That’s Auntertainment! Mini-Episode: Karaoke Korner 5

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CREDIT: Little Richard/YouTube screenshot

The lineup for this edition of “Karaoke Korner” comes from Jeopardy! champ Steven Grade, who conjured up the lineup of Talking Heads, Johnny Cash, and Little Richard.

Entertainment To-Do List: Week of 5/15/20

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CREDIT: The CW/YouTube Screenshot

Every week, I list all the upcoming (or recently released) movies, TV shows, albums, podcasts, etc. that I believe are worth checking out.

TV
-Graduate Together: America Honors the High School Class of 2020 (May 16 on Various Networks)
DC’s Stargirl Series Premiere (May 18 on DC Universe and May 19 on The CW) – Starring Brec Bassinger as Stargirl; Luke Wilson and Joel McHale also appear.
Community Cast Reunion Table Read and Q+A (May 18 on YouTube)
Celebrity Escape Room (May 21 on NBC) – A Red Nose Day celeb goof-off hosted by Jack Black
Holey Moley II: The Sequel Premiere (May 21 on ABC) – Mini-golf is so hot right now.
To Tell the Truth Season Premiere (May 21 on ABC)

Music
-Charli XCX, How I’m Feeling Now
-Moby, All Visible Objects

Unbreakable Kimmy Schmidt: Kimmy vs. the Reverend: Jmunney Log #1

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CREDIT: Netflix

I’m a little skeptical about choose-your-own adventure stories, but I’m not skeptical about Unbreakable Kimmy Schmidt, so I happily watched the UKS choose-your-own-adventure special Kimmy vs. the Reverend. I am planning on watching it some more times in the future and choosing different story branches. I will then log my selections after each viewing. Here is Log #1

-LK-9
-Fun dress
-Go to the gym
-Plan wedding
-Donna Maria
-Gretchen
-Call Cyndee
-Take Titus
-Get down to beeswax
-Lillian sings
-Walk to town
-The script
-He knows it
-Karate
-Go with Lillian
-Lose it
-Babysit
-Read to the baby
-Woodland banquet
-‘Splode him
-Spare him

I Had a Few Hours to Kill, So I Wrote About ‘Jerry Seinfeld: 23 Hours to Kill’

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CREDIT: Netflix/YouTube Screenshot

What’s the DEAL with me writing about comedy specials?! I don’t do it very often, but when I do, I prefer to write about ones that make me burst out with delight. And boy, if 23 Hours to Kill is any indication (which it is), then Jerry Seinfeld can still make me HOWL after all these years. He cracks a bunch of yuks about how our phones are basically extensions of our bodies. Modern technology clearly makes him batty. I, on the other hand, generally feel OK about my phone on any given day, but boy, did I just lose it at so much of what he had to say. (As for the other material about his life with his wife, I didn’t laugh at that quite as much.)

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That’s Auntertainment! Episode 11: Who Wants to be a Millionaire

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CREDIT: ABC/YouTube Screenshot

Aunt Beth and Jeff have heard that some of you enjoy listening to their podcast, but they’ve got one thing to ask you … is that your FINAL answer? That’s right, it’s time to get in the hot seat and revisit Who Wants to be a Millionaire, as Jeff and Aunt Beth discuss their favorite contestants of all time and spill their thoughts on the new celeb version hosted by Jimmy Kimmel. Also, Aunt Beth reveals some stories about her own time as a Millionaire contestant.

Jeff’s Wacky SNL at Home Review: Kristen Wiig/Boyz II Men

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CREDIT: NBC/YouTube Screenshot

Whoa-whoa-whoa, Saturday Night Live Season 45 wrapped things up before the dates in May even hit double digits. Well, actually, while the finale began airing on May 9, most of it aired on May 10, as this late night sketch show typically airs most of its episodes in the early morning hours (which of course feel more like night).

But no matter what particular minutes this 18th episode of Season 45 aired, it was indeed the season finale. Kristen Wiig wasn’t officially announced as the host during the opening montage, but she certainly performed more hostly duties than any of the other stay-at-home guests, so we’ll call her the host. And as for the music, we’ll take it II Motownphilly with some Boyz II Men (featuring Babyface).

As for my state of mind while watching, I cooked up some scrambled eggs that I started chowing into right as I summoned up the cold opening. I considered just having a quick bowl of cereal, but since it’s Mother’s Day, I decided I must get eggy with it. I added some milk to make it fluffy. It spilled a little out of my teaspoon, but not enough so that the dish up didn’t end up sufficiently fluffy.

Note: in honor of the holiday, all of my grades for this episode will be mom-based.

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The ‘Valley Girl’ Remake Just Can’t Resist Being a Sugar-Saturated Jukebox Musical

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CREDIT: Orion Classics

Starring: Jessica Rothe, Josh Whitehouse, Chloe Bennet, Jessie Ennis, Ashleigh Murray, Logan Paul, Mae Whitman, Alicia Silverstone, Camila Morrone, Judy Greer, Rob Huebel

Director: Rachel Lee Goldenberg

Running Time: 103 Minutes

Rating: PG-13 for A Row of Bare Butts Utilized for a Promposal

Release Date: May 8, 2020 (On Demand)

Valley Girl the remake updates a low-key rom-com 80s charmer and turns it into a cotton candy-nostalgia-lensed jukebox musical. The song-and-dance numbers are often buoyant, but I’m more interested in the weirdness lurking around the edges. That said, the synth-heavy, new wave-dominated pop music of this particular decade is more off-kilter than other eras’ popular tunes and plenty of people find it irresistible. So when our lead Valley Girl Julie Richman (Jessica Rothe) intones, “Life was like a pop song, and we knew all the words,” you might think to yourself, “You mean something like ‘We Got the Beat’ by iconic L.A. girl group the Go-Go’s?” And sure enough, everybody on screen promptly starts singing that anthem of musical possession. Or maybe, if you’re like me, during the part when Men Without Hats’ indefatigable “The Safety Dance” pipes up, you realize that it’s a perfect tune for a wedding reception, especially the version in which they spell out the title. The mind bounces around with highly personal ideas when thoroughly familiar songs keep tirelessly piping through the speakers.

When the original Valley Girl came out in 1983, the stereotype of ditzy, superficial, upspeaking teenage female San Fernando Valley residents was already firmly ensconced in American culture. Frank Zappa and his daughter Moon had just released their song “Valley Girl” the year before, after all. So while O.G. VG was self-aware of its setting, it was also still living through its era and thus it wisely took a snapshot instead of a whole panorama. But 2020 VG‘s appetite might be bigger than its tummy. It plays just about everything a little too straight and obvious. The Romeo and Juliet template of two lovers from opposite sides of town is very much intact, as Julie falls for punk rocker Randy (Josh Whitehouse). The modern-day framing device of a grown-up Julie (Alicia Silverstone) telling the story to her own teenage daughter (Camila Morrone) only underscores the predictability. Also a bummer: the casting of YouTuber Logan Paul, who has a reputation for controversial videos that actually prompted the film to be delayed from its original 2018 release date. Although, it’s worth noting that if you’re worried you might be turned off by his presence here, it helps to know that as Julie’s current boyfriend Mickey, he is supposed to come off as a massive tool.

After watching Valley Girl, I started to develop another interpretation after I looked over director Rachel Lee Goldenberg’s filmography, which mainly consists of titles released by notorious mockbuster distributor The Asylum as well as A Deadly Adoption, the bizarrely straightforward Lifetime original movie starring Will Ferrell and Kristen Wiig. Maybe playing it straight with no comment is just Goldenberg’s sensibility. If you asked her why she cast twentysomethings and thirtysomethings as teenagers, I can imagine her answering, “Isn’t that just how you’re supposed to do things in Hollywood?” (Rothe does at least have a young face, although she has a very grown-up aura.)

Look, when a movie like this one has lines like “Everyone would probably have a total cow if I left” and “Technically speaking, punk is dead,” you kind of start to realize that it’s making fun of itself. And if you’re still worried about a fatal lack of a sense of humor, at least hang around for the moments with Rob Huebel and Judy Greer as Julie’s parents. The two of them (three if you count Huebel’s mustache) are fully alive as the most wonderful exaggerations of pushy parents who have mapped out their kid’s future. Valley Girl, huh? More like “Valley Parents Just Don’t Understand.”

Valley Girl is Recommended If You Like: Jukebox musicals, I Love the ’80s, Beach Blanket Bingo

Grade: 3 out of 5 Ronald Reagan Masks

Entertainment To-Do List: Week of 5/8/20

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CREDIT: Netflix

Every week, I list all the upcoming (or recently released) movies, TV shows, albums, podcasts, etc. that I believe are worth checking out.

Movies
Valley Girl (Streaming May 8)

TV
Solar Opposites Season 1 (May 8 on Hulu) – New animated series about a family of aliens from Rick and Morty co-creator Justin Roiland.
SNL at Home Season Finale (May 9 on NBC)
SNL Mother’s Day Special (May 10 on NBC) – A compilation episode the day after the season finale?! Count me in!
Unbreakable Kimmy Schmidt: Kimmy vs. the Reverend (May 12 on Netflix) – Kimmy does choose-your-own-adventure!
The Happy Days of Garry Marshall (May 12 on ABC) – Please, call him Garry!

Music
-Hayley Williams, Petals for Armor

Some Improvised Thoughts on ‘Middleditch & Schwartz’

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CREDIT: Jeffery Neira/Netflix

I watched the new Middleditch & Schwartz improv specials on Netflix recently, and I decided to collect my thoughts on them in the form of the question-and-answer information-gathering segment that typically kicks off a long-form improv session.

Is there anyone here who did anything interesting the past few weeks?
I watched some improv specials on Netflix!

Okay, I think I heard someone say they watched improv?
Yeah. On Netflix.

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That’s Auntertainment! Mini-Episode: Aunt Beth Tells Jeff to Listen to “Haitian Divorce”

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In the latest “Aunt Beth Tells Jeff to…” mini-episode, Jeff has been told to lend his ears to one of Aunt Beth’s favorite Steely Dan songs, “Haitian Divorce,” off their 1976 album The Royal Scam.

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