Best Episode of the Season: The Simpsons

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“To Surveil with Love”

In response to fears of terrorism, Springfield hires a British security consultant to install security cameras around town.  Marge and Ned Flanders become the resident Big Brothers when they are put in charge of surveillance of the security cameras.  Ned proceeds to nag the whole town for the most minor of infractions, but then Bart discovers a blind spot in the Simpson backyard.  Then all the Springfield residents head to the Simpsons’ to partake in debauchery for the sake of debauchery.  Meanwhile, Lisa has to deal with the dumb blonde stereotype; it is a joke as old as time, but one that never gets old.  Simply put, the gags were on, particularly the gay bar that Maggie was watching on a security camera because it looked like Sesame Street.  Putting everything in satisfying context was the twist ending, which revealed that the Springfield security camera footage was being aired as a British reality show entitled American Oafs.  And the true highlight of the episode was the opening, set to the tune of “Tik Tok,” Ke$ha’s hit for all ages.

Though it did not appear in the season’s best episode, the best scene of the year needs to be mentioned.  It appeared in “Love Me Tender,” in which Moe was hired as a judge on American Idol after showing off his judging skills in various local competitions.  Here is his encounter with a talent agent:
“So, what kind of reality shows are we talkin’ about here?”
“Well, to name just a few: America’s Ripest Bananas, So You Think You Can Judge, Who Wants to Be a Welder?, Poodle Vs. Elephant, Leg Swap, Old People Try to Figure Out Computers, American Idol, Dancing with Cars of the Stars, America’s Drunkest Nobody, Let’s Make a Veal…”
“Love that show.”
Somali Pirate Apprentice…”
“Right, yeah, with those guys.”
Fix Andy Dick…”
“It’s about time.”
Bottom Chef, My Life on Kathy Griffin, Pimp My Crypt, Are You Fatter than a Fifth Grader?, and Grave Robbers of Orange County.”
“Geez, that’s, uh, quite a list.”
“Hang on.  I’m getting a text.  Ooh, those were all just cancelled, except for American Idol.”
“Did you just say Armenian Idol?  Cause that’s my favorite show!”
“No, no, no, no, no, American Idol!”
“Oh, yeah.  Who’s their Igor Glumov?”
“Randy Jackson.”
“Ah, good enough.”

Next up: The Cleveland Show

Best Episode of the Season: Saturday Night Live

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“671 – Jon Hamm/Michael Bublé”

Some of the greatest episodes of Saturday Night Live are those in which you get a sense that ANYTHING can happen.  The formula for an SNL episode has changed over the years, but it remains consistent over the course of a single season.  When that formula is broken, it is usually a good sign.  The Jon Hamm-hosted ep from January 30 broke the formula a bit by having three sketches in a row before the next commercial break after Weekend Update.  But the really notable instance of “anything can happen” came when SNL employed a technique that I do not believe has been employed for about ten years: a character from one sketch appearing in a subsequent, very different sketch.  First, we were treated to the relentlessly funny Closest Organizer commercial parody, and then in a scene in a bar, Will Forte played a guy who walked in and was recognized by Jon Hamm’s character.  How did he recognize him?  Why, he was Tarkey Fensington – the Closet Organizer guy!  That moment of revelation was not the funniest moment of the season, but it was far and away among the most satisfying.  It is moments like those when you know that the writers and cast of SNL are running loose and free, doing whatever they want to do, safety be damned.

Next up: The Simpsons

Best Episode of the Season: Fringe

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“Peter”

For anyone who wants to know how to make a great flashback episode, “Peter” can serve as the template.  It provided a backstory that we knew needed to be provided: how and why did Walter take Peter from the alternate reality?  John Noble turned in his best performance as Dr. Walter Bishop yet.  There was no question that this was the Dr. Bishop of 25 years ago.  The portrayal of every character was consistent with their 2010 counterparts; no hokey techniques were necessary to make clear that consistency.  Gimmicky jokes that scream “We are in the past!” were mostly avoided, except for a few moments (Eric Stoltz on a marquee for Back to the Future in the alterna-world, the ’80s-style opening credits) that did not get in the way and were satisfying because they stood out.  “Peter” worked because it was treated as any other Fringe episode – one that just happened to take place in 1985.

Next up: Saturday Night Live

Best Episode of the Season: 30 Rock

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“Don Geiss, America and Hope”

When Comcast bought NBC in real life, we wondered if this development would turn into a 30 Rock storyline.  In “Don Geiss, America and Hope,” we met Kabletown (with a “K”).  And we learned the secret of their absurdly successful company. (It has something to do with Fresh Ass Based on the Novel ‘Tush’ by Ass Fire.)  We also learned the big secret of Tracy Jordan, via a tell-all memoir that could only happen on a show like 30 Rock: Tracy’s former nanny revealed that Tracy has never cheated on his wife.  Life as charade has never been more gonzo.  We were also treated to the debut of the delightful Michael Sheen as Wesley Snipes.

Next up: Fringe

Best Episode of the Season: The Office

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“The Meeting”

The Office was decidedly different this season.  Some said it went downhill.  I say it became darker and purposefully ambivalent and definitely more interesting.  This turn resulted in a style in which the episodes ran together, and few particularly stood out, as they did in seasons past.  Those that did were typified by a consistent comedy style that is more or less the show’s traditional style.  “The Meeting” fit this model with Dwight getting involved in a crazy scheme (and teaming up with Toby, of all people) and Michael causing more harm than he can imagine with his meddling shenanigans.  The laugh-out-loud, belly laugh, and chuckle moments were in steady supply, including the cheese-cart sneak entrance, Michael feeling “partially responsible” for Jim not getting the promotion, Darrell’s sister, Michael texting David Wallace while he and Jim were on the phone with him, and Toby depressed by paperwork.  While I am fascinated by the recession-inspired storylines, I like to know that the traditional laughs of The Office can still be pulled off.

Next up: The Office

Best Episode of the Season: Parks and Recreation

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“Practice Date”

“What if he shows up with another woman? What if one of my sleeves catches on fire and it spreads rapidly. What if instead of tic tacs I accidentally pop a couple of Ambien and I have to keep punching my leg to stay awake?”
“Those are all insane hypotheticals and I promise you they won’t happen.”
“They have happened. All of these have happened to me.”

Less awkward and more endearing than Michael Scott and Liz Lemon, but just as hilarious, Leslie Knope has suddenly become the most likable lead character on NBC Thursday nights.  She is so upfront about her strangeness that you will either laugh or gasp nonstop, whichever one happens first.  “Practice Date” was an opportunity for Amy Poehler to run completely free and crazy with her performance.  It was one of those episodes whose hilarity is best explained by listing quotes, so here are some more:

Do you have like a first-date outfit I could borrow? Like, I don’t know, a pair of cargo pants?
Yeah I wouldn’t go with the cargo pant.”
“What about like a sexy hat?”
“I don’t even know what that is.”
“Helping already.”

“What if I get drunk and talk about Darfur too much? Or not enough? What if I don’t bring up Darfur enough?”

Another time I went to a really boring movie with a guy and while I was asleep he tried to pull out one of my teeth. I literally woke up with his hand in my mouth. We went out a couple times after that but then he got weird.”

“Let’s begin our conversation.”
“What’s on the note cards?”
“They’re possible topics of conversation.”
“Whales. Parades. Electricity. And the rest are blank.”
“Yeah, well I couldn’t think of anything else.”

“Is she practice laughing?”

“You’re 20 minutes late. I almost left.”
“Well, I was, dropping my niece off.”
“What’s your niece’s name?”
“Torple. What? I don’t know. That’s not a name. I don’t have a niece. My niece’s name is Stephanie?”

Next up: The Office

Best Episode of the Season: Community

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“The Science of Illusion”

The brilliance of Community is its uncanny ability to weave in every possible cliché pop culture reference and then build the entire show around those references.  The characters of Community, exemplified primarily by Danny Pudi’s Abed, are so steeped in these references that they are essentially reality for them.  This is the ultimate sitcom about sitcoms.  It was no surprise then in terms of what happened during Annie and Shirley’s stints as campus security guards.  As egged on by Abed, neither one of them would allow the other to be the badass in the classic buddy cop scenario.  Thus “The Science of Illusion” reached the pinnacle of the idea of life as clichéd storytelling, particularly when Abed asked someone to hold his spot when he took a bathroom break during Annie and Shirley’s show.  A moment of comic triumph worthy of Jack Donaghy’s therapy session with Tracy on 30 Rock occurred with Abed’s performance as a southern-fried police chief (“Agitating my sciatica”).  Let’s not forget that Chevy Chase is also on this show, and his ridiculousness is suitably hilarious without necessarily having anything to do with all the pop culture references, except perhaps in the sense that Pierce is aware of all the references, but not in any way in which he can keep it straight.  “The Science of Illusion” included the best Pierce-centric storyline of the season, when he donned a wizard suit after reaching a new level in his “Buddhist” church.  If you already watch Community, then you know I don’t need to say anymore.  If you don’t watch Community, then I don’t know how that description couldn’t be enough to convince you to start watching it.

Next up: Parks and Recreation

Best Episode of the Season: Modern Family

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“Moon Landing”

Jay and Cameron play racquetball at the gym and experience the titular occurrence; meanwhile, Mitchell spends the day with Gloria and Manny to help Gloria with a driving-related legal matter.  These storylines were perfectly hilarious and both had their moments, but this episode rose to unforgettable status with the convergence of all the goings-on of the Dunphy family.  Claire has been spending the day with Valerie, an old friend from work (Minnie Driver, in a whatever guest appearance).  Claire takes careerist Valerie to her house to make her jealous of family life, only to find the following: Phil, wearing a fake mustache, stuck in a port-a-potty (a plumber working at the neighbor’s house had to shut off the pipes, Dylan parked right in front of the potty while Phil was using it, and as for the mustache, he was ostensibly trying to up his swagger while selling homes, but really he had it on for no reason at all); Haley throwing things out her window while fighting with Dylan, only to be passionately making out with him a few minutes later; Luke shirtless and smelling of alcohol, and Alex swatting at a rat with a broom (Luke and Alex were recycling the alcohol containers from their neighbors’ party from last night and Luke had spilled some from a not quite empty bottle onto himself, and as for the rat, well, there just happened to be a rat in the house that day).  “Moon Landing” demonstrated that Modern Family is in the hands of sitcom veterans who simply know how to make television comedy work.

Next up: Community

Best Episode of the Season: V

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“Hearts and Minds”

The beginning of “Hearts and Minds” confused me.  It made me feel like I had missed an episode or two, when I knew that I had not.  It turned out that it was one of those episodes that starts in media res and then flashes back to show how we got to this point of disequilibrium.  Gimmicky?  Sure, but it is a gimmick that often works.  After a boring middle of the season, V finally started realizing its potential with this episode.  Plot-wise, things were finally moving forward: the Visitors and the Fifth Column were both making serious strikes at each other.  Acting-wise, the cast was given more conflicts to chew on, as characters were becoming privy to more information.  Laura Vandervoort especially demonstrated development as Lisa, as she became more in touch with her human side and had to deal with a mother who would break her own daughter’s legs to get what she wants.  Tension built as the promise of a tête-à-tête of Erica versus Anna (the constantly smirking Elizabeth Mitchell and the always chilling Morena Baccarin) was unfolding.

Next up: Modern Family

Best Episode of the Season: Gossip Girl

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“Last Tango, Then Paris”

Just like so many shows before it, Gossip Girl struggled once most of its main characters headed to college.  The problem was not so much that the writers could not figure out college-centric storylines but that the fact of going to different schools made it so that the Constance Billard grads were necessarily apart too often.  The truth is that some of these Upper East Siders do not go well together, and a great deal of the fun of GG comes from the offbeat groupings.  The main reasons for watching GG are Leighton Meester and Ed Westwick – anyone who disagrees is watching for the wrong reasons – but I must say I have really started to appreciate Penn Badgley, mainly thanks to the several odd couple moments between Dan and Blair this season.  In the finale, everyone imploded into one another.  Dan punched Chuck in a scene that Blair also appeared in, and while I generally prefer the awkwardly funny, yet sweet Dan-Blair moments, I was happy to see Dan take action.  The Chuck-Jenny hookup left me in shock, and I am still too much in shock to say whether or not I liked it, but at least it brought the crazy.  I was happy to see GG go for broke in a season that otherwise featured too much Vanessa.  And, of course, any episode is automatically improved by appearances from Margaret Colin and Wallace Shawn as Eleanor and Cyrus.

Next up: V

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