Jeff "Jmunney" Malone's Self-Styled "Expert" Thoughts on Movies, TV, Music, and the Rest of Pop Culture
October 31, 2025
Cinema, Movie Reviews A House of Dynamite, Abubakr Ali, After the Hunt, Andrew Garfield, Angel Reese, Anthony Ramos, Arielle Friedman, Arturo Castro, Ayo Edebiri, Aziz Ansari, Ben Leonberg, Brian Tee, Brittany O'Grady, Chloë Sevigny, Damian Lewis, Evan Peters, Francesca Carpanini, Gabriel Basso, Gbenga Akinnagbe, George Orwell, Gillian Anderson, Good Boy, Good Fortune, Greta Lee, Hasan Minhaj, Idris Elba, Indy the Nova Scotia Duck Tolling Retriever, Jared Harris, Jared Leto, Jason Clarke, Jeff Bridges, Joachim Rønning, Jodie Turner-Smith, Jonah Hauer-King, Julia Roberts, Kaitlyn Dever, Kathryn Bigelow, Keanu Reeves, Keke Palmer, Kyle Allen, Larry Fessenden, Lío Mehiel, Luca Guadagnino, Malachi Beasley, Michael Stuhlbarg, Moses Ingram, Noah Oppenheim, Orwell 2+2=5, Raoul Peck, Rebecca Ferguson, Renée Elise Goldsberry, Sandra Oh, Seth Rogen, Shane Jensen, Stuart Rudin, Tracy Letts, Tron, TRON: Ares, Willa Fitzgerald Leave a comment
Good Boy, Good Times at the Movies (CREDIT: Ben Leonberg/Independent Film Company and Shudder)
Okay, here we go. It’s time for me to release my thoughts about the new movies that I saw in the month known as October 2025 that I haven’t explicated until now. Trick-or-treat furever!
June 4, 2025
Cinema, Movie Reviews Anjelica Huston, Ava Mccarthy, Ballerina, Catalina Sandino Moreno, Gabriel Byrne, Ian McShane, John Wick, Keanu Reeves, Lance Reddick, Len Wiseman, na de Armas, Norman Reedus Leave a comment
I must have seen her (CREDIT: Murray Close//Lionsgate)
Starring: Ana de Armas, Anjelica Huston, Gabriel Byrne, Lance Reddick, Catalina Sandino Moreno, Norman Reedus, Ava Mccarthy, Ian McShane, Keanu Reeves
Director: Len Wiseman
Running Time: 125 Minutes
Rating: R for ALL of the Violence
Release Date: June 6, 2025 (Theaters)
What’s It About?: When Eve Macarro was just a little girl, she witnessed her father being brutally murdered right in front of her. So as you might suspect, she’s spent the rest of her life planning her revenge. In the meantime, she’s been training in the art of ballet (you might even call her the titular Ballerina) as part of the traditions of the assassin group known as the Ruska Roma. Since this all takes place in the world of John Wick, she stops by the Continental Hotel to track down those who were responsible for her father’s demise, which leads her to a centuries-old cult seemingly motivated purely by bloodshed. But if she’s not careful (or even if she is careful), her quest for vengeance could blow up an uneasy peace within the assassin underworld. And maybe if we’re lucky, John Wick himself might just show up to help her out, or stop her in her tracks.
What Made an Impression?: A New-Ish Kind of Revenge: The first John Wick movie did revenge a little differently, mainly by having the protagonist be motivated by a dead dog instead of a dead family member. Ballerina at first appears to be going the much more straightforward route. But ultimately, the climax paints a somewhat more complicated and intriguing picture. It’s far from the most groundbreaking portrait of vengeance ever, but it’s sufficient enough to hold your attention.
Backstory Schmackstory: Ballerina spins off primarily from John Wick: Chapter 3, which is my least favorite of the Wick series, mainly because it dived so deeply into lore that I just didn’t care one hoot about. Ballerina isn’t quite as lore-heavy, mostly operating in broad strokes about the rituals and truces of these assassin groups. It’s enough to set the tone without becoming impenetrable.
You Got to Be Versatile: Eve Macarro is no John Wick. Few action heroes are, though! To be fair to Ana de Armas, she’s at least a confident enough action hero to get the job done. She may not be getting inducted into the Fictional Assassin Hall of Fame anytime, but she does at least wield a flamethrower unforgettably. Also, she dispatches someone in a moment very reminiscent of the swordsman scene from Raiders of the Lost Ark, and I definitely enjoyed that moment.
Ballerina is Recommended If You: Wanted a John Wick movie without John Wick (but not entirely)
Grade: 3 out of 5 Broken Plates
December 19, 2024
Cinema, Movie Reviews Adam Pally, Alyla Browne, Ben Schwartz, Colleen O'Shaughnessey, Cristo Fernández, Idris Elba, James Marsden, James Wolk, Jeff Fowler, Jim Carrey, Jorma Taccone, Keanu Reeves, Krysten Ritter, Lee Majdoub, Natasha Rothwell, Shemar Moore, Sofia Pernas, Sonic the Hedgehog, Sonic the Hedgehog 3, Tika Sumpter, Tom Butler 1 Comment
This is not Sonic, even though it kind of looks like him (CREDIT: Paramount Pictures and Sega of America, Inc.)
Starring: Ben Schwartz, Colleen O’Shaughnessey, Idris Elba, Keanu Reeves, Jim Carrey, James Marsden, Tika Sumpter, Krysten Ritter, Natasha Rothwell, Shemar Moore, Lee Majdoub, Tom Butler, Alyla Browne, James Wolk, Sofia Pernas, Cristo Fernández, Adam Pally, Jorma Taccone
Director: Jeff Fowler
Running Time: 110 Minutes
Rating: PG for All the Silly Cartoony Action Nonsense
Release Date: December 20, 2024 (Theaters)
What’s It About?: Our true-blue, Ben Schwartz-voiced shiny speedster is enjoying his happy family life with his adoptive parents and his fox and echidna friends. But some secrets in the halls of power threaten to get in the way of that blissful domesticity. You see, back in the 1970s, a clandestine government program created Shadow the Hedgehog (voiced by Keanu Reeves), who is basically, naturally enough, a shadow version of Sonic. He’s on the loose now, and that of course threatens the stability of the entire world. So Sonic, Tails, and Knuckles form an uneasy alliance with their archnemesis Dr. Robotnik (Jim Carrey) and Robotnik’s long-lost grandfather (also Carrey) to get Shadow back into the shadows.
What Made an Impression?: How Can You Say No to This Guy?: I never played the Sonic video games all that much while growing up, and I only kind of like the first two movies, but whenever there’s a new cinematic adventure with the most famous hedgehog in the world, I find myself getting inexplicably excited. A lot of that has to do with Schwartz’s effervescent, incorrigible vocal performance. And it also probably has something to do with the fact that no matter how convoluted these plots get, it’s clear that everyone is having tons of fun. This franchise is no marvel of storytelling, but it is kind of impressive how wholesome it’s managed to remain amidst all the chaos.
Keep Punching It Up: For the most part, the most complimentary I can be about Sonic 3 is that it’s a pleasant enough diversion for a couple of hours. But occasionally it really comes alive with some especially punchy dialogue, like when one character is mistaken for Detective Pikachu, or when Robotnik describes himself as “undesirable to all possible genders.” Those probably don’t sound as funny typed out as they do in context, but they definitely got some laughs at my screening. Anyway, I most certainly wish that the script had focused on being clever like that more often. The requisite goofiness is certainly there, but it gets distracted by this little thing called saving the world, which isn’t what I’m coming to Sonic movies for. But maybe that’s just me!
Sonic the Hedgehog 3 is Recommended If You Like: The possibility that there could be a new Sonic movie every two years for the foreseeable future
Grade: 2.5 out of 5 Sycophants
March 23, 2023
Cinema, Movie Reviews Bill Skarsgård, Chad Stahelski, Donnie Yen, Hiroyuki Sanada, Ian McShane, John Wick, John Wick: Chapter 4, Keanu Reeves, Lance Reddick, Laurence Fishburne, Rina Sawayama, Scott Adkins, Shamier Anderson 1 Comment
I’m thinking he’s back. (CREDIT: Murray Close)
Starring: Keanu Reeves, Donnie Yen, Bill Skarsgård, Ian McShane, Laurence Fishburne, Hiroyuki Sanada, Shamier Anderson, Lance Reddick, Rina Sawayama, Scott Adkins
Director: Chad Stahelski
Running Time: 169 Minutes
Rating: R for The Usual Hail of Bullets and Blades
Release Date: March 24, 2023
What’s It About?: John Wick is finally getting out of the game, somehow someway. Keanu Reeves’ superhuman assassin has had everything he loves ripped away, and now he’s excommunicated from his deadly vocation and thereby marked for the grave. Although, if memory serves correctly, I’m pretty sure this latest excommunication is just adding to a pile of excommunications. I guess we’ve reached Double Secret Probation Excommunication at this point. Anyway, for this go-round, John is completely in go-for-broke mode. He’s going to escape the clutches of the High Table, the ruling council that controls everything, or die trying. Meanwhile, Bill Skarsgård is on hand as the Marquis Vincent de Gramont, the dandiest of dastardly villains who likes to keep all his pretty pawns in place. Will John’s friends help him out, or will they too be forced to kill him? Either way, the bullets (and all the other cleverly improvised killing devices) will be flying.
What Made an Impression?: The John Wick series has a legion of fans thanks to its boundless swagger and pizazz. But it’s never quite won me over, due in no small part to its overwhelming acoustics. Furthermore, as the mythology expanded with each successive entry, I found myself caring less and less about the codes and rituals of this assassin culture. In the wake of Chapter 4, I wouldn’t say I’m a convert, but I can at least appreciate it as an achievement of singular craftsmanship and vision.
The running time is nearly three hours, which represents a gradual ballooning over the course of the franchise, as the first one clocked in at a mere 1 hour and 40 minutes. But it never feels bloated; quite the opposite, in fact. There’s a lot to accomplish and plenty of globe-hopping, but the mission is lean and focused. And the minutiae of the mythology is toned way down, so if you missed the first three, or forgot all the details, you can dive right in and still get the gist. And for those of you hardcore Wick-ians, there’s plenty new to love here, especially Donnie Yen as a blind assassin with unparalleled acrobatic lethality. It’s a colorful world of killers out there, and they’re all digging into the delectable feast.
John Wick: Chapter 4 is Recommended If You Like: This clip from a Japanese game show
Grade: 3.5 out of 5 Bounties
January 4, 2022
Cinema, Movie Reviews Carrie-Anne Moss, Chad Stahelski, Christina Ricci, Jada Pinkett Smith, Jessica Henwick, Jonathan Groff, Keanu Reeves, Lana Wachowski, Neil Patrick Harris, Priyanka Chopra Jones, The Catrix, The Matrix, The Matrix Resurrections, Yahya Abdul-Mateen II Leave a comment
CREDIT: Warner Bros. Pictures/Screenshot
Starring: Keanu Reeves, Carrie-Anne Moss, Yahya Abdul-Mateen II, Jessica Henwick, Jonathan Groff, Neil Patrick Harris, Priyanka Chopra Jones, Jada Pinkett Smith, Christina Ricci, Chad Stahelski
Director: Lana Wachowski
Running Time: 148 Minutes
Rating: R
Release Date: December 22, 2021 (Theaters and HBO Max)
The Matrix Resurrections is perhaps the most self-referential movie ever made. That’s usually a major turnoff for audiences (give or take a Scream), but we’ve all been living in the Matrix ever since the first came out. I love that fact about our lives! So of course the scenes in Resurrections that I loved the most are the ones that most clearly echo the rest of the franchise and reckon with the creation of the movie that we’re watching right now. (Spaceballs, anyone?) I’m obviously talking about the scene where the video game team is pitching (and re-pitching) their sequel ideas. And I’m also talking about Neo and Trinity’s final encounter with The Analyst, what with it being firmly underscored by a theme of second chances. You might have to squint to see the connections in other scenes, but not that hard. Long live the Catrix!
Grade: A Million Miles in One Matrix
August 27, 2020
Cinema, Movie Reviews Alex Winter, Anthony Carrigan, Beck Bennett, Bill & Ted, Bill & Ted Face the Music, Brigette Lundy-Paine, Dean Parisot, Erinn Hayes, Hal Landon Jr., Holland Taylor, Jayma Mays, Jillian Bell, Keanu Reeves, Kid Cudi, Kristen Schaal, Samara Weaving, William Sadler 1 Comment
Bill & Ted Face the Music (CREDIT: Orion Pictures)
Starring: Keanu Reeves, Alex Winter, Brigette Lundy-Paine, Samara Weaving, Erinn Hayes, Jayma Mays, Kristen Schaal, Holland Taylor, Anthony Carrigan, William Sadler, Hal Landon Jr., Beck Bennett, Kid Cudi, Jillian Bell
Director: Dean Parisot
Running Time: 88 Minutes
Rating: PG-13 for “Some Language,” Apparently
Release Date: August 28, 2020 (Theaters and On Demand)
Bill & Ted Face the Music is about the crushing expectations of destiny. It’s kind of like the Bhagavad Gita in that way. From a gnarlier perspective, it’s also about how time travel doesn’t make any sense, and won’t ever make sense, but that’s okay, because we can still be excellent to each other.
When we first met the Wyld Stallyns during their first excellent time-hopping adventure thirty years ago, we learned that their music would serve as the inspiration for a utopian society several centuries into the future. And now it’s finally time for them to answer that call. If they don’t, the time-space continuum will totally be ripped apart! But in 2020, the biggest live music gig that Bill (Alex Winter) and Ted (Alex Winter) can get is the wedding of Ted’s younger brother to Bill’s former stepmom. How then can they possibly live up to what Fate has asked of them? How could anybody, really? The premise worked well enough in Excellent Adventure, as it remained theoretical and fantastical, but now disappointment feels inevitable.
But fortunately Face the Music isn’t really about the promise of that world-saving composition. Rather, it is about the shenanigans that lead up to that point, naturally enough. Facing a profound case of writer’s block and a terrifying time limit of only 78 minutes, Bill and Ted figure they might as well visit their future selves and steal the song they will have already written by that point. But that proves to be fruitless no matter how far in the future they go, which begs the question: are they only able to travel into a possible future in which they’re not successful? But how could that be if they’re able to visit the utopian far future when they will have necessarily been successful? And why is there a time limit anyway? If they fail, can’t they just get in the phone booth and go back far enough in the past to start over? The stern visage of Holland Taylor (who plays the future’s Great Leader) assures us otherwise.
There’s a sanded-down quality to Face the Music that can happen when you try to resurrect old beloved characters. Bill and Ted are still plenty charming, but they’re far from as dopey as they were when they were teenagers, even though they still talk in the same surfer bro SoCal cadence. Meanwhile, there’s a trickier sort of alchemy attempted with their daughters (Brigette Lundy-Paine and Samara Weaving), who are basically gender-flipped carbon copies of their dads but they’re also actually geniuses, at least when it comes to music theory, history, and composition.
Face the Music struggles to get a handle on how ridiculous the Wyld Stallyns and their loved ones and collaborators are supposed to be. They do live in a ridiculous reality after all, as they must contend with a depression-prone killer robot (Anthony Carrigan) and a Grim Reaper (William Sadler returning from Bogus Journey) who mopes about not being allowed to deliver 40-minute bass solos. That’s often the trouble with returning to a kooky world. The base level of kookiness is already so high that any new bit of kookiness just feels like chaos. There’s a nice degree of heart here that sometimes shines through in the cacophony, but there’s nothing quite as sublime as “Bob Genghis Khan.”
Bill & Ted Face the Music is Recommended If You Like: Midlife crises, Millennia-spanning supergroups, Just-go-with-it time travel
Grade: 3 out of 5 Princess Wives
May 14, 2019
Cinema, Movie Reviews Anjelica Huston, Asia Kate Dillon, Chad Stahelski, Halle Berry, Ian McShane, Jason Mantzoukas, John Wick, John Wick: Chapter 3, John Wick: Chapter 3 – Parabellum, Keanu Reeves, Lance Reddick, Laurence Fishburne, Mark Dacascos, Robin Lord Taylor, Saïd Taghmaoui 1 Comment
CREDIT: Niko Tavernise
Starring: Keanu Reeves, Halle Berry, Laurence Fishburne, Mark Dacascos, Asia Kate Dillon, Lance Reddick, Anjelica Huston, Ian McShane, Saïd Taghmaoui, Jason Mantzoukas, Robin Lord Taylor
Director: Chad Stahelski
Running Time: 131 Minutes
Rating: R for Traditional and Improvised Weaponry Galore
Release Date: May 17, 2019
Either I have really sensitive ears, or other critics and action film buffs have had their hearing blown out by cinematic cacophony.
The first John Wick had some cool ideas about how a worldwide network of assassins would be managed and litigated, but it was sloppily edited and so, so overwhelmingly loud. (It’s possible that the theater I saw it in didn’t have the sound properly calibrated, but I’ve seen plenty of movies in that theater before and after in which that hasn’t been an issue.) Then Chapter 2 came along and cleaned up those execution snafus.* But now Chapter 3 is backsliding, or just leaning too hard into the danger zone. The outrageously choreographed fight sequences are still shot gracefully, but the soundtrack is now oppressive at Guinness record-shattering levels. (*-Although, looking back at my review of Chapter 2, I am reminded that this trilogy actually never quieted down.)
This edition opens with Keanu Reeves and a fellow assassin breaking every possible glass surface within reach, and the volume for that level of destruction never lets up. And look, I could forgive this movie my eardrums getting blown out if everything else were satisfying, but I just don’t really much care about the mess that Wick has gotten himself mucked up in. He’s run afoul of some sacred rules, and now he and whoever’s helped him must atone rather ritualistically, but I just want to shout to the enforcers, “Get over yourselves!”
At least the performances remain commendably committed. Reeves, Ian McShane, and Laurence Fishburne are as righteous as you remember them. Among the newcomers, Asia Kate Dillon commands respect in the rather thankless task as the uber-rules-respecting adjudicator, while Jason Mantzoukas is a little helper fellow who is nowhere near as unhinged as his typical roles, though he does wonders with his face acting. That’s some subtlety that could have been quite useful elsewhere in this overloaded buffet of gore.
John Wick: Chapter 3 – Parabellum is Recommended If You: Have less sensitive hearing than I do
Grade: 2.5 out of 5 Shattered Windows
January 20, 2019
Cinema, Movie Reviews Alice Eve, Aria Leabu, Emily Alyn Lind, Emjay Anthony, Jeffrey Nachmanoff, John Ortiz, Keanu Reeves, Replicas, Thomas Middleditch Leave a comment
CREDIT: Replicas Holdings, LLC
As Replicas moves closer and closer to its climax, it becomes more and more aware that it must grapple with the consequences of its premise, or else there will be hell to pay. Keanu Reeves is attempting to clone his recently deceased wife and kids, and he’s pretty good at it, too. But he doesn’t want them to know that they’re clones, which presents problems upon problems upon problems. If he attempts to keep up the charade, that would make his character not just hubristic, but also profoundly cruel, and maybe even a little evil. So instead he chooses to be honest, and that’s when Replicas starts to click into gear. It all leads to a surprisingly happy ending that maybe does not grapple with bioethics as carefully as it should, but you know what? It’s a relief that a speculative sci-fi film like this one can offer some hope instead of total despair. If only the rest of Replica were not weighed down by a generic score and too many shots of Keanu wearing a funny helmet and waving his hands around a floating screen.
I give Replicas 3 Cloning Pods out of 5 Corporately Owned Subjects.
January 11, 2019
Cinema, Television Angie Tribeca, Asa Butterfield, Gillian Anderson, Keanu Reeves, Rashida Jones, Replicas, Sex Education 1 Comment
CREDIT: Entertainment Studios; Netflix; TBS
This post was originally published on News Cult on January 11, 2019.
1. Movie: Replicas (Theatrically Nationwide) – Keanu Reeves stars as a neuroscientist who loses his wife and kids in a car accident and then attempts to “resurrect” them in the form of androids. You can imagine how that goes. This is the type of original sci-fi movie that tends to fly under the radar, and that is a shame, even if it turns out to be horrible. So let’s all go see Replicas to declare to the big studios that we want to see more unique and challenging concepts on screen! Also, Silicon Valley‘s Thomas Middleditch co-stars as Reeves’ friend and colleague, which should add to the intrigue.
2. TV: Sex Education (January 11 on Netflix) – Gillian Anderson stars in this Netflix dramedy in the role that is pretty much perfect for her at this point in her career: a sex therapist who tends to overshare a bit too much with her teenage son. That teenage son is an awkward virgin played by Asa Butterfield who sets up a clinic at his high school to help his fellow classmates deal with their range of sexual problems. For my money, it is always a boon to have a show that is open-minded and sensitive on the topic of sex.
https://www.youtube.com/watch?v=o308rJlWKUc
3. TV: Angie Tribeca Season 4 (Premiered December 29 on TBS) – Starring Rashida Jones as the titular detective who does things her own way, Angie Tribeca is a delightful spoof in the vein of Airplane! and The Naked Gun. Not every gag lands, but the joke-per-minute ratio is higher than any show currently airing, and it is all played so deadly serious, making it hard to get mad at any joke that falls flat. Even if you’re a fan of the show, you might not have any idea that a new season just arrived, as all ten episodes debuted the weekend before New Year’s with basically no promotion. Luckily, if you missed it, you can head over to the TBS website or app. In this batch of episodes, Bobby Cannavale joins the team as Tribeca’s long-lost son (it makes sense in context, sort of), and there is also the usual plethora of guest stars, including Anjelica Huston, Gillian Jacobs, and Jim Rash.
June 23, 2017
Cinema, Movie Reviews Ana Lily Amirpour, Jason Momoa, Jim Carrey, Keanu Reeves, Suki Waterhouse, The Bad Batch Leave a comment
What if Mad Max were a ditz? Suki Waterhouse gets some of her limbs amputated by cannibals in a post-apocalyptic Texas desert. But after a frantic escape, she and her winky face-branded short shorts live to see another day. She samples the rave paradise of “The Dream” (shamanistic-weirdo-in-highly-stylized-flicks specialist Keanu Reeves), but obviously what he is promising is too good to be true. Besides, ultimately she just cares about hanging out (she actually says at one point, “Do you want to hang out or something?”), preferably with Miami Man (Jason Momoa) and his young daughter. The dialogue is often laughable. Is that intentional? I don’t care. It’s delectable no matter the intent.
I give The Bad Batch 4 Unrecognizable Jim Carrey’s out of 5 Always Welcome Keanu Reeves’s.
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