Martin McDonagh Reunites with Colin Farrell and Brendan Gleeson for ‘The Banshees of Inisherin,’ and Their Friendship Was Never the Same

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Listen to those banshees wail! (CREDIT: Jonathan Hession/Courtesy of Searchlight Pictures. © 2022 20th Century Studios All Rights Reserved.)

Starring: Colin Farrell, Brendan Gleeson, Kerry Condon, Barry Keoghan

Director: Martin McDonagh

Running Time: 114 Minutes

Rating: R for Irish-Accented Profanity, Inexplicable Violence, and a Bit of Nudity

Release Date: October 21, 2022 (Theaters)

What’s It About?: In a remote corner on the coast of Ireland, Colm Doherty (Brendan Gleeson) suddenly decides that he no longer wants to be friends with Pádraic Súilleabháin (Colin Farrell). This is happening against the backdrop of the Irish Civil War of 1922-23, but it kind of feels like it could be in a present-day village that is so cut off from the rest of civilization that it never assimilated any of the new technology of the past 100 years. Meanwhile, Pádraic’s sister Siobhán (Kerry Condon) is all ready to finally leave the island, and she’s encouraging her brother to do the same. There are several other residents that we encounter, most of them men who rarely do anything besides hang out at the tavern. Then there’s Dominic (Barry Keoghan), the youngest, simplest, and most sensitive of all the main characters that we meet. But his prospects don’t look great, because Inisherin is no country for Dominics.

What Made an Impression?: I initially found The Banshees of Inisherin to be generally entertaining, but also profoundly inscrutable. Pretty much all of Colm’s behavior is nonsensical, but he’s so sure of himself that it makes you wonder, “Am I missing something here?” Eventually, though, it all clicked into place when I realized that Colm must be suffering from clinical depression. It wasn’t obvious at first because I’ve never experienced it myself directly, though I have encountered enough portrayals of mental illnesses to realize that it’s less about constant sadness and more about inexplicably destructive decision-making. Writer-director Martin McDonagh presents us with plenty of outrageous developments, but he employs a light touch that allows us to be drawn in at our own speed.

McDonagh’s previous collaboration with both Farrell and Gleeson was 2008’s In Bruges, a quirky black comedy thriller that is absolutely beloved by a not-insignificant segment of film buffs. I liked that one well enough but never felt like I was fully on its wavelength. I have similar feelings about Inisherin, but I’m a little closer to the inner circle this time. It’s not fully my vibe, but I think I get it. If this is your vibe, though, get ready for a hell of time.

The Banshees of Inisherin is Recommended If You Like: Hibernophilia

Grade: 4 out of 5 Friendships

Jeff’s Wacky SNL Review: Megan Thee Stallion/Megan Thee Stallion

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2 Stallions, 1 Promo (CREDIT: NBC/Screenshot)

Okay, folks, here’s what’s going to happen: Megan Thee Stallion just hosted SNL, and she was also the musical guest. Now I’m going to review that episode, sketch-by-sketch. And those reviewlets will go by the following format, in honor of the guest: a quick little word or phrase, followed by “Thee Stallion.”

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That’s Auntertainment! Episode 47: Alan Tudyk and Resident Alien

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Just your friendly neighborhood resident alien (CREDIT: SYFY/Screenshot)

This is not a podcast hosted by aliens. But we do talk about some of them! Like Harry Vanderspeigle. With a little help from Aunt Beth’s son/Jeff’s nephew Rory.

Also discussed: the Community movie.

Entertainment To-Do List: Week of 10/14/22

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(CREDIT: IFC/Screenshot)

Every week, I list all the upcoming (or recently released) movies, TV shows, albums, podcasts, etc. that I believe are worth checking out.

Movies
Decision to Leave (Theaters) – The latest from Park Chan-wook!
Halloween Ends (Theaters and Peacock)
Till (Theaters)

TV
High School Series Premiere (October 14 on Freevee) – Based on the lives of Tegan and Sara!
Whose Line is it Anyway? Season 19 Premiere (October 14 on The CW)
Jeopardy! Second Chance Tournament (October 17-October 28, check local listings) – The inaugural edition of a new tourney!
Documentary Now! Season 4 Premiere (October 19 on IFC) – AKA Season 53.
Inside Amy Schumer Season 5 Premiere (October 20 on Paramount+)

Music
-Brian Eno, ForeverAndEverNoMore
-M.I.A., Mata
-The 1975, Being Funny in a Foreign Language
-Red Hot Chili Peppers, Return of the Dream Canteen
-Tove Lo, Dirt Femme

‘Halloween Ends’ After Taking a Detour Through a Cracked Mirror

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Impressive Halloween Costumes (CREDIT: Ryan Green/Universal Pictures)

Starring: Jamie Lee Curtis, Andi Matichak, Rohan Campbell, James Jude Courtney, Will Patton, Kyle Richards

Director: David Gordon Green

Running Time: 111 Minutes

Rating: R for Brutal Stabbings, Punctures, and Dismemberments

Release Date: October 14, 2022 (Theaters and Peacock)

What’s It About?: It’s been four years since the bloodiest Halloween of all time in Haddonfield, Illinois! So what’s Michael Myers up to now? Well, he’s somehow survived strikes at point blank range with every conceivable weapon, but he hasn’t been taking advantage of his seeming invincibility to go on a non-stop killing spree. Instead, he’s basically disappeared. But Haddonfield’s not doing so good in his absence, as the town is understandably reeling from a hangover of trauma and paranoia. However, Laurie Strode (Jamie Lee Curtis) and her granddaughter Allyson (Andi Matichak) are doing their best to actually move on from those nightmares. Alas, there might be a new monster in the making in the form of troubled young man Corey Cunningham (Rohan Campbell). He and Allyson are sweet on each other, but an inescapable evil threatens to consume him.

What Made an Impression?: Every time we’ve seen Curtis return as Laurie since the first Halloween, she’s been too traumatized to register as a full person. But that’s no longer the case at the beginning of Halloween Ends. She’s writing a memoir about her encounters with a killer, and it genuinely appears that she’s fully processed the worst of it all. She’s even allowing herself to flirt with Deputy Frank (Will Patton)! Allyson is going about her days in much the same way, getting along as a nurse at Haddonfield Hospital and instantly recognizing a kindred spirit when she meets Corey, despite a recent incident of manslaughter (the unforgettable opening sequence explains it all).

These early scenes feel like a metaphor for our scary present, with the looming unkillable threat of Michael serving as a stand-in for a status quo of violent political unrest, constant climate disasters, and a renewed threat of nuclear annihilation. The fact that anybody could find joy in this context is basically a miracle, so it’s a wonder to behold it here. Of course it can’t last forever, as this is a Halloween movie, after all. But it’s nevertheless a treat while it lasts before the carnage arrives.

And things get pretty inexplicable once that carnage does arrive. Michael Myers has never needed an accomplice, but somehow that’s what he ends up with when he crosses paths with Corey. It’s a stunning turn, and one that never struck me as justifying itself as something adequately interesting. But I have to at least respect it when a long-running series tries something so wildly unpredictable, especially in an entry that’s supposed to be the ultimate conclusion (at least for now, anyway). So, yeah, what stood out the most about Halloween Ends was how it made me constantly wonder, “Why did they ever decide to do it that way?”

Halloween Ends is Recommended If You Like: Deceptively happy beginnings, Weird middles, Cathartic endings

Grade: 3 out of 5 Blades

Jeff’s Wacky SNL Review: Brendan Gleeson/WILLOW

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Brendan Gleeson and then two people who have a combined 2 Ws in their names (CREDIT: NBC/Screenshot)

This season I’m ripping it up by experimenting with how I dive into SNL episodes. This time I’m going to review each sketch with a single emoji. Will host Brendan Gleeson and musical guest WILLOW be okay with that? I hope so, because they’re cool people. Anyway, let’s see how this goes…

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That’s Auntertaiment Mini-Episode: What’s Jeff Watching? #1

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Who is Reggie Watts? (CREDIT: Tyler Golden/ABC)

In a brand new Mini-Episode series, Jeff is talking about the movies and shows he’s been watching lately that he and Aunt Beth haven’t covered on the full-length episodes (yet?). On this edition, We get into Barbarian, Don’t Worry Darling, Celebrity Jeopardy!, and the recent announcement about the Community movie.

‘Bros’ ‘Bros’ ‘Bros’ ‘Bros’ ‘Bros’ ‘Bros’ ‘Bros’

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Bros in the Wild (CREDIT: Nicole Rivelli/Universal Pictures)

Starring: Billy Eichner, Luke Macfarlane, Guy Branum, Ts Madison, Jim Rash, Eve Lindley, Miss Lawrence, Dot-Marie Jones, Monica Raymund, Guillermo Díaz

Director: Nicholas Stoller

Running Time: 115 Minutes

Rating: R

Release Date: September 30, 2022 (Theaters)

The air conditioning wasn’t working properly in the theater when I went to see Bros, so I had to fan myself with the menu a fair bit. I was able to get through mostly unscathed, but there were definitely some sweat spots. Nevertheless, the movie still resonated in my slightly agitated state.

I believe Billy Eichner has talked about how he would like Bros to be relatable to audiences beyond the queer community. And he certainly doesn’t have to convince me, because ever since I stumbled upon his comedy a little over a decade ago, I’ve recognized him as a kindred spirit. And that connection is now only deeper thanks to Bros, particularly one scene when Billy’s character Bobby explains why he’s so outwardly confident despite the world constantly telling him that he’s not quite the right person to do what he wants to do. I’m no stranger to inner certainty being met with a skeptical “Are you sure?” Billy’s remedy for this feeling was to write and star in an aggressively self-aware rom-com, and that looks like a healthy decision to me.

Grade: LBGQTIAmen

Entertainment To-Do List: Week of 10/7/22

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I guess it’s not night yet (CREDIT: Marvel Studios)

Every week, I list all the upcoming (or recently released) movies, TV shows, albums, podcasts, etc. that I believe are worth checking out.

Movies
Amsterdam (Theaters)
TÁR (Theaters)
Triangle of Sadness (Theaters)

TV
The Midnight Club Season 1 (October 7 on Netflix) – Mike Flanagan’s latest horror series, and Heather Langenkamp’s in it this time, and also “Possum Kingdom” is in the trailer.
The Problem with Jon Stewart Season 2 Premiere (October 7 on Apple TV+)
-Marvel Studios’ Special Presentation: Werewolf By Night (October 7 on Disney+)
Big Shot Season 2 Premiere (October 12 on Disney+)

Music
-Bush, The Art of Survival
-The Cult, Under the Midnight Sun
-King Gizzard & the Lizard Wizard, Ice, Death, Planets, Lungs, Mushrooms and Lava

‘TÁR’ Pulls You Down the Rabbit Hole of Egomania

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Covered in TÁR (CREDIT: Courtesy of Focus Features)

Starring: Cate Blanchett, Noémie Merlant, Nina Hoss, Sophie Kauer, Julian Glover, Allan Corduner, Mila Bogojevic, Mark Strong

Director: Todd Field

Running Time: 157 Minutes

Rating: R for A Few Swears and Some Weird Incidental Nudity

Release Date: October 7, 2022 (Theaters)

What’s It About?: Lydia Tár is one of the greatest living conductors. Does that sound like a role that Cate Blanchett was born to play? Todd Field apparently thought so, to the point that TÁR is the first movie he’s directed in sixteen years. Anyway, we’re introduced to Lydia at a live New Yorker interview, and it looks like it’s mostly going to be about her preparing for her next great orchestra performance. You know, one of those “process of genius” chronicles. But a messy personal life, and an even messier series of scandals, lurk barely underneath the surface. If you’re getting a sense that Lydia’s about to alienate all of her colleagues, friends, and family members, then you might be onto something.

What Made an Impression?: I’ve lately been reading Classical Music for Dummies, so I was all primed for TÁR to be more viscerally thrilling for me than it would have been, say, a year ago. But as it turns out, the classical setting is more or less incidental. Oh sure, there’s plenty for aficionados to dig here, as it’s likely to inspire passionate debates about the relative merits of Mahler and Bach, or someone more contemporary like Anna Thorvaldsdottir. But this is a story of the ego destroying everything else, which can happen in any high-powered artistic pursuit.

Lydia’s downfall could be read as a portrait of cancel culture, but that term is a bit too charged and complicated to be the most accurate description. For a good chunk of the movie, I found myself thinking, “She’s not guilty of exactly what she’s being accused of. Although, she is guilty of a lot.” Her instincts are to retreat, hide, get back to work, and in the process fail to acknowledge the humanity of pretty much everyone around her. What happens after that alienation? As TÁR posits, your whole world becomes warped beyond recognition, resulting in a wild fish-out-of-water conclusion and one of the most unexpectedly goofy final shots I’ve ever seen.

TÁR is Recommended If You Like: Geniuses losing it all, Finger dexterity, EGOT discussions

Grade: 3.5 out of 5 Symphonies

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