
While Jeff and Aunt Beth were on vacation on Long Beach Island, they asked their family members about their favorite vacations from pop culture.
Jeff "Jmunney" Malone's Self-Styled "Expert" Thoughts on Movies, TV, Music, and the Rest of Pop Culture
August 15, 2021
Podcasts, That's Auntertainment Podcasts, That's Auntertainment, vacations Leave a comment

While Jeff and Aunt Beth were on vacation on Long Beach Island, they asked their family members about their favorite vacations from pop culture.
August 15, 2021
Cinema, Movie Reviews Brendan Sexton III, Channing Tatum, Don't Breathe 2, Free Guy, Jodie Comer, Joe Keery, Lil Rel Howery, Madelyn Grace, Rodo Sayagues, Ryan Reynolds, Shawn Levy, Stephen Lang, Taika Waititi, Utkarsh Ambudkar Leave a comment

CREDIT: Sony Pictures; 20th Century Studios/Screenshots
Starring: Ryan Reynolds, Jodie Comer, Joe Keery, Utkarsh Ambudkar, Lil Rel Howery, Taika Waititi, Channing Tatum
Director: Shawn Levy
Running Time: 115 Minutes
Rating: PG-13
Release Date: August 13, 2021 (Theaters)
Starring: Stephen Lang, Madelyn Grace, Brendan Sexton III
Director: Rodo Sayagues
Running Time: 98 Minutes
Rating: R
Release Date: August 13, 2021 (Theaters)
In Free Guy, good vibes beget more good vibes. When Guy the NPC gains self-awareness, he focuses on self-improvement, and that leads to all the other NPCs in Free City becoming better versions of themselves, and even some of the real people playing the game start to adopt a more positive view of the world. As it turns out, that tendency was in Guy’s programming all along. He’s got a fantastically complicated algorithm that allows for so many wondrous possibilities. It’s infectious, even for a Ryan Reynolds skeptic like me.
Contrast that with Don’t Breathe 2, in which hate begets more hate. The first Don’t Breathe effectively toyed with our sympathies regarding Stephen Lang’s blind Norman; the sequel tries to do the same, but his negative characteristics are a bit too overwhelming to fully root for him. (Also, his blindness isn’t utilized to the same thrilling effect.) Furthermore, the people who target him this time around have a sympathetic reason for doing so, but basically every action they take in the name of their mission is pretty despicable. At least the young girl isn’t similarly hate-filled – there’s no Bad Seed vibes here. But otherwise, the blood and the pain just pile up and pile up.
GRADES:
Free Guy: 4 out of 5 Skins
Don’t Breathe 2: 2 out of 5 Light Switches
August 13, 2021
Cinema, Entertainment To-Do List, Music CODA, Don't Breathe 2, Free Guy, Pressure Machine, The Killers, The Lost Leonardo Leave a comment

Every week, I list all the upcoming (or recently released) movies, TV shows, albums, podcasts, etc. that I believe are worth checking out.
Movies
–CODA (Theaters and Streaming on Apple TV+) – The big winner at this year’s Sundance.
–Don’t Breathe 2 (Theaters) – Stephen Lang is back in action!
–Free Guy (Theaters)
–The Lost Leonardo (Limited Theatrically) – Documentary about a painting.
Music
-The Killers, Pressure Machine
August 8, 2021
Cinema, Movie Reviews Aretha Franklin, Audra McDonald, Forest Whitaker, Gilbert Glenn Brown, Hailey Kilgore, Jennifer Hudson, Liesl Tommy, Marc Maron, Marlon Wayans, Mary J. Blige, Respect, Saycon Sengbloh, Skye Dakota Turner, Tate Donovan, Tituss Burgess Leave a comment

Respect (CREDIT: Quantrell D. Colbert/Metro-Goldwyn-Mayer Pictures)
Starring: Jennifer Hudson, Forest Whitaker, Marlon Wayans, Marc Maron, Audra McDonald, Tituss Burgess, Saycon Sengbloh, Hailey Kilgore, Tate Donovan, Mary J. Blige, Gilbert Glenn Brown, Skye Dakota Turner
Director: Liesl Tommy
Running Time: 145 Minutes
Rating: PG-13 for Abusive Relationships and Racial Tension
Release Date: August 13, 2021 (Theaters)
Aretha Franklin biopic Respect keeps harping on the idea that the Queen of Soul didn’t start having hits until she focused on her own original efforts, and I kind of wish the movie had taken its own advice. Now, it obviously couldn’t be a completely thorough original. It is a biopic, after all. But Jennifer Hudson is talented enough to make me think that this movie isn’t really going to sing until she’s allowed to break free and offer her own unique interpretation. The most rousing moment of the whole film comes during the end credits when we get to see the real Aretha bring the house down at the 2015 Kennedy Center Honors with a rendition of “(You Make Me Feel Like) A Natural Woman.” (President Obama was having a GREAT time.) To be fair, Hudson and the makers of Respect are more interested in exploring the behind-the-scenes of Franklin’s story, but it is telling that they never quite achieve something as triumphant as the real deal.
The challenge of so many music biopics is combining idiosyncrasy with reverence. Those two impulses don’t really mix, and oftentimes biopic makers are much more interested in the latter than the former anyway. The title of Respect indicates that that’s very much the case here. That’s especially clear in one scene when Aretha attempts to perform a song by family friend Dinah Washington (an intensely regal Mary J. Blige) while Dinah is in attendance. It absolutely does not go so well, thanks to Dinah’s insistence that you don’t play the Queen in front of the Queen. That deference marks the entire movie. Within that boundary, Hudson is able to successfully explore Franklin’s trauma and resilience, but she doesn’t have room to leave her own inimitable signature.
I found the portrayals of the main men in Aretha’s life much more compelling, perhaps because their public personas are much less set in stone and thus the actors don’t have to feel beholden to icons. I’m talking Forest Whitaker as her iron-willed minister father C.L., Marlon Wayans as her controlling and abusive manager-slash-husband Ted White, and Marc Maron as Jerry Wexler, the producer who’s actually committed to letting Aretha be Aretha. Respect gives us a full picture of all the big, often controlling personalities in Aretha’s life, and so it works in painting that picture and in that way it fulfills the promise of its title. If you’re in the mood for that sort of contextualization, you might be satisfied, but don’t expect the house to be brought down the way that Aretha so often did.
Respect is Recommended If You Like: Behind the Music, Deferential covers
Grade: 2.5 out of 5 Chains of Fools
August 6, 2021
Cinema, Entertainment To-Do List, Music, Television Annette, Brooklyn Nine-Nine, DC's Stargirl, King's Disease II, Nas, Star Trek: Lower Decks, What If Leave a comment

What If…? (CREDIT: Marvel Entertainment/Screenshot)
Every week, I list all the upcoming (or recently released) movies, TV shows, albums, podcasts, etc. that I believe are worth checking out.
Movies
–Annette (August 6 in Theaters, August 20 on Amazon Prime)
TV
–DC’s Stargirl Season 2 Premiere (August 10 on The CW)
–What If…? Series Premiere (August 11 on Disney+) – Alternate realities.
–Brooklyn Nine-Nine Season 8 Premiere (August 12 on NBC) – Final season alert!
–Star Trek: Lower Decks Season 2 Premiere (August 12 on Paramount+)
Music
-Nas, King’s Disease II
August 4, 2021
Cinema, Movie Reviews Alice Braga, Daniela Melchior, David Dastmalchian, DCEU, Flula Borg, Idris Elba, Jai Courtney, James Gunn, Joel Kinnaman, John Cena, Margot Robbie, Michael Rooker, Nathan Fillion, Pete Davidson, Peter Capaldi, Sean Gunn, Steve Agee, Storm Reid, Suicide Squad, Sylvester Stallone, Taika Waititi, The Suicide Squad, Viola Davis Leave a comment

The Suicide Squad (CREDIT: Warner Bros./Screenshot)
Starring: Idris Elba, Margot Robbie, Viola Davis, John Cena, Joel Kinnaman, Sylvester Stallone, Jai Courtney, Peter Capaldi, David Dastmalchian, Daniela Melchior, Michael Rooker, Alice Braga, Pete Davidson, Nathan Fillion, Sean Gunn, Flula Borg, Steve Agee, Storm Reid, Taika Waititi
Director: James Gunn
Running Time: 132 Minutes
Rating: R for Various Body Parts Getting Torn Apart, a Full Roster of Potty Mouths, and a Little Bit of Nudity
Release Date: August 5, 2021 (Theaters and HBO Max)
The Suicide Squad feels like it came from another dimension. It shares a few characters with 2016’s (no “the”) Suicide Squad and has essentially the same premise. It’s ostensibly a sequel to that earlier effort, but it’s effectively a do-over. There are plenty of reboots every year at the multiplex, but rarely do we have such an unabashed mulligan. The multiverse theory posits that there is an infinite number of realities with any number of minor or major variations, and it seems that we’ve somehow been visited by the one in which James Gunn directed a Suicide Squad movie instead of David Ayer. Adding to this surreal state of affairs was the fact that I was in a bit of a fugue state while watching The Suicide Squad. It was a 10:00 AM screening, my first morning trip to a movie theater post-pandemic. My body was confused by the lack of sunlight at the early hour and thus my brain was unsure if it should be waking or dreaming. Either way, heads were always fated to explode.
The Suicide Squad takes a cue from Suicide Squad by having multiple beginnings, but this time it’s a cheeky bit of purposeful misdirection instead of stinky studio manipulation. Suicide squads are famously expendable, and it turns out that there are degrees of expendability, as one squad is introduced with plenty of fanfare only to serve as a diversion. Everyone involved clearly wanted to feature as many characters as possible to essentially say, “Can you believe all of the colorful ridiculousness that has actually appeared in DC Comics?” The team that we spend most of our time with consists of the ever-popular Harley Quinn (Margot Robbie), a couple of sharpshooters (Idris Elba, John Cena), a queen of rodents (Daniela Melchior), and a guy who shoots polka dots out of his mouth (David Dastmalchian). They’re sent to the fictional South American island nation of Corto Maltese for some top secret political meddling, but a date with the fantastical awaits them.
I wasn’t prepared for the Big Bad in The Suicide Squad to be a giant starfish, but that is indeed what awaited me. And quite frankly, I’m glad that that’s what we got. I can take or leave the gleeful over-the-top violence; it’s good for a few laughs, but after a couple of hours, I’m exhausted by the fact that I’m not really meant to care about any of these characters (although a few do manage to find a small place in my heart). So I’m grateful that there’s a surplus of visual imagination to appreciate. Way too many extraterrestrial cinematic CGI creatures of the past 15 years or so are some variation on big bad bugs, so a massive starfish that squirts out hundreds of smaller starfish is a relief. I’d be happy to see Starro rolling around every future corner of the big-screen DC universe, whether or not the reject crew is around.
So in conclusion, if you like kooky superpowers at their absolute kookiest and rats getting their time in the spotlight, you’ll probably have a decent time with the Suicide Squad.
The Suicide Squad is Recommended If You Like: The trailers for 2016’s Suicide Squad, bodily mutilation played for laughs, Mouse Hunt
Grade: 3 out of 5 Rats
July 30, 2021
Cinema, Entertainment To-Do List, Music, Television Billie Eilish, Happier Than Ever, Jaume Collet-Serra, Jungle Cruise, Prince, Stillwater, The Demi Lovato Show, The Green Knight, Welcome 2 America Leave a comment

The Demi Lovato Show (CREDIT: The Roku Channel/Screenshot)
Every week, I list all the upcoming (or recently released) movies, TV shows, albums, podcasts, etc. that I believe are worth checking out.
Movies
–The Green Knight (Theaters)
–Jungle Cruise (Theaters and Premier Access on Disney+) – Can Jaume Collet-Serra work his magic with Disney?
–Stillwater (Theaters)
TV
–The Demi Lovato Show Season 1 (July 30 on The Roku Channel) – This was originally supposed to be a Quibi.
Music
-Billie Eilish, Happier Than Ever
-Prince, Welcome 2 America
July 27, 2021
Cinema, Movie Reviews Abigail Breslin, Camille Cottin, Deanna Dunagan, Lilou Siauvaud, Matt Damon, Stillwater, Tom McCarthy 1 Comment

Stillwater (CREDIT: Jessica Forde/Focus Features)
Starring: Matt Damon, Abigail Breslin, Camille Cottin, Lilou Siauvaud, Deanna Dunagan
Director: Tom McCarthy
Running Time: 140 Minutes
Rating: R for Language
Release Date: July 30, 2021 (Theaters)
What should you do when the bartender you’re talking to is really helpful but also really racist? That’s the dilemma Bill Baker (Matt Damon) finds himself facing during one of Stillwater‘s most crucial scenes. His daughter Allison (Abigail Breslin) is in a French prison for killing her roommate/girlfriend, something she swears she’s innocent of. She’s got a lead about the real potential perp, though, as she may have encountered him while out drinking the night of the incident. The joint is under new management, but luckily for Bill, the old barkeep just hangs around the place. Less luckily, he doesn’t actually have any useful information, though he is willing to finger whatever Arab youth is under suspicion, as he attempts to ingratiate himself with Bill by positing that France has an Arab problem in much the same way that America has a Mexican problem.
Every conflict at the heart of this film is in full focus at this moment. What are you willing to sacrifice in the name of justice? Can you let go of justice to find peace? Would you trample over someone else’s justice in the pursuit of finding your own? Bill’s French companion Virginie (Camille Cottin) is insistent on leaving once she realizes the extent of the bartender’s prejudice, but for Bill, it’s not quite so simple. He’s met a lot of racists, he’s worked with a lot of racists, and he recognizes that if you want to get certain things done, it can be hard to avoid the racists entirely.
Stillwater is like Taken but if the father didn’t have a particular set of skills. Bill decides to take matters into his own hands when Allison’s lawyer tells him that it’s time for her to accept her fate, but he is way out of his depth. He spends most of the movie terrified of accepting that. He’s been a screwup dad who’s hardly ever been around for Allison, and now that he’s actually committed to being there for her, he can’t process the fact that the best way to do that is to just hang back and be patient. (Spoiler alert: he does not hang back and be patient.)
I’ll tell you one other thing: I did not expect Stillwater to be a charming and affecting love story as well, but it in fact does pull that off. Bill and Virginie couldn’t be more anti-perfect for each other: she’s a French stage actress, while he’s an itinerant blue-collar worker from Oklahoma who’s never set foot inside a theater. But somehow he forges a connection with Virginie’s daughter Maya (Lilou Siauvaud) despite them not having a common language, while he also makes himself essential as their go-to handyman. Against all odds, it’s a picture of domestic bliss, but worn uneasily. This is a probing movie about the challenge of accepting that your fate might be very different than what you expected it to be.
Stillwater is Recommended If You Like: The Amanda Knox trial, Genuine connections forged through a language barrier
Grade: 3.5 out of 5 Suspects
July 26, 2021
Cinema, Movie Reviews Anthony Davis, Bob Bergen, Bugs Bunny, Candi Milo, Cedric Joe, Ceyair J. Wright, Damian Lillard, Diana Taurasi, Don Cheadle, Eric Bauza, Ernie Johnson, Gabriel Iglesias, Harper Leigh Alexander, Jeff Bergman, Khris Davis, Klay Thompson, LeBron James, Lil Rel Howery, Looney Tunes, Malcolm D. Lee, Nneka Ogwumike, Sarah Silverman, Sonequa Martin-Green, Space Jam, Space Jam: A New Legacy, Steven Yeun, Zendaya Leave a comment

Cartoon LeBron (CREDIT:
Warner Bros. Pictures/YouTube Screenshot)
Starring: LeBron James, Bugs Bunny, Don Cheadle, Sonequa Martin-Green, Cedric Joe, Khris Davis, Ceyair J. Wright, Harper Leigh Alexander, Daffy Duck, Porky Pig, Lola Bunny (Zendaya), Sylvester, Yosemite Sam, Foghorn Leghorn, Elmer Fudd, Marvin the Martian, Tweety Bird, Granny, Speedy Gonzales, Tasmanian Devil, Road Runner, Wile E. Coyote, Jeff Bergman, Eric Bauza, Bob Bergen, Candi Milo, Gabriel Iglesias, Anthony Davis, Diana Taurasi, Klay Thompson, Damian Lillard, Nneka Ogwumike, Ernie Johnson, Lil Rel Howery, Sarah Silverman, Steven Yeun, Harry Potter, Superman, Batman, Wonder Woman, King Kong, Ilsa Lund, Austin Powers, Dr. Evil, The Iron Giant
Director: Malcolm D. Lee
Running Time: 115 Minutes
Rating: PG
Release Date: July 16, 2021 (Theaters and HBO Max)
The first Space Jam was unhinged; the second Space Jam is also unhinged, but it could be more unique. Or, it could be more committed to its own singular vision. What reality is it tethered to? Are these the same Looney Tunes from 25 years ago? When we get any sense of continuity, I’m intrigued. As for that journey through the Warner Bros “Server-verse”? Why not just fully commit to it and have Tony Soprano play point guard while the Droogs take up the frontcourt? Look, Al-G Rhythm’s plan makes no sense, LeBron’s conflict with his son makes no sense, the scoring system makes no sense, why not take that nonsense to the nth degree? I believe they could’ve flown blind.
Grade: Where’s the Basketball?* (*Said like the “Where’s the Beef?” Lady)