What Won TV? – June 5-June 11, 2016

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In this feature, I look back at each day of the past week and determine what shows “won TV” for the night. That is, I consider every episode of television I watched that aired on a particular day and declare which was the best.

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Sunday – Last Week Tonight with John Oliver
Monday – American Dad!
Tuesday – Not Safe with Nikki Glaser
Wednesday – Jeopardy!
Thursday – Inside Amy Schumer, even though I’m not especially afraid of bats
Friday – Comedy Bang! Bang!, weird and psychotic
Saturday – O.J.: Made in America Part 1

What Won TV? – May 29-June 4, 2016

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In this feature, I look back at each day of the past week and determine what shows “won TV” for the night. That is, I consider every episode of television I watched that aired on a particular day and declare which was the best.

Garbine_Reaction

Sunday – Silicon Valley
Monday – American Dad!
Tuesday – The Civil War letter writing sketch from Maya & Marty
Wednesday – The Chris Gethard Show … ?!
Thursday – Inside Amy Schumer (Hacky sitcom parodies always get me.)
Friday – Comedy Bang! Bang!
Saturday – Ladies French Open Final – is this the beginning of an all-time great?

Best Episode of the Season: Comedy Bang! Bang! Season 3

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Josh Groban & Scott Aukerman-Comedy Bang! Bang! Photo Credit:Chris Ragazzo/IFC ©2014

Josh Groban & Scott Aukerman-Comedy Bang! Bang! Photo Credit:Chris Ragazzo/IFC ©2014

“Josh Groban Wears a Suit and Striped Socks”
Scott gets conked on the head and quantum leaps into the 60’s into the body of Sullivan Hunchy, CB!B!’s version of Ed Sullivan. While he works to give Jimick Wattersmith (Reggie’s dad) a shot at the big time, the show must go on! Josh Groban stops by and proves to have an affable presence perfectly suited for Bang-in’. Josh Fadem absolutely nails the role of plate-spinning hypnotist, and CB!B! producer Neil Campbell even gets some screen time as Charlie Mills (think about it).

2015 Emmy Nominations Predictions and Wishlist

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For my detailed thoughts on my predictions and wishlists in the major Drama, Comedy, and Variety categories, check out these links:
Comedy
Drama
Variety

Guest Actor, Comedy
John Hawkes, Inside Amy Schumer
Michael Rapaport, Louie
Chris Gethard, Parks and Recreation
Dwayne Johnson, Saturday Night Live

Guest Actress, Comedy
Susie Essman, Broad City

Guest Actor, Drama
Mel Rodriguez, Better Call Saul

Guest Actress, Drama
Allison Janney, Masters of Sex
Linda Lavin, The Good Wife

Directing, Comedy
Rob Schrab, “Modern Espionage,” Community

Directing, Drama
Adam Arkin, “The Promise,” Justified

Writing, Comedy
Dan Harmon and Chris McKenna, “Emotional Consequences of Broadcast Television,” Community

Writng, Drama
Thomas Schnauz, “Pimento,” Better Call Saul

Animated Program
Bojack Horseman – “Downer Ending”
American Dad! – “Dreaming of a White Porsche Christmas”
The Simpsons – “Treehouse of Horror XXV”

Commercial
Android – “Friends Furever”

Host – Reality/Reality Competition
RuPaul, “RuPaul’s Drag Race”

Interactive Program
Last Week Tonight with John Oliver

Main Title Design
Man Seeking Woman

Single-Camera Picture Editing, Comedy
Bojack Horseman – “Downer Ending”

Short-Format Live-Action Entertainment Program
Too Many Cooks
Billy On The Street With First Lady Michelle Obama, Big Bird And Elena!!!

Stunt Coordination for a Comedy Series or a Variety Program
Community

Special Visual Effects in a Supporting Role
Man Seeking Woman – “Traib”

McLuhan’s Commonsensical Maxim Applied to Nonsensical Media

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This essay was originally written as my final paper for my Media Theory class, taught by Barry Salmon, in Fall 2013 at The New School.

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If the “medium is the message,” then what happens if the medium is the medium itself, or the anti-medium? The past few years have seen the rise of the “anti-talk show” in the alternative comedy scene, as typified by the podcast-turned-IFC series Comedy Bang! Bang!, local New York public-access cult sensation The Chris Gethard Show, the Funny or Die webseries Between Two Ferns, and Adult Swim’s The Eric André Show. These shows all consider the artifice and tropes of comedy talk shows and then ignore, analyze, trash, invert, and/or subvert them. Marshall McLuhan’s classic text is presented as a common sense formulation of how to consider any medium: “the personal and social consequences” are a result of the new “extension of ourselves” (129). So how then do we apply this commonsensical approach to a genre that is purposely nonsensical? McLuhan would surely be pleased by this trend of a genre that is strongly conscious of how the medium is the message, but an analysis of how these shows deconstruct their particular medium and genre is sure to melt your brain.

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