‘The Fall Guy’ is a Love Letter to Stunt Performers (Emphasis on the Love)

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Fall in May (CREDIT: Universal Pictures)

Starring: Ryan Gosling, Emily Blunt, Aaron Taylor-Johnson, Hannah Waddingham, Winston Duke, Teresa Palmer, Stephanie Hsu

Director: David Leitch

Running Time: 126 Minutes

Rating: PG-13 for Blank Gunfire, Real Gunfire, Prop Swords, Real Falls

Release Date: May 3, 2024 (Theaters)

What’s It About?: At the beginning of The Fall Guy, stuntman Colt Seavers (Ryan Gosling) takes a great fall. But unlike Humpty Dumpty, the folks around him are ultimately able to put him back together again. Although he’s certainly not without his scars, both physical and emotional. A serious on-set injury has prompted him to disappear from his Hollywood career and his girlfriend Jody Moreno (Emily Blunt). But just when he thinks he’s out for good, his old producer Gail Meyer (Hannah Waddingham) pulls him back in with an offer he can’t refuse: head Down Under to Sydney to become the stunt double once again for major star Tom Ryder (Aaron Taylor-Johnson) in Metalstorm, Jody’s epic sci-fi romance directorial debut. But there’s also a side mission in the offing, as Gail tells Colt that the real reason he’s here is to track down the missing Tom and bring him back to set. So Colt straps in his mouthguard and turns into a special agent as various versions of Kiss’ “I Was Made for Lovin’ You” keeps playing during all of the most pivotal moments.

What Made an Impression?: A Feature-Length Campaign: The Fall Guy is based on a 1980s TV show starring Lee Majors about stunt performers who are bounty hunters on the side, and it’s directed by David Leitch, a former stuntman and stunt coordinator himself. It’s no surprise then that Leitch has honored his brethren by what is essentially a two-hour video editorial arguing in favor of a stunt category at the Academy Awards. The stunt community and plenty of film lovers have been pushing that idea for years, and with the recent announcement of the addition of a Casting Oscar, can stunts be far behind? After watching The Fall Guy, it’s impossible not to appreciate the contributions of stunt workers on both a technical and an artistic level. It’s also impossible not to recognize them as whole human beings with fascinating interior lives who deserve to be recognized as much as anybody else.
A Mature Series of Conversations: Emily Blunt is one of Earth’s most captivating actors, and Ryan Gosling is endlessly charming, so it’s no surprise that Colt and Jody’s love story is filled with wit, honest longing, and karaoke. Furthermore, I was pleased that it reminded me of Blunt and Matt Damon in 2011’s The Adjustment Bureau, but whereas that earlier romance pulled off the sublime feelings of a fateful first encounter, The Fall Guy sparks with the maturity of a shared history. Colt and Jody are thoughtful and caring towards each other, and despite the pain of their separation, neither of them can quite fathom why they spent so much time apart. And neither can we, as they slip so easily into their natural roles of each other’s inspirations. Metalstorm and Tom’s absence are making everything much more stressful than they surely wanted their reunion to be, but it’s often the high-stress episodes that deepen our relationships for the better.

The Fall Guy is Recommended If You Like: Self-aware split-screen, Cars on fire, Hearts on fire

Grade: 3.5 out of 5 Stunts

The Challenges of Ungentlemanly Tennis

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Ungentlemanly Warfare, huh, what is it good for? CREDIT: Metro Goldwyn Mayer Pictures/Lionsgate

Challengers

Starring: Zendaya, Josh O’Connor, Mike Faist

Director: Luca Guadagnino

Running Time: 131 Minutes

Rating: R

Release Date: April 26, 2024 (Theaters)

The Ministry of Ungentlemanly Warfare

Starring: Henry Cavill, Eiza González, Alan Ritchson, Henry Golding, Alex Pettyfer, Hero Fiennes Tiffin, Babs Olusanmokun, Cary Elwes, Til Schweiger, Henrique Zaga, Rory Kinnear, Danny Sapani, Freddie Fox

Director: Guy Ritchie

Running Time: 120 Minutes

Rating: R

Release Date: April 19, 2024 (Theaters)

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That’s Auntertaiment Mini-Episode: Aunt Beth Tells Jeff to Watch ‘Square Pegs’

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♫ I know what Squares like ♫ (CREDIT: Screenshot)

Jeff enrolls at Weemawee High.

Entertainment To-Do List: Week of 4/26/24

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Daaaaaa Bates (CREDIT: PBS/Screenshot)

Every week, I list all the upcoming (or recently released) movies, TV shows, albums, podcasts, etc. that I believe are worth checking out.

Movies
Boy Kills World (Theaters)
Challengers (Theaters) – I’ve enjoyed “S&M” in the trailer.

TV
-White House Correspondents’ Dinner (April 27 on C-SPAN) – Colin Jost hosts.
The Real Story of Mr. Bates vs. the Post Office (April 28 on PBS)
Jeopardy! Masters Season 2 Premiere (May 1 on ABC)

Music
-Justice, Hyperdrama
-Pet Shop Boys, Nonetheless
-St. Vincent, All Born Screaming

Sasquatch People: Sunset with the Joker

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Mr. J & Mr. S (CREDIT: Altered Innocence/Screenshot; Bleecker Street)

Sasquatch Sunset

Starring: Riley Keough, Jesse Eisenberg, Christophe Zajac-Denek, Nathan Zellner

Directors: Nathan and David Zellner

Running Time: 89 Minutes

Rating: R

Release Date: April 12, 2024 (Theaters)

The People’s Joker

Starring: Vera Drew, Lynn Downey, Kate Distler, Nathan Faustyn, David Liebe Hart, Phil Braun, Maria Bamford

Director: Vera Drew

Running Time: 92 Minutes

Rating: Unrated

Release Date: April 5, 2024 (Theaters)

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‘Boy Kills World’ is a Blindingly Colorful and Surprisingly Thoughtful Revenge Tale

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Oh, Boy! (CREDIT: Roadside Attractions)

Starring: Bill Skarsgård, H. Jon Benjamin, Jessica Rothe, Michelle Dockery, Brett Gelman, Isaiah Mustafa, Andrew Koji, Famke Janssen, Sharlto Copley, Yayan Ruhian, Nicholas Crovetti, Cameron Crovetti, Quinn Copeland

Director: Moritz Mohr

Running Time: 111 Minutes

Rating: R for Blood, Guts, and All Sorts of Deadly Injuries

Release Date: April 26, 2024 (Theaters)

What’s It About?: They killed his family right in front of him when he was a child, and now he’s spent the rest of his life preparing for vengeance. Isn’t that always the way on the silver screen?  Indeed, the revenge genre remains vibrant and durable, especially when the setting is a fascistic post-apocalyptic society like in Boy Kills World. In the dystopian tradition of The Hunger Games and The Purge, Boy (Bill Skarsgård) is one of the many victims of The Culling, in which the ruling van der Koy family rounds up a group of citizens to be annually slaughtered on live TV. Boy’s mom and sister were among those culled many years ago in an attack that left him deaf and mute. Now, following his tutelage from a single-minded shaman (Yayan Ruhian), he’s ready to mete out some bloody, cheeky justice during this year’s edition. And since he can’t talk, we get to keep company with his cartoonishly nervous inner voice (H. Jon Benjamin, naturally) and the ghostly memory of his spunky little sis (Quinn Copeland).

What Made an Impression?: Kickbox the Rainbow: If Skittles stopped being a candy and started being an action movie, the result of that alchemy would surely be Boy Kills World. Boy’s bright vest is matched by the dandy-ish pants and cravats of the most eccentric van der Koy (Sharlto Copley, naturally), and counterbalanced by pops of canary yellow, particularly on the mysterious helmet-wearing combat specialist played by Jessica Rothe. Furthermore, the frenetic martial arts bouts feel like they were choreographed by eight-year-olds who mainlined their Halloween hauls, but then finessed by more sober professionals. This relentless approach could be blinding and exhausting, but it’s all tempered by Benjamin’s steadily phlegmatic narration.
A Vicious Cycle: Boy Kills World could have settled for just delivering shallow thrills, but it has more on its mind than that. The question hanging over Boy’s journey ultimately isn’t whether or not he can kill all his enemies, but whether or not he can ever truly escape this oppressive society. And on top of that, can any of the van der Koys untether themselves from their violent family legacy? The final act makes it clear that Boy has become so much more twisted by his trauma than he realizes, and he’s not the only one. For anyone who’s been born into a clan with unhealthy patterns that keep repeating themselves, this movie might just provide the inspiration you need to disengage from that paradigm. The presentation might be as cartoonish as possible, but the psychological underpinnings are as firm as can be.

Boy Kills World is Recommended If You Like: Street Fighter, Sugar rushes, Traumatic psychology

Grade: 4 out of 5 Cullings

Entertainment To-Do List: Week of 4/19/24

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Abigail! (CREDIT: Bernard Walsh/Universal Pictures)

Every week, I list all the upcoming (or recently released) movies, TV shows, albums, podcasts, etc. that I believe are worth checking out.

Movies
Abigail (Theaters)
The Ministry of Ungentlemanly Warfare (Theaters)

Music
-T. Bone Burnett, The Other Side
-Pearl Jam, Dark Matter
-Taylor Swift, The Tortured Poets Department

‘Abigail’ Takes a Few Bites, and It Sure Gets Messy

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Isn’t she lovely! (CREDIT: Bernard Walsh/Universal Pictures)

Starring: Alisha Weir, Melissa Barrera, Dan Stevens, Kathryn Newton, William Catlett, Kevin Durand, Angus Cloud, Giancarlo Esposito

Directors: Matt Bettinelli-Olpin and Tyler Gillett

Running Time: 109 Minutes

Rating: R for Buckets of Blood, and Even Some Guts, and All the Attendant F-Bombs

Release Date: April 19, 2024 (Theaters)

What’s It About?: A ragtag group of criminals who are the best at what they do are assembled for a seemingly simple job: kidnap 12-year-old ballerina Abigail (Alisha Weir) and demand a $50 million ransom from her very powerful father. They hole up in a mansion for what’s meant to be a straightforward babysitting gig and assume Rat Pack-inspired codenames to hide their true identities. But that’s not amore, because it soon becomes clear that they’re in much more than they’ve bargained for when Abigail reveals the full extent of her identity. Could it be that this crew has more in common that they realize and that they might just have the right pop culture-inspired know-how to escape this house of horrors? Considering that Abigail was directed by the savvy team behind Ready or Not and the last couple of Screams, signs point to yes!

What Made an Impression?: Twist Premise: If you’ve ever listened to the podcast Scott Hasn’t Seen, then you may have encountered a pet theory of its co-host Scott Aukerman. The gist is that movies shouldn’t have titles, but instead just be identified by numbers, e.g. “Movie #10,607.” Aukerman’s point is that it’s best for audiences to experience movies with absolutely zero expectations and therefore maximum potential for surprise. If that idea appeals to you, then you should stop reading this review RIGHT NOW if you have any interest in seeing Abigail. But if you already regularly go to the movie theater or watch TV, then chances are you’ve already seen the ubiquitous trailer, which gives away the big twist at the heart of the concept. I don’t think there’s anything wrong with knowing about the title dancer’s bloodsucking tendencies when entering the theater, but it is worth noting that the script doesn’t rush into the reveal. I loved seeing the Abigail trailer as often as I did, but it would’ve been nice to have been able to test out Mr. Aukerman’s theory.
Let’s Make a Deal: When Abigail shows what appears to be its full hand, it turns into a full-bore cat-and-mouse most dangerous game as a little predator nibbles away at her prey. But it actually has another ace or two up its sleeve. You see, Abigail’s father is a notorious gangster businessman whose elimination of his enemies has become a bit of an urban legend. Or it would be a legend, if it weren’t all true. That wrinkle might make it seem like the bloodlust is even more inescapable, but it also opens up some avenues for wheeling and dealing. Abigail may love playing with her food, but there are certain frustrations that come with being a preteen for centuries. And while you’d be wise to be skeptical about her or anyone else of her ilk when they say they’ll let you go, their offers do make for some intriguing negotiation.
Theater of Blood: With her levitational abilities, bone-twisting dance skills, and telepathic manipulation, Abigail’s powers are about as boundless as you could possibly fear they’d be. But it’s essential for vampires to have some vulnerability, and that’s where Matt Bettinelli-Olpin and Tyler Gillett excel. Let’s just say, if you manage to expose Abigail to sunlight or poke her with a stake, she does not go gently. If you enjoyed the death scenes in Ready or Not, then you’ll lap up Abigail as quite the encore. Bettinelli-Olpin and Gillett aren’t reinventing the vampire wheel here (who could at this point?), but they’re certainly pouring all of their blood and guts into it.

Abigail is Recommended If You Like: Ready or Not, And Then There Were None, The blood elevator from The Shining

Grade: 3 out of 5 Tutus

‘Don’t Tell Mom the Babysitter’s Dead,’ Do Become Stressed Out

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I haven’t told my mom that I watched this movie (CREDIT: Iconic Events/Screenshot)

Starring: Simone Joy Jones, Nicole Richie, Donielle Tremaine Hansley, Ayaamii Sledge, Carter Young, June Squibb, Miles Fowler, Ms. Pat, Jermaine Fowler, Gus Kenworthy, Iantha Richardson

Director: Wade Allain-Marcus

Running Time: 99 Minutes

Rating: R

Release Date: April 12, 2024 (Theaters)

Y’all know I sometimes like to review movies by asking: would I like this to happen to me? In the case of Don’t Tell Mom the Babysitter’s Dead (2024 Version), I don’t think I can go any higher than a “Reply hazy, try again.”

I’ve never seen the original Don’t Tell…, so I don’t know if this 21st century version opted for a totally new direction, but I can say for sure that this is NOT what I was expecting. With a deceased babysitter, I figured the kids would take their newfound freedom and get up to a bunch of unfettered adventures that Mom cannot know about. But instead, the kids need money, so they apply for jobs that Mom cannot know about. Instead of vicarious partying, I had to paddle through vicarious financial precarity. ACK!

Grade: Don’t Tell Mom About the Fraud Either

Jeff’s Wacky SNL Review: Ryan Gosling/Chris Stapleton

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This moment will be stapled in my mind forever (CREDIT: NBC/Screenshot)

Jeff “jmunney” Malone watches every new episode of Saturday Night Live and then reviews all the sketches and segments according to a “wacky”1 theme.

Former SNL cast member Kristen Wiig joined the Five-Timers Club last week, and now the next new episode features some returning favorites in the guest lineup, with host Ryan Gosling and musical guest Chris Stapleton. When the April shows were announced, I wondered if this would be a once-in-a-lifetime case of two five-timer inductions two episodes in a row. But in fact, this is only Gosling’s third host outing. (I guess his previous appearances just loom inordinately large in my memory.)

This is also Stapleton’s third time as the musical guest.

Since one of Gosling’s most notable accomplishments in the past year is his performance of the song “I’m Just Ken” in the motion picture Barbie and on the Oscars stage, I will be reviewing each sketch with the format “I’m just…”, in which I proclaim how each segment made me react in stark, forthright terms.

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