July 10, 2025
jmunney
Cinema, Movie Reviews
Alan Tudyk, Angela Sarafyan, Anthony Carrigan, Beck Bennett, Bradley Cooper, Christopher McDonald, David Corenswet, Edi Gathegi, Frank Grillo, Isabela Merced, James Gunn, María Gabriela de Faría, Michael Ian Black, Mikaela Hoover, Nathan Fillion, Neva Howell, Nicholas Hoult, Pom Klementieff, Pruitt Taylor Vance, Rachel Brosnahan, Sara Sampaio, Skyler Gisondo, Superman, Superman 2025, Terence Rosemore, Wendell Pierce
He doesn’t look like a bird or a plane from this angle (CREDIT: DC/Screenshot)
Starring: David Corenswet, Rachel Brosnahan, Nicholas Hoult, Edi Gathegi, Anthony Carrigan, Nathan Fillion, Isabela Merced, Pruitt Taylor Vance, Neva Howell, Wendell Pierce, Skyler Gisondo, Beck Bennett, Mikaela Hoover, Christopher McDonald, Sara Sampaio, Alan Tudyk, Terence Rosemore, Frank Grillo, María Gabriela de Faría, Michael Ian Black, Pom Klementieff, Bradley Cooper, Angela Sarafyan
Director: James Gunn
Running Time: 129 Minutes
Rating: PG-13 for Some Bloody Blows and Foul-Mouthed Critics
Release Date: July 11, 2025 (Theaters)
What’s It About?: The Big Blue Boy Scout, aka Superman (David Corenswet), aka Supes, aka Clark Kent, aka the Man of Steel, believes deeply that he’s been sent to Earth to protect the human race. That idealism is a big part of why his Daily Planet colleague/girlfriend Lois Lane (Rachel Brosnahan) and so many of his fans have fallen for him. But not everyone is so sure that an alien from Krypton should be their guardian. Especially not Lex Luthor (Nicholas Hoult), who’s waging a disinformation campaign to erode the public’s trust and orchestrate a war-profiteering scheme. His evil plan also includes imprisoning Supes in a pocket universe, a risky move that threatens to tear the entire fabric of Earth apart. Fortunately there are already some other superpowered folks in this world who might just be willing to help Clark out.
What Made an Impression?: Can Clark Kent Afford Therapy?: With James Gunn behind the camera and the screenplay, it appears that the biggest threat to Superman in 2025 is … social media troll bots! And not even particularly clever trolls. The biggest difference between this Clark Kent and all other previous big screen versions is surely his fragile ego. It’s more than a little jarring seeing him so petty and vulnerable when his predecessors have been so unfailingly upright. But it’s also kind of endearing.
Clark Wants to Be a Punk Rocker: Assuming that this Clark Kent is about the same age as the guy playing him (David Corenswet is 32), then he definitely feels like a millennial whose personality was shaped by the Gen Xers driving culture in the 90s and early 2000s. People like James Gunn, perhaps! (Or people like The State alum Michael Ian Black, who plays a just-asking-questions-style “journalist.”) Corenswet Clark is like the guy who tries to be cool by emulating the indie rock crowd from when he was a kid and doesn’t get it quite right. But Lois still loves him anyway!
Gizmos and Galaxies Galore: In addition to being the most short-circuited and vaguely punk rock version of the character, Gunn’s Superman is also easily the nerdiest big screen iteration we’ve ever seen. This movie is filled to the brim with the sorts of gadgets and phenomena that sound like they’re based on a kernel of real science but are stretched out to ridiculous comic book sensibilities. Nanites, hypno-glasses, antiproton rivers: imaginations have certainly been let loose.
A Promising Forecast: Superman 2025 features some spirited acting, a cast of colorful characters, kinetic action sequences, a clear and unapologetic sense of its own identity, and a super-duper canine. And it also features some fantastically pleasant weather. There are several moments throughout the movie of a news broadcast with a forecast on the ticker informing us that the temperatures in Metropolis range between 62 and 65 degrees (presumably Fahrenheit) for the entire week. No wonder everyone’s in a good enough mood to fulfill their heroic destinies!
Superman is Recommended If You Like: Comic Books; Or, Your Loved Ones Who Enthusiastically Tell You Everything That Happens in Their Favorite Comic Books
Grade: 3.5 out of 5 Justice Gangs
May 16, 2024
jmunney
Cinema, Movie Reviews
Alan Kim, Amy Schumer, Awkwafina, Blake Lively, Bobby Moynihan, Bradley Cooper, Cailey Fleming, Christopher Meloni, Emily Blunt, Fiona Shaw, George Clooney, if, John Krasinski, Jon Stewart, Keegan-Michael Key, Liza Colón-Zayas, Louis Gosset Jr., Matt Damon, Matthew Rhys, Maya Rudolph, Phoebe Waller-Bridge, Richard Jenkins, Ryan Reynolds, Sam Rockwell, Sebastian Maniscalco, Steve Carell
If, if, if, uh… (CREDIT: Paramount Pictures)
Starring: Cailey Fleming, Ryan Reynolds, John Krasinski, Fiona Shaw, Alan Kim, Steve Carell, Phoebe Waller-Bridge, Liza Colón-Zayas, Bobby Moynihan, Louis Gosset Jr., Emily Blunt, Matt Damon, Maya Rudolph, Jon Stewart, Sam Rockwell, Sebastian Maniscalco, Christopher Meloni, Awkwafina, Richard Jenkins, Blake Lively, George Clooney, Matthew Rhys, Bradley Cooper, Amy Schumer, Keegan-Michael Key
Director: John Krasinski
Running Time: 104 Minutes
Rating: PG for Mild Potty Humor and Imaginary Nudity
Release Date: May 17, 2024 (Theaters)
What’s It About?: Ever since her mom died, 12-year-old Bea (Cailey Fleming) has pretty much forgotten how to have fun. It certainly doesn’t help that her dad (John Krasinski) is about to undergo heart surgery, though he tries to maintain her childlike wonder with his constant magic tricks and corny gags. While staying at the NYC apartment of her grandmother (Fiona Shaw), she encounters a couple of cartoon characters, as well as their seemingly human partner named Cal (Ryan Reynolds). As it turns out, they’re imaginary friends (or IFs, as they like to be abbreviated), and it’s highly unusual for someone of Bea’s age to be able to see them. But she could really use the power of imagination right now. Or maybe, these supernatural hypothetical creatures could really use the power of Bea right now.
What Made an Impression?: Tina Turner-ing Back the Clock: Baa eventually meets a whole crew of IFs in their hideaway on the Coney Island boardwalk. The encounter is fueled by IF‘s big set piece: an imagination-fueled dance number set to Tina Turner’s 1984 hit “Better Be Good to Me.” Honestly, it’s quite possibly my favorite cinematic choreography since Napoleon Dynamite let loose to some Jamiroquai 20 years ago. If you told me that IF was really just writer-director Krasinski’s excuse to make an entire movie around his own unique tribute to Turner, I would buy it. Such a film did not have to be about imaginary friends, but as it is, it worked out quite swimmingly.
Imaginary Friends, Real Motivation: I wasn’t expecting to tear up at IF, as all indications pointed to it being a simple sugar rush. But its final act lays its thesis out for the taking. As Bea’s journey would have it, imaginary friends aren’t mere fake companions; instead, they’re representations of our innermost desires. We might not be able to “see” them anymore after we grow up, but remaining in touch with them is essential to accomplish our dreams. In that sense, they’re essentially embodiments of everyone’s unique motivations. So the next time you look at a childhood photo or drawing that makes you suddenly remember a big purple monster or a talking ice cube, roll with it. A satisfying life might just depend on it.
IF is Recommended If You Like: Inside Out, Humorless kid protagonists, Tina Turner
Grade: 3.5 out of 5 IFs
December 11, 2023
jmunney
Cinema, Movie Reviews
Alexa Swinton, Bradley Cooper, Brian Klugman, Carey Mulligan, Gideon Glick, Godzilla, Godzilla Minus One, Hidetaka Yoshioka, Josh Hamilton, June Gable, Kuranosuke Sasaki, Leonard Bernstein, Maestro, Matt Bomer, Maya Hawke, Michael Urie, Minami Hamabe, Mio Tanaka, Miriam Shor, Munetaka Aoki, Ryunosuke Kamiki, Sae Nagatani, Sakura Ando, Sam Nivola, Sarah Silverman, Takashi Yamazaki, Yuki Yamada
CREDIT: Jason McDonald/Netflix; Toho/Screenshot
Maestro
Starring: Bradley Cooper, Carey Mulligan, Matt Bomer, Maya Hawke, Sarah Silverman, Michael Urie, Brian Klugman, Gideon Glick, Sam Nivola, Miriam Shor, Alexa Swinton, Josh Hamilton, June Gable
Director: Bradley Cooper
Running Time: 129 Minutes
Rating: R
Release Date: November 22, 2023 (Theaters)/December 20, 2023 (Theaters)
Godzilla Minus One
Starring: Ryunosuke Kamiki, Minami Hamabe, Yuki Yamada, Munetaka Aoki, Hidetaka Yoshioka, Sakura Ando, Kuranosuke Sasaki, Mio Tanaka, Sae Nagatani
Director: Takashi Yamazaki
Running Time: 125 Minutes
Rating: PG-13
Release Date: December 1, 2023 (Theaters)
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May 23, 2023
jmunney
Cinema, Movie Reviews
Bradley Cooper, Chris Pratt, Chukwudi Iwuji, Dave Bautista, Elizabeth Debicki, GotG, Guardians of the Galaxy, Guardians of the Galaxy vol. 3, James Gunn, Karen Gillan, Linda Cardellini, Maria Bakalova, Marvel Cinematic Universe, MCU, Miriam Shor, Nathan Fillion, Nico Santos, Pom Klementieff, Sean Gunn, Sylvester Stallone, Vin Diesel, Will Poulter, Zoe Saldana
Hey, Rocket Raccoon, what did you do? (CREDIT: Marvel Entertainment/Screenshot)
Starring: Chris Pratt, Bradley Cooper, Zoe Saldaña, Dave Bautista, Karen Gillan, Pom Klementieff, Vin Diesel, Chukwudi Iwuji, Will Poulter, Sean Gunn, Linda Cardellini, Nathan Fillion, Sylvester Stallone, Elizabeth Debicki, Maria Bakalova, Nico Santos, Miriam Shor
Director: James Gunn
Running Time: 150 Minutes
Rating: PG-13
Release Date: May 5, 2023
I nodded off a fair amount during Guardians of the Galaxy vol. 3 (post-half marathon recovery), which felt appropriate, because I think my subconscious recognized that I would have been too overwhelmed otherwise. There were A LOT of creatures being mistreated – my emotions can only handle so much!
With that in mind, I feel compelled to be more nakedly emotional than usual:
-Two and a half hours? Egads!
-Rocket, I feel so close to you now!
-Cosmo is such a good dog!
Grade: 275 Evolutions out of 400 Suburbs
December 15, 2021
jmunney
Cinema, Movie Reviews
Bradley Cooper, Cate Blanchett, Clifton Collins Jr., David Straitharn, Guillermo del Toro, Holt McCallany, Jim Beaver, Mark Povinelli, Mary Steenburgen, Nightmare Alley, Richard Jenkins, Ron Perlman, Rooney Mara, Tim Blake Nelson, Toni Collette, Willem Dafoe
Nightmare Alley (CREDIT: Kerry Hayes/20th Century Studios)
Starring: Bradley Cooper, Cate Blanchett, Rooney Mara, Toni Collette, Willem Dafoe, Richard Jenkins, Ron Perlman, David Straitharn, Holt McCallany, Mark Povinelli, Mary Steenburgen, Clifton Collins Jr., Tim Blake Nelson, Jim Beaver
Director: Guillermo del Toro
Running Time: 150 Minutes
Rating: R for Some Gunfire and a Little Hanky Panky
Release Date: December 17, 2021 (Theaters)
If you can’t trust circus folk, who can you trust? Actually, if Nightmare Alley is to be believed, carnies are the only people who can be believed (well, most of them anyway). It’s everyone else who’s trying to pull one over on you. This movie is two and a half hours long, which is to say: it takes Bradley Cooper’s Stanton Carlisle way too long to realize the truth about Truth. That’s probably because he’s fooling himself.
The movie itself is pulling a trick on us as well. Considering its spooky title, and its writer-director, we’re primed for some horror, or at least something supernatural. But instead it’s a full-on noir thriller, with all the moral prisons, femmes fatales, and cigarettes to prove it. We first meet Stanton burning away his past, quite literally. Then he wanders into the local big tent, and it’s unclear if he actually has any plans for anything at this moment. Only later do his machinations come to the fore. He gets roped into a job, which at first pays him a mere 50 cents (it would have been a dollar if he hadn’t snuck into the geek show), but then that’s followed up by steadier employment at the next town, and soon enough he’s one of the top mentalists around. That trajectory eventually leads to him teaming up with a psychologist (Cate Blanchett) for a con to bilk some big, big money out of a rich man (Richard Jenkins) who’s overcome by Stan’s promises that he can commune with the dead. But of course, there’s enough doubt and double-crossing in the air for everything to go sideways.
By the end of the whole plot, Stan essentially circles back to his original destitute and anonymous status quo. I was struck by both the futility and durability of his con man nature. The Universe, or the Fates, or God or whatever, or simply the randomness of existence has decided that his deception can go only so far. And while his reach exceeding his grasp might send him down to rock bottom, he’ll find a way to survive in the gutter if he has to. But why not do it a little differently? If Stan were a real person, and he were my friend, I would remind him that he seems happiest when he’s just hanging out with the circus crew. He found a family, but the genre that he lives in has ensured that he’s a nowhere man who’s never fully at home anywhere.
Nightmare Alley is Recommended If You Like: Hucksters, Snow, Trenchcoats, Biting heads off chickens
Grade: 3.5 out of 5 Cold Reads
November 24, 2021
jmunney
Cinema, Movie Reviews
Alana Haim, Benny Safdie, Bradley Cooper, Christine Ebersole, Cooper Hoffman, Danielle Haim, Donna Haim, Este Haim, John Michael Higgins, Joseph Cross, Licorice Pizza, Mary Elizabeth Ellis, Maya Rudolph, Moti Haim, Paul Thomas Anderson, Sean Penn, Skyler Gisondo, Tom Waits
Licorice Pizza (CREDIT: Paul Thomas Anderson/Metro-Goldwyn-Mayer Pictures)
Starring: Alana Haim, Cooper Hoffman, Mary Elizabeth Ellis, John Michael Higgins, Skyler Gisondo, Este Haim, Danielle Haim, Moti Haim, Donna Haim, Christine Ebersole, Sean Penn, Tom Waits, Bradley Cooper, Benny Safdie, Joseph Cross, Maya Rudolph
Director: Paul Thomas Anderson
Running Time: 133 Minutes
Rating: R for Some Indelicate Language
Release Date: November 26, 2021 (Theaters)/Expands December 25, 2021
When I hear the title “Licorice Pizza,” it makes me think of that classic Mary-Kate and Ashley Olsen song about putting every conceivable topping you can think of on the top of the crust. I can’t help but shout, “Licorice? Put it on the pizza!” But as it turns out, the directorial approach of Paul Thomas Anderson vis-a-vis Licorice Pizza has basically nothing in common with the Olsen twins. That’s okay, though!
Instead, this movie has me feeling like Linda Richman, which is to say, “Licorice Pizza is neither licorice, nor pizza: discuss.” So discuss I will! A couple of kiddos named Alana (Alana Haim) and Gary (Cooper Hoffman) cross paths in 1973 in the San Fernando Valley and then strike up a sorta-friendship, maybe-romance, partnership-in-hustling. Gary’s an accomplished child actor, but when he meets up with Alana, they switch their focus to selling waterbeds. They eventually splinter off into their own interests, as they get involved with the likes of politics and pinball legalization, contend with a gas crisis, and meet a bunch of memorable characters along the way. It feels like Anderson wanted to make a movie about some of the touchstone moments of his youth (or toddlerhood – he was born in 1970) and created a couple of central characters who could Forrest Gump their way through it all. Not a bad idea if you have a knack for populating an ensemble cast full of an endless stream of oddballs and eccentrics.
One question I had throughout watching Licorice Pizza was:just how old are Alana and Gary really? She says she’s 25, and he says he’s 15, which sounds perfectly plausible at first. But it’s of course more than a little concerning that a twentysomething would be hanging out so much with a teenager. Although it doesn’t come across as creepy as it could, mostly because Gary feels a lot older than he ostensibly is. I suppose that’s the lot of the child actor, to mature faster than everyone else (in some ways). Furthermore, when you consider all the various business ventures that are launched and folded over the course of the runtime, it feels like multiple years must be passing. So I started to surmise that maybe Gary was a little older by the end of it all anyway. But actually, I’m pretty sure all this action somehow takes place within one year (or less!). Latchkey kids apparently could get away with a lot way back when. Or in Gary’s case, teenage adults could do pretty much whatever they wanted in the 70s. These are the discombobulating thoughts I had while watching this movie!
In conclusion, Licorice Pizza is more or less a series of chuckle-inducing zesty vignettes with a bent-but-bighearted emotional throughline. Worth checking out!
Licorice Pizza is Recommended If You Like: Old sitcom bits and other pop culture ephemera, Rosencrantz and Guildenstern Are Dead, Sisters yelling at each other
Grade: 3.5 out of 5 Waterbeds
June 22, 2020
jmunney
Best of the 2010s, Best of the Decade, Cinema
Alicia Vikander, Amy Adams, Barkhad Abdi, Best of the 2010s, Best of the Decade, Bradley Cooper, Christian Bale, Daniel Radcliffe, Denis Lavant, Elisabeth Moss, Ethan Hawke, Florence Pugh, Hugh Jackman, Isabelle Huppert, J.K. Simmons, Jake Gyllenhaal, James Franco, james mcavoy, Jennifer Lawrence, John Goodman, Judi Dench, Leonardo DiCaprio, Lupita Nyong’o, Melissa McCarthy, Michael Fassbender, Patrick Stewart, Pierre Coffin, Rosamund Pike, Samuel L. Jackson, Scarlett Johansson, Tom Hanks, Tom Hardy, Uma Thurman
CREDIT: YouTube Screenshots
Back in April, I revealed my lists of the best podcasts, TV shows, TV episodes, albums, songs, and movies of the 2010s. I declared that that was it for my Best of the Decade curating for this particular ten-year cycle. But now I’m back with a few more, baby! I’ve been participating in a series of Best of the 2010s polls with some of my online friends, and I wanted to share my selections with you. We’re including film performances, TV performances, directors, and musical artists, so get ready for all that.
First up is Film Performances. Any individual performance from any movie released between January 1, 2010 and December 31, 2019 was eligible, whether it was live-action, voice-only, or whatever other forms on-screen acting take nowadays. For actors who played the same character in multiple movies, each movie was considered separately.
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December 12, 2018
jmunney
Cinema, Movie Reviews
Andy García, Bradley Cooper, Clint Eastwood, Dianne Wiest, Eugene Cordero, Ignacio Serricchio, Isabel Eastwood, Laurence Fishburne, Michael Peña, Taissa Farmiga, The Mule
CREDIT: Warner Bros.
This review was originally published on News Cult in December 2018.
Starring: Clint Eastwood, Bradley Cooper, Laurence Fishburne, Michael Peña, Dianne Wiest, Andy García, Isabel Eastwood, Taissa Farmiga, Ignacio Serricchio, Eugene Cordero
Director: Clint Eastwood
Running Time: 116 Minutes
Rating: R for Casual Racist Slurs and Showing Someone a Good Time (*Wink Wink*) for the Night
Release Date: December 14, 2018
The Mule does not need to feature casual racism and crankiness about how young people are ruining everything with their newfangled technology, but it stars and is directed by Clint Eastwood, so what are you gonna do? At this point in time, he can at least be entertaining as a self-parody. This is, after all, a movie in which he literally says “if you can’t open a fruit box without calling the Internet” and “Damn Internet, it ruins everything.” Or maybe this ultimate cinematic tough guy is actually self-aware and toying around with his reputation. In one moment, when he calls a black family “Negroes” while helping them change a tire, he does get chided for his ignorance. But it isn’t like that scene even needs to exist. Nor does there need to be a scene when he makes a connection with lesbian motorcyclists who proudly call themselves “dykes on bikes.” If The Mule is woke, it is simplistically so, which is fairly amusing, but also a little concerning.
There is a level of professionalism but also a lack of consideration that makes The Mule entertaining and imbues it with a strong message but also renders it shallow. The script is based on a New York Times article about the real-life story of Leo Sharp, who in his 80s became a drug mule for the Sinaloa Cartel. Eastwood plays Earl Stone, a fictionalized version of Sharp. He has spent decades dedicating himself to his horticulture career at the expense of his family, and now that the bottom has dropped out on his business, he finds himself turning to a much more lucrative and much more illegal profession.
The story of a man who never made time for his wife and daughter because he was too focused on his flowers is certainly different, but everything else about The Mule is predictable, sometimes worryingly so. Most of the characters who are people of color are cartel members, while all of the white characters are either Earl and his friends and family or DEA agents. That in and of itself is not wrong as it may very well reflect reality, but in 2018 it feels tone deaf not to more carefully consider that racial divide. And that really is a shame in this case, because The Mule actually does appear interested in taking a more unique approach to the material. The plot hinges on Earl realizing that it is never too late to be a good spouse and parent, a lesson he attempts to impart to his cartel handlers and the DEA agent on his tail (Bradley Cooper). It is a fascinating story on its own that also comes across on screen as mostly fascinating, but it’s spiked with a few too many shots of Eastwood crankiness.
The Mule is Recommended If You Like: The Crankiness and Casual Racism of Late-Era Clint Eastwood
Grade: 3 out of 5 Dykes on Bikes for Entertainment Value/2 out of 5 Stereotypes for Social Value
October 5, 2018
jmunney
Cinema, Movie Reviews
A Star is Born, A Star is Born 2018, Andrew Dice Clay, Anthony Ramos, Bradley Cooper, Dave Chappelle, Lady GaGa, Sam Elliott, Shangela, Willam
CREDIT: Warner Bros.
This review was originally published on News Cult in October 2018.
Starring: Lady Gaga, Bradley Cooper, Andrew Dice Clay, Sam Elliott, Anthony Ramos, Dave Chappelle
Director: Bradley Cooper
Running Time: 135 Minutes
Rating: R for Mumbled Profanity, Intense Alcoholism, and a Few Intimate Moments
Release Date: October 5, 2018
Bradley Cooper’s dialogue is often difficult to understand throughout A Star is Born, and I think that is part and parcel of the sort of storytelling he is presenting here in his directorial debut. This isn’t a film that is meant to be processed perfectly concretely, in which you hang on to every last word and every frame is a piece in the puzzle. Instead, it is about the overall experience, in which you let all wash over you. Logic and slavish accounting of details are beside the point. Does it make sense that someone could so suddenly become so famous and beloved on the basis of talent alone? And how come we never know how much time has passed? These are often worthwhile questions, but A Star is Born is more concerned about emotional and aesthetic truth within its improbable framework.
This is the fourth Star is Born film, with each of them telling the story of an unknown female entertainer discovered by a famous male performer who is on a bit of a decline. In this case, country-blues-rocker Jackson Maine (Cooper) stumbles across Ally (Lady Gaga) at a drag queen bar after one of his concerts. Immediately enthralled, he brings her onstage during his show the very next night, and thus begins a massively successful career and a whirlwind romance. This edition does not introduce anything particularly groundbreaking to the Star is Born template, but it is in the retelling that it derives its power. By emerging once again into the popular consciousness, it reaches the level of myth, as the rise-fall-endure narrative is how we continue to understand and process the fame narrative.
A myth story tends to work best when it is timeless. The fact that A Star is Born is set in the present day thus makes things a little tricky. Whenever specific markers of this day and age (Ally signing to Interscope Records, Ally performing on SNL with Alec Baldwin hosting, Halsey appearing as herself as a Grammy presenter) appear, it’s a little jarring. But these moments could be even more unsettling; instead, they go along with a dreamlike quality in which everything is woven into the timeless fabric. The details could be specific, as when Ally’s first duet with Jackson goes viral and her father (Andrew Dice Clay) marvels at how many views the video has gotten online, without ever mentioning the actual number of views. But that’s the thing about a star being born: it’s not a specific number of viewers that determine it, but when enough people are watching, you can feel that the birth has happened.
A Star is Born is Recommended If You Like: Creation and Rebirth myths, Lady Gaga as person and entertainer, Actors really flexing their directorial muscles
Grade: 3.5 out of 5 Discoveries
May 1, 2017
jmunney
Cinema, Movie Reviews
Baby Groot, Bradley Cooper, Chris Pratt, Dave Bautista, David Hasselhoff, Elizabeth Debicki, Guardians of the Galaxy, Guardians of the Galaxy vol. 2, James Gunn, Karen Gillan, Kurt Russell, Marvel Cinematic Universe, MCU, Michael Rooker, Pom Klementieff, Vin Diesel, Zoe Saldana
This review was originally published on News Cult in May 2017.
Starring: Chris Pratt, Zoe Saldana, Dave Bautista, Bradley Cooper, Vin Diesel, Michael Rooker, Karen Gillan, Pom Klementieff, Elizabeth Debicki, Kurt Russell
Director: James Gunn
Running Time: 136 Minutes
Rating: PG-13 for Space Opera Whiz Bang and Discussions About the Facts of Life
Release Date: May 5, 2017
As fun as this era of Marvel-ous moviemaking can be, a corporate agenda gets in the way of originality. But it is not necessarily the blueprint of interconnected universes that mandates that every superhero movie must end with a fight for the survival of the planet. That is simply this genre’s instinct. If you want to avoid it, you have to fight it. And expanding the setting to multiple galaxies is not the way to do so. That just raises the stakes. Instead of just Earth, it is the fate of the entire universe that hangs in the balance. Guardians of the Galaxy vol. 2 cannot help but be a part of this exhausting pattern, but it does what it can by rendering this gigantic fight as personal as possible.
When Peter Quill’s (Chris Pratt) long-lost papa Ego (Kurt Russell) shows up, Quill suspects that the reunion is a little too perfect. Gamora (Zoe Saldana) convinces him to give his dad a chance, assuring him that if treachery is afoot, killing him is always an option. So they, alongside Drax (Dave Bautista) and Ego’s empathic companion Mantis (Pom Klementieff) head off to Ego’s home planet. It looks like an idyllic utopia, but eventually it is revealed that Ego is the planet, and his intentions with his son may not be so aboveboard. The threat of universal apocalypse thereby feels intimate because it depends upon how Quill will or will not be manipulated.
Meanwhile, Rocket (Bradley Cooper) and Baby Groot (Vin Diesel) are holding down the fort elsewhere and forming unlikely, but satisfying, alliances with Yondu (Michael Rooker) and Nebula (Karen Gillan). They must deal with an onslaught from a new race of aliens that I do not feel like getting into. They are probably here because they will factor significantly into future Marvel Cinematic Universe installments, but for now, they are a distraction from the main conflict. I am not opposed in principle to splitting up the main crew. Rocket and Groot, after all, have a delightful C-3PO/R2-D2-style repartee wherever they go. They can do their own thing, it just does not need to be so extensive when the main thrust is already so all-encompassing.
While vol. 2 does fall prey to sequel bloat, the Guardians crew is reliable enough for their adventures to have a pretty high floor. The banter is top-notch, fueled as it is by intergalactic culture clash. Gamora attempts to comfort Quill by referencing his attachment to a certain beloved-by-Germans celebrity, but she totally botches the details. Quill later fires back with a Cheers analogy of their relationship that is adorably confused. Drax demonstrates how his race is quite open about discussing sexual matters with a colorful description of his parents’ experiences. This is all helped along by Mantis’ empathic abilities, in which she can feel others’ emotions and thus open up the dams holding back honesty. The pinnacle of all this sharing is Baby Groot’s opinion on hats (which does not even need Mantis’ prompting).
Guardians of the Galaxy vol. 2 is Recommended If You Like: “I am Groot.” “I am Groot?” “I AMMM GROOOOOOOT!”
Grade: 3.5 out of 5 Sweet Sounds of the Seventies
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