January 8, 2023
jmunney
Cinema, Movie Reviews
Ajay Devgn, Alia Bhatt, Alison Doody, Bae Doona, Broker, Edward Sonnenblick, Gang Dong-won, Hirokazu Kore-eda, Im Seung-soo, Lee Ji-eun, Lee Joo-young, N.T. Rama Rao Jr., Naatu Naatu, Olivia Morris, Ram Charan, Ray Stevenson, Rise Roar Revolt, RRR, S.S. Rajamouli, Samuthirakani, Shriya Saran, Song Kang-ho, Twinkle Sharma

The only reason to wear suspenders (CREDIT: Screenshot)
RRR:
Starring: N.T. Rama Rao Jr., Ram Charan, Ajay Devgn, Alia Bhatt, Shriya Saran, Samuthirakani, Ray Stevenson, Alison Doody, Olivia Morris, Twinkle Sharma, Edward Sonnenblick
Director: S.S. Rajamouli
Running Time: 182 Minutes
Rating: PG-13
Release Date: March 25, 2022 (Theaters)
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January 4, 2023
jmunney
Cinema, Movie Reviews
Allison Williams, Amie Donald, Brian Jordan Alvarez, Gerard Johnstone, Jen Van Epps, Jenna Davis, Lori Dungey, M3GAN, Ronny Chieng, Stephane Garneau-Monten, Violet McGraw

In another scene, M3GAN reminds Cady to flush the toilet! (CREDIT: Universal Pictures)
Starring: Allison Williams, Violet McGraw, Amie Donald, Jenna Davis, Ronny Chieng, Brian Jordan Alvarez, Jen Van Epps, Stephane Garneau-Monten, Lori Dungey
Director: Gerard Johnstone
Running Time: 102 Minutes
Rating: PG-13 for Horrifying Demises That Cut Away Before the Goriest Parts
Release Date: January 6, 2023 (Theaters)
What’s It About?: Roboticist Gemma (Allison Williams) becomes the guardian to her young niece Cady (Violet McGraw) after her sister and brother-in-law die in a violent accident. But at the same time, she’s facing a deadline for a major project that could make or break her entire career. Isn’t that just how it always goes?! 😛 But as it turns out, maybe she can take care of everything in one fell swoop by completing her passion project: the Model 3 Generative Android, aka “M3GAN” (Amie Donald, with Jenna Davis providing the voice). She’s a lifelike talking doll with a titanium foundation and artificial intelligence-fueled learning abilities. She imprints onto Cady and thereby becomes a best friend, surrogate parent, and sworn protector. Initially, she proves to be a wonderfully therapeutic tool for a grieving child, but when it becomes clear that M3GAN’s interpretation of her duties has no ethical bounds, well, then, you’d better watch out.
What Made an Impression?: M3GAN delivers a whirlwind of emotions. It kicks off with a commercial for a line of Furby-esque talking animal toys called Purrpetual Pets that feels like it was plucked from the Cinco company of Tim and Eric Awesome Show, Great Job! Which is to say, it was designed for the most demented consumer market imaginable. But the entirety of the movie doesn’t operate on quite that same bizarro logic. At least not entirely. To clarify: just about every scene features a thrilling tonal mix. I constantly found myself switching between cracking up, choking up, and tightening up for fight-or-flight mode within the span of just one minute.
Take, for example, the scene in which Gemma and her colleagues make the big pitch about M3GAN’s capabilities to the company bigwigs. The presentation immediately goes off the rails when Cady, who’s too upset to stick to the script, breaks down after she’s suddenly hit by the grief of losing her parents that she’s yet to fully process. Everyone steels themselves for a disaster, but M3GAN is a master improviser, so she coaxes a supremely silly story out of Cady about a time that her mom found a cockroach in her school bag. This goofy bonding proves to be exactly what Cady needed in the moment to work through her trauma, and then M3GAN caps it all off with a stunning singing performance, and everyone in the room is blown away by the revolution they’ve just witnessed.
Of course, this being a horror movie and all, M3GAN’s methods for looking after Cady quickly turn much more sinister. And while the scares are effective, they arrive in a much different fashion than you might expect. MEGAN‘s most obvious antecedents are creepy doll franchises like Child’s Play and Annabelle that stare deep into the bowels of the uncanny valley. But M3GAN is more concerned with the unchecked power of artificial intelligence and robotic technology. Essentially, this is The Terminator updated for an era grappling with AI voice assistants that know everything about us, AI portraits that rival the work of human painters, and AI chatbots that can write sophisticated newspaper articles. Every generation activates Skynet in its own particular way, and we are so lucky that the warning postulated by M3GAN allows us to experience the full spectrum of what it means to be alive and human.
MEGAN is Recommended If You Like: The Terminator, AI-generated art, The “Aerodynamics of Gender” episode of Community, The Wikibear sketches from Conan
Grade: 4.5 out of 5 Roasted Chestnuts
December 30, 2022
jmunney
Cinema, Movie Reviews
Angela Bassett, Black Panther, Black Panther: Wakanda Forever, Danai Gurira, Divine Love Konadu-Son, Dominique Thorne, Florence Kasumba, Julia Louis-Dreyfus, Letitia Wright, Lupita Nyong’o, Martin Freeman, Marvel Cinematic Universe, MCU, Michaela Coel, Ryan Coogler, Tenoch Huerta Mejía, Wakanda, Wakanda Forever, Winston Duke

Forever? Forever Ever? (Credit:
Marvel Entertainment/Screenshot)
Starring: Letitia Wright, Angela Bassett, Tenoch Huerta Mejía, Lupita Nyong’o, Danai Gurira, Martin Freeman, Winston Duke, Julia Louis-Dreyfus, Florence Kasumba, Dominique Thorne, Michaela Coel, Divine Love Konadu-Son
Director: Ryan Coogler
Running Time: 161 Minutes
Rating: PG-13]
Release Date:] November 11, 2022 (Theaters)
Upon seeing the first Black Panther back in 2018, my expectations were sky-high, and there was pretty much no way to meet them. For Wakanda Forever, however, I arrived with significantly subdued enthusiasm. I doubted that it could fully process the grief of Chadwick Boseman’s passing or that it could be another Landmark Cultural Event. So I ended up seeing it more than a month after its release with a much more chillaxed approach. And you know that? That may just have made all the difference. Also, the conflict with Namor was plenty satisfying and I totally didn’t see it coming.
Grade: No Love Lost (No Amor Perdido)
December 28, 2022
jmunney
Cinema, Movie Reviews
Avatar, Avatar: The Way of Water, Brendan Cowell, Britain Dalton, CCH Pounder, Cliff Curtis, Edie Falco, Jack Champion, James Cameron, Jamie Flatters, Jemaine Clement, Joel David Moore, Kate Winslet, Sam Worthington, Sigourney Weaver, Stephen Lang, The Way of Water, Trinity Jo-Li Bliss, Zoe Saldana

Water?! No, ‘Way’!
Way!
Excellent.
(CREDIT: Screenshot)
Starring: Sam Worthington, Zoe Saldaña, Stephen Lang, Sigourney Weaver, Kate Winslet, Cliff Curtis, Joel David Moore, CCH Pounder, Edie Falco, Brendan Cowell, Jemaine Clement, Jamie Flatters, Britain Dalton, Trinity Jo-Li Bliss, Jack Champion
Director: James Cameron
Running Time: 192 Minutes
Rating: PG-13
Release Date: December 16, 2022 (Theaters)
It’s another December in Pandora. Just as in 2009, I spent this day in 2022 at the very same theater, in the very same auditorium, along with one of my very same moviegoing companions, with the very same restaurant (albeit with a new name) for the pre-movie meal, and both times buffeted in between by some suspiciously similar extreme weather. Which is to say, it all felt like home.
I wasn’t as thrilled that Col. Quaritch was back, though. Didn’t we already take care of this guy? Villains gonna villain, I guess. The whaling expeditions were new and fascinating, at least, so thank you for that, Jimmy C. and company. Ultimately, it just felt right to be flying, running, and swimming in Pandora once again.
Grade: A Whale of a Time
December 21, 2022
jmunney
Cinema, Movie Reviews
Ashton Sanders, Clarke Peters, I Wanna Dance with Somebody, Kasi Lemmons, Nafessa Williams, Naomi Ackie, Stanley Tucci, Tamara Tunie, Whitney Houston

Singing about dancing (CREDIT: Emily Aragones/TriStar Pictures)
Starring: Naomi Ackie, Stanley Tucci, Nafessa Williams, Ashton Sanders, Tamara Tunie, Clarke Peters
Director: Kasi Lemmons
Running Time: 146 Minutes
Rating: PG-13 for Dramatized Real-Life Drug Addiction
Release Date: December 23, 2022 (Theaters)
What’s It About?: She’s been called the greatest voice of her generation. To make it even more elemental, her nickname was simply “The Voice.” Maybe this movie about her should have been called The Voice. Sure, there’s also a popular reality competition show by that name, but wouldn’t it have been the most aptly brazen decision? Instead, I Wanna Dance with Somebody opted for the typical musical biopic convention of using one of the artist’s most popular songs as the title.
I’m talking about Whitney Houston, of course. And if you’ve been paying attention at all to popular music for the last 40 years, then you surely already know the whole story. I Wanna Dance with Somebody covers the whole shebang, with every triumph and tragedy on full widescreen display.
What Made an Impression?: I Wanna Dance with Somebody has absolutely no intention of reinventing the biopic playbook. It starts with Houston’s origin story and ends with her untimely passing, covering every career highlight in between. With all the drama inherent to her story, this box-checking approach is certainly hard to resist. But also, her story has already been told plenty of times in high-profile formats, so a biopic is hardly necessary. Nevertheless, I Wanna Dance with Somebody manages to distinguish itself in a couple of ways.
First of all, Kasi Lemmons is a wonderful director of emotions. She corrals every feeling, whether big or subtle, exactly where they’re supposed to be. And there’s plenty to corral here! It certainly helps that she’s assembled a cast who know exactly where to find the moment. Naomi Ackie summons Whitney’s spirit as fervently as possible, while Stanley Tucci is basically the second coming of her mentor-producer Clive Davis. As Cissy and John Houston, Tamara Tunie and Clarke Peters bring mythological heft to parenting, while Ashton Sanders is an absolute scoundrel as Bobby Brown.
The film’s other distinguishing figure is serving as a corrective to the historical record regarding Houston’s sexuality. Before her marriage to Brown, Whitney shacked up with her longtime assistant and creative director Robyn Crawford, here played with steely loyalty by Nafessa Williams. The real Crawford detailed their relationship in her memoir, but that’s not something you’re likely to have heard in the most mainstream tellings. But for I Wanna Dance with Somebody, there was clearly no way around it, and I for one am grateful for that.
I Wanna Dance with Somebody is Recommended If You Like: Behind the Music, Juicy tell-alls, Scrolling through YouTube for classic live performances
Grade: 3.5 out of 5 #1 Hits
December 20, 2022
jmunney
Cinema, Movie Reviews
Ben Whishaw, Claire Foy, Frances McDormand, Jessie Buckley, Judith Ivey, Rooney Mara, Sarah Polley, Sheila McCarthy, Women Talking

Women Talking, ooh, Women Talking! (Credit: Michael Gibson/©2022 Orion Releasing LLC. All Rights Reserved.)
Starring: Rooney Mara, Claire Foy, Jessie Buckley, Judith Ivey, Ben Whishaw, Frances McDormand, Sheila McCarthy
Director: Sarah Polley
Running Time: 104 Minutes
Rating: PG-13 for Discussions of Abuse and Assault
Release Date: December 23, 2022 (Theaters)
What’s It About?: Women Talking is indeed about a group of women who are talking. What are they talking about? Let’s dig into it.
These women are members of a Mennonite colony, which means that they’re rather insular and isolated by nature. And with their current set of circumstances, they’re even more isolated than usual. The men in their community have been severely abusing them, and it’s time to decide what to do about that. Their options are: do nothing, stay and fight, or leave and start anew. None of those choices are perfect, but they’ve reached a breaking point and something must be done. So these very opinionated women hash it out for as long as necessary until they can come to a solution that enough of them can go along with, while Ben Whishaw plays the one kindly man who stays behind to take the minutes.
What Made an Impression?: One of the first things you’ll notice about Women Talking – unless you’re too drowsy to notice – is how hypnotically desaturated the color palette is. It’s liable to lull you to sleep; I’ll leave it up to you all to decide whether or not that’s a positive. I will say that I felt transported, which is one of the best (if not THE best) ways to feel sleepy at a movie theater. I was whisked away into a mysterious land, where the secrets flowed forth like a geyser.
The other major element of Women Talking that is impossible to ignore is Hildur Guðnadóttir’s rustic score that I would label “thriller lite.” It captures the sense of needing to run away while you’re sitting still. There’s also a vibe to those plucking strings that can best be described as The Temptation of Comfort. Stillness and chaos, bound together.
And as a final note, I will register my surprise at how much of a peek we get at the outside world, particularly in the form of a census worker driving by and calling out for the members of the community to come and be counted for the 2010 population. These Mennonites mostly eschew modern amenities, so even knowing what year it is feels like a betrayal of their trust. But that beckoning, that frisson, is what this conflict is all about. The times they are a-changin’, no matter what year you decide to live in.
Women Talking is Recommended If You Like: 12 Angry Men, but if it were set in a barn
Grade: 3.5 out of 5 Votes
December 19, 2022
jmunney
Cinema, Movie Reviews
Anthony Mendez, Antonio Banderas, Betsy Sodaro, Da'Vine Joy Randolph, Florence Pugh, Harvey Guillén, John Mulaney, Kevin McCann, Olivia Colman, Puss in Boots, Puss in Boots: The Last Wish, Ray Winstone, Salma Hayek, Samson Kayo, Shrek, Wagner Moura

When You Wish Upon a Puss in Boots… (CREDIT: Dreamworks Animation)
Starring: Antonio Banderas, Salma Hayek, Harvey Guillén, John Mulaney, Florence Pugh, Olivia Colman, Ray Winstone, Samson Kayo, Wagner Moura, Da’Vine Joy Randolph, Anthony Mendez, Kevin McCann, Betsy Sodaro
Director: Joel Crawford
Running Time: 102 Minutes
Rating: PG for Cartoon Kitty Catastrophes
Release Date: December 21, 2022 (Theaters)
What’s It About?: A talking cat? A talking, swashbuckling cat?! Well, yes indeed. We’ve known this debonair furball for years at this point. Decades even. He lives in a fairy tale world where plenty of the animals are anthropomorphized, after all. Puss in Boots (Antonio Banderas) has had no trouble making a name for himself. But alas, he seems to be losing a bit of his mojo lately. And when you’re a feline, that means having only one of your reputed nine lives left to spare. But this being a fairy tale world and all, there exist methods for magical restoration. So when Puss hears about the existence of a Wishing Star, he naturally wants to get his claws on it. But he’s not the only one, as Jack Horner (John Mulaney), Goldilocks (Florence Pugh) and the three bears (Olivia Colman, Ray Winstone, Samson Kayo), and Puss’ old flame Kitty Softpaws (Salma Hayek) all have their own plans to procure the star’s powers. Also, Harvey Guillén voices a dog.
What Made an Impression?: If the only Shrek film you’ve seen previously was the first one, you could be forgiven for not realizing that Puss in Boots: The Last Wish takes place in the same universe. Sure, both of them are populated by fairy tale characters, but their modus operandi are totally different. Where the green ogre was irreverent, his feline colleague is more purely adventurous. The likes of Jack Horner, Goldi, and Pinocchio are thein window dressing in a sense, with their cultural histories mostly beside the point. The Last Wish‘s spacey climax on the Wishing Star feels like something out of an LSD trip, or a Super Mario video game, which is to say: not at all what I was expecting.
In that vein, The Last Wish actually reminded me of Halloween Ends, insofar as they’re both latter-day franchise entries with confoundingly unpredictable narrative left turns. In both cases, it’s plenty fascinating, and I suspect it will be easier to get away with this time around, since Puss doesn’t have to bear the weight of expectations that Michael Myers does. If his creators want to make his latest adventure more fantastical than any corner of the Shrek universe has ever been, then there’s really no reason not to. It certainly gives the voice cast something new to bite into, to the point that John Mulaney appears to be experiencing Heath Ledger-as-Joker-level glee in his revolution of a classic character. There’s room to color outside the lines here, and I can’t complain about that.
Puss in Boots: The Last Wish is Recommended If You Like: Super Smash Bros., Mario Kart, John Mulaney & the Sack Lunch Bunch
Grade: 3 out of 5 Swords
December 16, 2022
jmunney
Cinema, Movie Reviews
Babylon, Brad Pitt, Damien Chazelle, Diego Calva, Eric Roberts, Flea, Jean Smart, Jeff Garlin, Jovan Adepo, Katherine Waterston, Li Jun Li, Lukas Haas, Margot Robbie, Max Minghella, Olivia Hamilton, Olivia Wilde, P.J. Byrne, Rory Scovel, Samara Weaving, Tobey Maguire

Babble on! (CREDIT: Scott Garfield/Paramount Pictures)
Starring: Margot Robbie, Brad Pitt, Diego Calva, Jean Smart, Jovan Adepo, Li Jun Li, Lukas Haas, Max Minghella, Samara Weaving, Olivia Wilde, Katherine Waterston, Flea, Jeff Garlin, Olivia Hamilton, P.J. Byrne, Rory Scovel, Eric Roberts, Tobey Maguire
Director: Damien Chazelle
Running Time: 188 Minutes
Rating: R for Bacchanalian Partying, Sudden Bloody Ends, and a Few Bumps of the Hard Stuff
Release Date: December 23, 2022 (Theaters)
What’s It About?: It’s the 1920s, and Hollywood is Big Business. And when they’re not making movies, it’s basically a non-stop party. But danger also lurks around every corner. With the talkie era looming, Nellie LaRoy (Margot Robbie) is ready to be a supernova, Jack Conrad (Brad Pitt) is hoping to stay relevant, trumpeter Sidney Palmer (Jovan Adepo) wants to be treated with respect, and dozens of other folks also have their skin in the game. There will be a rise! There will be a fall! There will be an epilogue! You know how it goes.
What Made an Impression?: If you’re thinking that this premise sounds a lot like Singin’ in the Rain, well, writer-director Damien Chazelle doesn’t make any effort to hide that influence. Babylon is essentially the answer to the question, “What if Singin’ in the Rain had ten more storylines and a hundred more exposed private parts?” If that sounds like overkill to you, I would advise you to trust your instincts. The jazz is great, though. Chazelle absolutely knows how to assemble a musical montage.
Babylon‘s next biggest influence, weirdly enough, appears to be the grossest of gross-out comedies in the vein of the Farrelly brothers, as mass quantities of bodily fluids spurt out unexpectedly in all directions on multiple occasions. Within the first five minutes, an elephant excretes what appears to be an entire week’s worth of its meals. A little later, the fanciest of fancy parties is ruined by a heaping helping of projectile vomit. Chazelle’s timing when it comes to yukking it up aren’t on quite the same level as his musical skills. I’m not sure if these moments are meant to be hilarious, tragic, or just plain matter-of-fact.
There are also a lot of deaths in Babylon, and most of them are given exactly zero seconds to investigate the consequences. I’m not surprised that movie set workplace safety wasn’t exactly a top priority a hundred years ago, but it can only work as a punchline so often in this sort of overstimulated movie. After a certain point, it’s just alarming without examining what happens afterward. Babylon is filled with inexplicable decisions, is what I’m trying to say.
Babylon is Recommended If You Like: Being Overstimulated
Grade: 2.5 out of 5 Parties
December 13, 2022
jmunney
Cinema, Movie Reviews
Burn Gorman, Cate Blanchett, Christoph Waltz, David Bradley, Ewan McGregor, Finn Wolfhard, Gregory Mann, Guillermo del Toro, Guillermo del Toro's Pinocchio, John Turturro, Pinocchio, Ron Perlman, Tilda Swinton, Tim Blake Nelson, Tom Kenny

What’s up, Pinocchio? (CREDIT: Netflix © 2022)
Starring: Gregory Mann, David Bradley, Ewan McGregor, Christoph Waltz, Tilda Swinton, Ron Perlman, Finn Wolfhard, Cate Blanchett, Burn Gorman, Tim Blake Nelson, John Turturro, Tom Kenny
Director: Guillermo del Toro
Running Time: 117 Minutes
Rating: PG
Release Date: November 9, 2022 (Theaters)/December 9, 2022 (Netflix)
Guillermo del Toro’s Pinocchio – or as I refer to it, “Guillermo del Toro’s Pistachio” (because of that Rugrats episode where the babies call Pinocchio “Pistachio”) – is pretty dang lovely. It hasn’t quite inspired some baby-speak-style quoting from me to follow in the footsteps of the Rugrats version, but that’s okay. Furthermore, I thought that it was Cate Blanchett who was voicing the Fairy and her sister Death, but that was actually Tilda Swinton, while Cate was the voice of the monkey. That realization pretty much sums up my reaction in general to this whole movie, as Pinocchio’s stop-motion wooden walking was similarly mind-altering.
Grade: Cate Blanchett Voiced the Monkey?!
December 6, 2022
jmunney
Cinema, Movie Reviews
Brendan Fraser, Darren Aronofsky, Hong Chau, Sadie Sink, Samantha Morton, The Whale, Ty Simpkins

CREDIT: A24
Starring: Brendan Fraser, Hong Chau, Sadie Sink, Ty Simpkins, Samantha Morton
Director: Darren Aronofsky
Running Time: 117 Minutes
Rating: R for Profanity Borne of Anger and Frustration
Release Date: December 9, 2022 (Theaters)
What’s It About?: Charlie (Brendan Fraser) spends all of his days sitting on his couch, teaching an online English class and ordering delivery. Hardly anyone ever sees him, including his students, as he keeps his laptop camera disabled. He tells them it’s broken, but really, he just doesn’t want to have to deal with their reactions to the fact that he weighs 600 pounds. This may just be the last week of his life, as he’s enduring congestive heart failure and refusing to go to a hospital. So instead he’s looked after by his no-nonsense friend Liz (Hong Chau), who’s also a nurse. They’re occasionally interrupted by door-to-door missionary Thomas (Ty Simpkins), who becomes obsessed with counseling Charlie through what he believes is the impending apocalypse. And in the meantime, Charlie also does his damnedest to reconnect with his estranged teenage daughter, the disaffected and manipulative Ellie (Sadie Sink).
What Made an Impression?: I’m really not quite sure how to react to The Whale. And I’m not even talking about the controversy that tends to always surround fat suit prosthetics. As far as I can tell, the physical demands of playing someone this big actually demand an actor who’s fit and hardy. So if you are going to make a movie with a character who weighs as much as Charlie, the only way to do it is with someone who doesn’t weigh anywhere near as much as he does. This is all to say: I certainly get the criticism around this sort of casting, but I also understand why it was made the way it was made.
But that doesn’t mean I understand everything about this movie. It’s based on a play by the film’s screenwriter, Samuel D. Hunter, and that theatrical pedigree is present every which way. The action is limited to one location, and the emotion is delivered all the way to Pluto. That overwrought style can be fine, you just have to convince the audience to buy into it. And on that point of whether or not I’m convinced? I’m confounded.
Charlie is a supremely frustrating character. He likes to see the good in everybody, especially Ellie, who he insists is just wonderful, despite pretty much all evidence to the contrary. Part of that is just what a long-absent dad would typically say when trying to reconnect to his kid. But at a certain point, you think he ought to admit that she’s not exactly what we call friendly. To anybody. At all. He does value honesty above just about everything else, though, even when it’s brutal. But to that point, we viewers might want him to confront the brutality in his own life, particularly the loss of a boyfriend that led to his reclusiveness and disordered eating. Fraser undoubtedly gives it all, as he wrings just about every note he can out of what he’s asked to do. But while I recognized the ambition, I was also left ultimately responding, “Well, gee… Hmm.”
The Whale is Recommended If You Like: Distorted optimism
Grade: 3 out of 5 Moby Dicks
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