I Saw ‘West Side Story’ (2021) a Few Days After New Year’s and Now I’m Going to Write About It

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West Side Story (CREDIT: Ramona Rosales/© 2019 Twentieth Century Fox Film Corporation. All Rights Reserved)

Starring: Ansel Elgort, Rachel Zegler, Ariana DeBose, David Alvarez, Mike Faist, Rita Moreno, Brian d’Arcy James, Corey Stoll

Director: Steven Spielberg

Running Time: 156 Minutes

Rating: PG-13

Release Date: December 10, 2021 (Theaters)

Did West Side Story (2021) make me want to have my own West Side Story? It wouldn’t be too hard! Considering my personal history, it would probably take place at the AMC Lincoln Square, even though that’s not the theater where I saw this particular movie. (I opted for the Brooklyn Alamo Drafthouse instead.)

I could certainly see myself suddenly falling for some fellow moviegoer as I walk to my seat, and then we dance through the lobby. But I don’t think I would kill her brother. I just don’t have it in me! Maybe we could find some replacement for that part.

Anyhow, I liked the part when Tony and Maria were talking on the subway the most. I may be skeptical of love at first sight, but I very much believe in the power of an initial spark leading to conversations about the practical steps needed to advance a relationship. If there had been more of that in this story, maybe there would have been less death!

Grade: I Felt Pretty, Insofar as I Feel Pretty While Being Fully Attentive During a Movie That I’m Enjoying

‘A Hero’ is Asghar Farhadi’s Latest Masterwork of Moral Knottiness

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A Hero (CREDIT: Amir Hossein Shojaei)

Starring: Amir Jadidi, Mohsen Tanabandeh, Fereshteh Sadrorafaii, Sahar Goldoust, Maryam Shahdaie, Sarina Farhadi, Saleh Karimai

Director: Asghar Farhadi

Running Time: 127 Minutes

Rating: PG-13 for Some Minor Fisticuffs

Release Date: January 7, 2022 (Theaters)/January 21, 2022 (Amazon Prime Video)

I’ve lately been realizing that I really enjoy movies and TV shows that work as little morality tales, and I especially have to thank Asghar Farhadi for that. The Iranian filmmaker behind the Oscar-winning A Separation and The Salesman is cinema’s current go-to guy for stories about emotionally wrenching dilemmas. A Hero is just the latest example of his probing pieces in which you’ll likely find your allegiances suddenly shifting, as it is abundantly clear that every character is worthy of our sympathy. Existence leaves so many of us in cruel situations, but they’re made easier if we offer a helping hand, though that can be tricky when that helping hand gets in the way of aiding somebody else.

The titular hero is divorced dad Rahim, played by Amir Jadidi with the right mix of diffidence and determination that makes you wonder, how much of a hero is he really? Should we ever hero worship anyone no matter how much we appreciate what they’ve done? He’s currently in prison because of a debt he’s unable to pay off thanks to an unscrupulous business partner. He’s allowed out for a few days, around the time that his secret fiance discovers a bag filled with money. They want to keep it, as it’s potentially enough cash to pay off his debt, but they ultimately decide to instead find the owner. And when they do, Rahim takes the credit, partly to keep the relationship under wraps. This attracts the attention of journalists and a local charity organization, which just might be able to raise enough for Rahim to pay back the loan and get out of prison.

But not so fast! His creditor Bahram (Mohsen Tanabandeh), who also happens to be his ex-brother-in-law, insists that he’s not willing to forgive the debt if Rahim can’t raise the full amount. And he’s not sure Rahim even deserves any of the money that’s been donated anyway, as he has some doubts about the money bag story. To be fair, it is a little fishy, as Rahim is indeed keeping some details under wraps. And it doesn’t help that the woman with the bag disappears off the face of the Earth after it’s returned to her. (It seems like she’s trying to escape an abusive marriage.)

So Rahim’s path back to freedom won’t be so simple after all. He’s been given a raw deal, although he could certainly help himself out a bit by being less prideful. But you can definitely understand Bahram’s perspective, as well as those of Rahim’s sister and her family, and those of the prison workers, the charity board members, and the woman with the bag.

During Rahim’s stonewalled interactions with Bahram, I couldn’t help but think of the biblical parable of the Prodigal Son. Like the older brother in that story, Bahram is insistent that one’s responsibilities should be taken care of in the proper manner. Bahram’s a sympathetic figure, as it’s clear that Rahim’s past transgressions have seriously hurt his family. But it’s equally clear that he would be better off – and so would everybody – if he instead chose to be more kind. A Hero posits that people are most likely to display kindness when they hear a good story, but that’s not exactly the most encouraging fact of life.

A Hero is Recommended If You Like: Parables, Aesop’s fables, Social dilemmas

Grade: 4 out of 5 Debts

I Love Watching All Those Matrixes Get Resurrected!

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CREDIT: Warner Bros. Pictures/Screenshot

Starring: Keanu Reeves, Carrie-Anne Moss, Yahya Abdul-Mateen II, Jessica Henwick, Jonathan Groff, Neil Patrick Harris, Priyanka Chopra Jones, Jada Pinkett Smith, Christina Ricci, Chad Stahelski

Director: Lana Wachowski

Running Time: 148 Minutes

Rating: R

Release Date: December 22, 2021 (Theaters and HBO Max)

The Matrix Resurrections is perhaps the most self-referential movie ever made. That’s usually a major turnoff for audiences (give or take a Scream), but we’ve all been living in the Matrix ever since the first came out. I love that fact about our lives! So of course the scenes in Resurrections that I loved the most are the ones that most clearly echo the rest of the franchise and reckon with the creation of the movie that we’re watching right now. (Spaceballs, anyone?) I’m obviously talking about the scene where the video game team is pitching (and re-pitching) their sequel ideas. And I’m also talking about Neo and Trinity’s final encounter with The Analyst, what with it being firmly underscored by a theme of second chances. You might have to squint to see the connections in other scenes, but not that hard. Long live the Catrix!

Grade: A Million Miles in One Matrix

2021: A Year at the Movies

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I’mmm Freeeee! (PHOTO CREDIT: Walter Wojcik)

I was really, REALLY happy to see movies in 2021.

(Included with the list of titles are grades, dates, showtimes, theatre locations, and folks I saw the movies with.)

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Entertainment To-Do List: Week of 12/31/21

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The Lost Daughter (CREDIT: Netflix)

Every week, I list all the upcoming (or recently released) movies, TV shows, albums, podcasts, etc. that I believe are worth checking out.

Movies
–The Lost Daughter (December 17 in Limited Theaters, December 31 on Netflix)

TV
–Kenan Season 2 Premiere (January 3 on NBC)
–That’s My Jam Timeslot Premiere (January 3 on NBC) – Music in service of a game show.
–black-ish Season 8 Premiere (January 4 on ABC) – Final Season Alert!

That’s Auntertainment! Episode 24 ReRelease: Favorite Christmas Songs of All Time

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CREDIT: Trans-Siberian Orchestra/Screenshot

Merry Happy (again)! Jeff and Aunt Beth reveal(ed in 2020) their favorite Christmas songs of all time. And maybe someone else did too? (Yes.)

Now featuring a brand-spankin’ new intro from Jeff!

Entertainment To-Do List: Week of 12/24/21

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The Book of Boba Fett (CREDIT: Disney+/Lucasfilm)

Every week, I list all the upcoming (or recently released) movies, TV shows, albums, podcasts, etc. that I believe are worth checking out.

Movies
–The Matrix Resurrections (Theaters and HBO Max) – After all these years…
–Memoria (One Theater at a Time)
–Parallel Mothers (Theaters) – Penélope Cruz and Pedro Almodóvar team up again!
–Sing 2 (Theaters) – Just give in to the singing animals.

TV
–Insecure Series Finale (December 26 on HBO)
–The Book of Boba Fett (December 29 on Disney+)

‘Memoria’ is a Gentle Boom

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Memoria (CREDIT: NEON)

Starring: Tilda Swinton, Jeanne Balibar, Elkin Díaz, Juan Pablo Urrego, Daniel Giménez Cacho

Director: Apichatpong Weerasethakul

Running Time: 136 Minutes

Rating: Unrated

Release Date: December 26, 2021 (Never-Ending Theatrical Release, One Theater at a Time)

Tilda Swinton is woken up by a loud bang, and then she just doesn’t know what to do. That is the premise (or the beginning, as “premise” might be a bit of a stretch) of the new film Memoria. It’s directed by Apichatpong Weerasethakul, who’s probably best known to American audiences for his meditative, Palme d’Or-winning Uncle Boonmee Who Can Recall His Past Lives. That earlier film was a challenge to anyone expecting a straightforward, fast-moving plot, but it was a balm to anyone else looking for something soothing and reflective. I imagine that Memoria will be a challenge even among those who loved Uncle Boonmee (myself included), but if you prize ambiguity and existential mystery in your cinema, then it might just be right up your alley.

It’s difficult to get into the specifics of Memoria, because, to be honest, I’m not entirely sure what the specifics are. I can say that Swinton’s character is named Jessica and that she’s currently in Colombia and that she spends the film walking around various locales in the country. But beyond that, I’m at a loss. There are at least two scenes that had a significant effect on me, so I’ll mention those. The first involves Jessica and a few others watching an impromptu jazz performance at a university. If Memoria had suddenly decided to turn into a concert film at that moment, I wouldn’t have complained!

Then about halfway through comes the scene that I suspect many viewers will consider the crux of it all. Jessica is walking through the jungle when she encounters a man who appears to live there. He offers wisdom that somehow immediately strikes a chord with the journey that she’s on. Is this where the key to unlocking the answers about Memoria resides? Perhaps, but if those answers do exist, I have my doubts that they’ll fit with any traditional definition of what it means to be an answer.

Ultimately, my singular, subjective experience of this film is appreciation more than adoration, but that might gradually change over time. It certainly did with Uncle Boonmee, and I’m glad that Weerasethakul has been given the space to follow his own muse.

Memoria is Recommended If You Like: Gentle confusion

Grade: 3.5 out of 5 Bangs

‘The Tragedy of Macbeth’ Review: Shakespeare in the Dark

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The Tragedy of Macbeth (CREDIT: Alison Cohen Rosa/A24)

Starring: Denzel Washington, Frances McDormand, Corey Hawkins, Brendon Gleeson, Harry Melling, Bertie Carvel, Alex Hassell, Kathryn Hunter, Moses Ingram, Ralph Ineson, Sean Patrick Thomas, Stephen Root, Brian Thompson, Richard Short

Director: Joel Coen

Running Time: 105 Minutes

Rating: R for Bloody Swordplay

Release Date: December 25, 2021 (Theaters)/January 14, 2022 (Apple TV+)

When reviewing a new Shakespeare adaptation, especially one of the Bard’s most popular productions, it makes sense to ask: what makes this version different? So as Joel Coen goes solo to take on The Scottish Play, what uniqueness has he brought to the table? Well, he did cast his wife Frances McDormand as Lady Macbeth, so that could potentially be some fertile ground for psychoanalysis. Or maybe not! She’s already been in plenty of his films, and I’m willing to guess that this isn’t the first time that a director’s wife has been cast in something Shakespearean. Denzel Washington certainly brings some more melanin than usual to the title role, but ultimately that’s neither here nor there. He’s Denzel Washington after all, so why not cast him in one of the most dramatically hefty parts in all of English-language drama?

Overall, one word comes to mind when trying to identify The Tragedy of Macbeth‘s uniqueness, and that word is: surreal. I don’t know if that’s what Coen was specifically aiming for, and I in fact wouldn’t be surprised if it wasn’t a consideration at all. But no matter how it happened, it showed up. One huge reason for that is the dialogue itself; it’s strange to speak in iambic pentameter all the time, after all. On top of that, the geography within the castle walls never quite makes visual sense. Instead, it’s like a maze that the characters are perpetually stuck within. Combine that with Bruno Delbonnel’s stark black-and-white cinematography, and the whole film comes across as a dream that curdles into a nightmare. And as so often happens when I see a movie that lacks bright colors, I nodded off throughout, which only added to the sense that I slipped through some parallel dimension or underworld.

One more element that really stands out is Kathryn Hunter’s performance as the witchy weird sisters. She contorts herself into seemingly inhuman positions, which is a wise acting decision, considering that her characters are meant to be somewhere in between human and supernatural. I didn’t ask to see a huge disembodied toe stuck between someone else’s toes, but now I won’t be able to forget it. Nor will I be able to forget the shot of the one sister standing over a pool that reflects back the other two sisters. This is a striking Shakespearean adaptation, is what I’m saying.

The Tragedy of Macbeth is Recommended If You Like: Claustrophobia, Cruel fate, Maximum weirdness

Grade: 3.5 out of 5 Usurpers

Jeff’s Wacky SNL Review: Paul Rudd/No Musical Guest

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SNL: Charli XCX, Paul Rudd, Ego Nwodim (CREDIT: NBC/Screenshot)

This Paul Rudd-hosted episode of Saturday Night Live was supposed to feature Charli XCX as the musical guest, but instead there was no musical guest. (Although Charli did show up in a pre-recorded sketch!) Changes were made at the last minute, but the show had to go on, so it did go on! There were some new bits, but several of the sketches were classic Christmas-themed selections, along with new intros from Rudd and/or Tina Fey, Kenan Thompson, and Tom Hanks.

Rudd was in town presumably to promote his new flick Ghostbusters: Afterlife (which also features some SNL alums in its cast) and his new Apple TV+ show The Shrink Next Door (which also co-stars an SNL alum). But I also must mention that he has a recurring voice gig on the terrific new Netflix show Saturday Morning All Star Hits!, which stars and was co-created by current SNL cast member Kyle Mooney.

In the spirit of persevering, I will stick with the reviewing plan I had for this episode, which was to list the sketches in order from least Christmassy to most Christmassy. I’ve determined this according to the number of times we hear spoken in the sketch the word “Christmas” (or its derivatives, like “Christmassy,” “Christmastime,” etc.). I have included in the counts those Christmases spoken in the intros.

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