sees a kindred spirit in Maxine. Everything she’s dreamed of looks like it’s about to come true, but a mysterious figure who knows her backstory as the lone survivor of a bloody massacre six years earlier threatens to derail everything by killing the people closest to her.

What Made an Impression?: It’s the 80s, Do A Lot of Coke And…: MaXXXine is the satisfying culmination of writer-director Ti West’s bloody little trilogy starring Mia Goth that began in 2022 with X and Pearl. While the former captured the early slasher era of Texas Chainsaw Massacre, the latter adopted a sheen of Old Hollywood melodrama but with just as much gore. MaXXXine expands its slasher trappings by taking inspiration from the exploitative thrillers of Brian De Palma, while also situating itself amidst the Satanic Panic of the Day Glo decade. The soundtrack blasts classics of the era from the likes of Animotion and Frankie Goes to Hollywood, while also boogieing unexpectedly hard with an opening credits sequence set to ZZ Top’s “Gimme All Your Lovin’.” And the pastiche is more than surface-level. Indeed, it’s engagingly lived-in, with conversations that are both of the moment and eternal representations of the characters’ deepest desires.
Plenty of Scenery to Chew: Mia Goth pulled double duty in X, but she’s been able to flex her acting muscles a lot more in the solo spotlights of those two characters. Pearl wasn’t quite a one-woman show, but the inimitable titular farm girl was pretty detached from the rest of humanity. Maxine Minx, meanwhile, is just as fiercely independent, and Goth once again delivers a transcendent degree of steely resolve. But this time around, even though she may be reluctant to admit it, Maxine has people that she cares about and who care about her. And accordingly, this is quite the ensemble piece, with West giving his players plenty of space to find notes that they’ve never reached before. That’s especially true of Kevin Bacon as a private investigator tracking Maxine who’s saturated in the molasses of the New Orleans bayou. His performance absolutely gives a whole new meaning to the phrase”I smell bacon.”
A Cautionary Tale?: Without getting into too many spoiler-y specifics, I’ll tease that Maxine kind of does achieve exactly what she’s driving towards. But I hesitate to call it a happy ending. Nor would I call it a pseudo-happy ending. It’s complicated. Yeah, she gets the star-making gig, but she also has a cocaine habit that I don’t think she has under control. And while the future looks bright for her, I’m worried that her obsession with fame will leave her empty. But we do get enough moments of vulnerability to suggest that Maxine realizes she’s never quite fully allowed herself to just be a human. It’s been a great joy to watch her story unfold these past couple years, but I’m ready to simply hope that she can find some peace after escaping all the horror that wouldn’t let her go.

MaXXXine is Recommended If You Like: Video nasties, Escaping and confronting the past, Righteous defiance

Grade: 4.5 out of 5 Star Turns

jmunney’s Favorite Songs of 2021

Leave a comment

CREDIT: Music Video Screenshots

According to my 2021 Spotify Wrapped, my top musical moods of the year were “bold” and “ecstatic.” So let’s call these the Best Bold & Ecstatic Songs of 2021.

More

Jmunney’s Favorite Albums of 2021

1 Comment

In all the years I’ve been listing my favorite songs and albums, this is probably the first year that I’ve had a better handle on the albums. That’s mainly due to my lack of radio listening compared to earlier eras in my life. Nowadays, my most frequent music consumption habit is one album at a time on Spotify.

Here are all the releases that pleased my ears (and my feet and brain, and all the rest of me) the most in 2021, including a number one that I’ve been obsessively re-listening to over and over in a way I didn’t realize was still possible.

More

‘Sing 2’ Sure Features a Lot of Singing! Is it Too Much? Let’s Find Out

1 Comment

Sing 2 (CREDIT: Illumination Entertainment and Universal Pictures)

Starring: Matthew McConaughey, Reese Witherspoon, Scarlett Johansson, Taron Egerton, Bobby Canavale, Tori Kelly, Nick Kroll, Halsey, Pharrell Williams, Nick Offerman, Letitia Wright, Eric André, Chelsea Peretti, Bono, Garth Jennings, Adam Buxton, Jennifer Saunders, Peter Serafinowicz

Director: Garth Jennings

Running Time: 112 Minutes

Rating: PG for Threats of Grievous Bodily Harm

Release Date: December 22, 2021 (Theaters)

In Sing 2, Bobby Canavale voices wolf/media mogul Jimmy Crystal, who’s basically the lupine version of the studio executive that Graham Chapman played in Monty Python‘s “20th Century Vole” sketch. He says that he wants to see something “big” and “different,” but really that’s just code for “I’m impossible to please!” When we first meet him, he’s auditioning a menagerie of potential acts for his next live show, and they all look pretty unique to me. I mean, have you ever seen a lemur sing Billie Eilish’s “Bury a Friend” while doing gymnastics or a trio of ducklings nailing Eminem’s “My Name Is” while dressed like Dick Van Dyke-style chimney sweeps? Maybe Jimmy Crystal has, because he immediately dismisses them with a “been there, done that” attitude. So what does he want? Guaranteed cash flow, I assume, because just about the only thing that excites him is the mention of legendary lion Clay Calloway (voiced by Bono), a rock icon-turned-recluse who nobody’s heard from ever since his wife died. And for some reason, plucky koala impresario Buster Moon (Matthew McConaughey) has promised that he can book Calloway.

Moon and his musical crew are basically in the business of putting on the sort of live musical spectacular that you’d see at Las Vegas. They perform a jukebox medley of all sorts of hit songs along with a vague storyline. At the beginning of Sing 2, they’re putting on something inspired by Alice in Wonderland, but they’re eventually told to come up with something original, so resident librettist pig Gunter (Nick Kroll) crafts a space opera about traversing the planets of War and Joy. That sounds like a pretty great show to me! They don’t need a giant cat voiced by one of the most famous rock stars of all time to make it work. I mean, I’m not saying that they should get rid of Bono, but I understand the over-the-top theater kid appeal of this endeavor with or without him.

The other major thought about Sing 2 that I want to express has to do with its inclusion of U2 songs. Quite a few are featured, and the implication seems to be that in the Sing universe, every single U2 song is a Clay Calloway song, which suggests a whole host of metaphysical implications that I’m not sure writer-director Garth Jennings is prepared to grapple with. (Or maybe he is! And if so, I’d love to hear his thoughts.)

Anyway, this is all pretty lightweight, but I can’t deny that my ears pricked up and my heart swelled at some key moments. The voice cast has been assembled for good reason. Reese Witherspoon, Scarlett Johansson, and Taron Egerton all know how to sing. And I’m particularly invested in Tori Kelly as nervous elephant Meena, because she’s a 100% Certified Cutie (Kelly, that is, not Meena, although I don’t judge if you’re into cartoon pachyderms). Halsey joins the fun with a full-on Joisey accent, while Kroll, Eric André, and Chelsea Peretti deliver an acceptable amount of funny. It’s bright, it’s buoyant, and my only major disappointment is that the Minions didn’t show up again after they appeared for the Illumination production logo.

Sing 2 is Recommended If You Like: Relentless soundtracks, Cartoon characters embodying clichés about evil media moguls, Elephant trunks holding ice cream cones

Grade: 3 out of 5 Big Leagues

Jeff’s Wacky SNL Review: Kim Kardashian West/Halsey

1 Comment

SNL: Halsey, Kim Kardashian West, Cecily Strong (CREDIT: NBC/Screenshot)

For last week’s premiere episode, I reviewed the sketches in backwards order, and now this time I’m going to review them in alphabetical order. This can potentially be a little tricky, because sometimes I think certain sketches should have a different name than what’s listed on SNL‘s YouTube page. So I’ll say this to make sure that we’re all on the same page: I’m going with the sketch names that I think make the most sense.

But first, a first word on a couple of the new cast members: the “h” in “Aristotle Athari” is silent, so his last name sounds like a certain video game system, and I think that’s pretty cool. And there’s also Sarah Sherman, whose name sounds VERY similar to “Sarah Silverman,” who was also once upon a time a brunette SNL cast member.

More

Jeff’s Wacky SNL Review: Adam Driver/Halsey

Leave a comment

CREDIT: Will Heath/NBC

It’s the first SNL of 2020. We diddddd it!

So in the spirit of moving forward, I’m going to take a moment to look back. When I first started writing up SNL episode recap/reviews, I would usually watch some of the episode as it aired live (typically until around Update) and then go to bed and watch the rest on Sunday morning. But as I got older, I realized that I tended to get tired at nighttime and preferred going to bed before the show started and thus I would watch it all on Sunday morning. But this time, I got back in my old groove and watched the first couple sketches before tucking in for the night (though slightly DVR-delayed). I didn’t feel too tired, and the Australian Open was on, so I decided to roll with how I was feeling. Just so you know. Also, I had a milkshake while watching. I really had a hankering for one!

More

SNL Love It/Keep It/Leave It: Halsey

Leave a comment

CREDIT: Will Heath/NBC

Jeffrey Malone watches every new episode of Saturday Night Live and then organizes the sketches into the following categories: “Love It” (potentially Best of the Season-worthy), “Keep It” (perfectly adequate), or “Leave It” (in need of a rewrite, to say the least). Then he concludes with assessments of the host and musical guest.

Love It

Virginia State Capitol – If all else fails, write a sketch about a group of people who just don’t get it, and have Kenan react to them with maximum frustration. Although I have a distinct suspicion that there was no “all else” that failed and that this was instead a sketch that someone was mighty inspired to write from the beginning as soon as all the Virginia blackface nonsense was blowing up. All in all, this is an ingenious dramatization of the rationalization people come up with when attempting to minimize explosive behavior.

More

SNL Review January 13, 2018: Sam Rockwell/Halsey

Leave a comment

CREDIT: Saturday Night Live via YouTube

This review was originally posted on News Cult in January 2018.

NewsCult Entertainment Editor Jeffrey Malone watches every new episode of Saturday Night Live and then organizes the sketches into the following categories: “Love It” (potentially Best of the Season-worthy), “Keep It” (perfectly adequate), or “Leave It” (in need of a rewrite, to say the least). Then he concludes with assessments of the host and musical guest.

Love It

The Science Room – The theme of reckoning with inappropriateness is heavy throughout this episode, even in this seemingly innocuous educational show. But mostly “The Science Room” is about the intellectual lapses borne out by nervousness and the frustration they cause. This is no mold-breaker, but it is so well-timed and the details are bizarrely unique (“The oil is…” “False?”). Also, Sam Rockwell drops an F-bomb … whoops!

The Look represents sensitivity run amok, but in a charmingly confused fashion instead of worrisome backlash…Michael and Colin are at the top of their games, with the hottest of their burning asides and the swerving of expected topics into unexpected directions…Okay, so the “dog person” concept at the Next Gene Labs is obviously very silly, but the commitment is just so delightful. Somehow hearing that this good boy is ready to start wearing shoes is the greatest news ever.

More

Older Entries