April 30, 2026
jmunney
Cinema, Movie Reviews
Alba Baptista, Anne Hathaway, Atheena Frizzell, Billie Roy, David Lowery, FKA Twigs, Hayat Kamille, Hunter Schafer, Isaura Barbé-Brown, Jack Reynor, Jason Segel, Jessica Brown Findlay, Jorma Taccone, Juliette Lewis, Kaia Gerber, Keith Jardine, Laia Costa, Lee Cronin, Lee Cronin's The Mummy, May Calamawy, May Elghety, Michaela Coel, Mother Mary, Natalie Grace, Over Your Dead Body, Paul Guilfoyle, Samara Weaving, Shylo Molina, Sian Clifford, Timothy Olyphant, Verónica Falcón

Dead Bodies are OVER! (CREDIT: Independent Film Company)
Over Your Dead Body
Starring: Jason Segel, Samara Weaving, Paul Guilfoyle, Keith Jardine, Timothy Olyphant, Juliette Lewis
Director: Jorma Taccone
Running Time: 105 Minutes
Rating: R
Release Date: April 24, 2026 (Theaters)
Mother Mary
Starring: Anne Hathaway, Michaela Coel, Hunter Schafer, FKA Twigs, Atheena Frizzell, Kaia Gerber, Jessica Brown Findlay, Isaura Barbé-Brown, Alba Baptista, Sian Clifford
Director: David Lowery
Running Time: 112 Minutes
Rating: R
Release Date: April 17, 2026 (Theaters)
Lee Cronin’s The Mummy
Starring: Jack Reynor, Laia Costa, Natalie Grace, May Calamawy, Shylo Molina, Billie Roy, Verónica Falcón, Hayat Kamille, May Elghety
Director: Lee Cronin
Running Time: 134 Minutes
Rating: R
Release Date: April 10, 2026 (Theaters)
I recently had the pleasure of seeing three different movies that all had me sputtering “What the heck is going on?” to varying degrees and to varying ends. Specifically, I’m talking about the deadly black comedy Over Your Dead Body, the pop star phantasmagoria Mother Mary, and a monstrous reimagining in the form of Lee Cronin’s The Mummy.
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April 27, 2026
jmunney
Cinema, Movie Reviews
Adam Scott, Austin Amelio, Brendan Conroy, Damian Mc Carthy, David Wilmot, Ezra Carlisle, Florence Ordesh, Hokum, Mallory Adams, Michael Patric, Peter Coonan, Will O'Connell

Good, uh, scary movie (CREDIT: NEON)
Starring: Adam Scott, Peter Coonan, David Wilmot, Florence Ordesh, Will O’Connell, Michael Patric, Brendan Conroy, Austin Amelio, Ezra Carlisle, Mallory Adams
Director: Damian McCarthy
Running Time: 107 Minutes
Rating: R for Disturbing Buried Secrets and Portrayals of Self-Harm
Release Date: May 1, 2026 (Theaters)
What’s It About?: Successful American author Ohm Bauman (Adam Scott) is on the cusp of completing his latest novel about a conquistador (Austin Amelio) and a boy (Ezra Carlisle) stuck in the desert. But first, he must travel to Ireland to spread his parents’ ashes. Unfortunately for him, the Emerald Isle is a much spookier and dangerous locale than he bargained for. He is warned that one of the rooms at the sylvan hotel he is staying at is haunted, and when one of the employees (Florence Ordesh) goes missing after a Halloween party, it seems like there might be something to those spooky warnings. Or it could just be a case of earthbound, human evil. Or possibly a mix of both. In any case, Ohm takes it upon himself to play amateur detective alongside a local eccentric forest dweller (David Wilmot) to find out what’s really going on.
What Made an Impression?: Living on the Rift: If momentum is any indication, then Irish filmmaker Damian McCarthy (whose name is sometimes spelled with a space between the “Mc” and the “Carthy”) is well on his way to becoming one of my new favorite horror auteurs. Hokum feels like a natural extension of his 2024 creepfest Oddity (which was modest, but packed quite the punch). Both films capture that liminal space between real and unreal, steady and unmoored. McCarthy’s characters find themselves on the edge, with the walls that should be comfy and protective instead closing in on them. He’s an adept conjurer of remarkable dread, and it’s an honor to be invited to see the show.
And This is Scott: Adam Scott is probably best known to general audiences for being fed up with everything on Severance or for giving cutie-pie energy on Parks and Recreation. But I love him best for his contributions to very silly podcasts. You might think then that I could never take him seriously as the lead of a movie like Hokum, but it turns that he is (somewhat counterintuitively) perfect as both a cynical writer and someone reckoning with the fact that the world might be more supernatural than he would ever care to admit. In my experience, everything is ridiculous to Adam Scott, and that’s a sneakily effective starting point for a mystery that forces you to open your mind.
A Bundle of Craic: Other than Mr. Scott, Hokum‘s cast is filled with folks I’ve never heard of. But they must be reliable veterans of Irish showbiz, because they all undeniably deliver the goods. Standouts include Wilmot as the woodsman Jerry, whose ragged appearance belies the fact that he represents perhaps the movie’s most fundamental message. Will O’Connell is also essential as the bellhop Alby, meek but full of layers. Florence Ordesh is unfortunately not around too much before her character of Fiona goes missing, but she makes her presence unforgettable. Simply put, all the pieces are in place for you to find the truth in Hokum.
Hokum is Recommended If You Like: Oddity, The Witch, Conquering nightmares and underlying traumas
Grade: 4 out of 5 Disappearances
April 24, 2026
jmunney
Cinema, Movie Reviews
Busboys, Charlotte McKinney, Chris Elliott, Christian Gnecco Quintero, David Spade, Jay Pharoah, Jimmy Gonzales, Jonah Feingold, Leah McKendrick, Michelle Ortiz, Theo Von, Tiago Martinez, Tim Dillon, Trevor Wallace, Vanessa Gonzales

Where’s the bus, boys? (CREDIT: YouTube Screenshot)
Starring: David Spade, Theo Von, Tim Dillon, Charlotte McKinney, Trevor Wallace, Jay Pharoah, Chris Elliott, Jimmy Gonzales, Michelle Ortiz, Leah McKendrick, Christian Gnecco Quintero, Vanessa Gonzales, Tiago Martinez
Director: Jonah Feingold
Running Time: 93 Minutes
Rating: R
Release Date: April 10, 2026 (Theaters)
Comedies belong in theaters, even when they’re struggling to elicit the laughs. So I’m heartened that Busboys made its way into multiplexes, despite the lack of a major studio serving as the distributor. It stars David Spade and Theo Von as a couple of guys who don’t really seem to know how the world works as they obtain the titular restaurant job in the harebrained belief that they’ll soon be able to upgrade to waiters and then get some actual respect from the world.
There are a few turns of phrases and oddball physical choices that had me chuckling, but those moments are relatively rare in an experience that otherwise felt unceasingly gross and malevolent. There’s plenty of fodder to make the case that Busboys is racist, sexist, transphobic, etc., although focusing on any one of those bullet points misses the larger message that this movie believes that every single Homo sapiens on the planet is more or less irredeemable. I appreciated that the creative approach was guided by unbridled wackiness, but I would have preferred if gentleness and open-heartedness could have also taken the steering wheel.
Although, by all means, keep releasing nonsense like this onto the big screen. After all, one guy who was sitting several seats down from me was absolutely losing it during one scene to the point that he actually cried out, “I can’t stop laughing!” So… net positive?
Grade: Take That Bus Out of Town!
April 24, 2026
jmunney
Cinema, Entertainment To-Do List, Music
Foo Fighters, I Swear, Kehlani, Long Long Road, Metric, Over Your Dead Body, Ringo Starr, Romanticize the Dive, Your Favorite Toy

Peace and Love to you, too.
Every week, I list all the upcoming (or recently released) movies, TV shows, albums, podcasts, etc. that I believe are worth checking out.
Movies
–I Swear (Theaters)
–Over Your Dead Body (Theaters) – Quaid Army unite!
Music
-Foo Fighters, Your Favorite Toy
-Kehlani, Kehlani
-Metric, Romanticize the Dive
-Ringo Starr, Long Long Road
April 23, 2026
jmunney
Cinema, Movie Reviews
Ian McKellen, James Corden, Jessica Gunning, Michaela Coel, Steven Soderbergh, The Christophers

Not Pictured: The Christophers (CREDIT: NEON/Screenshot)
Starring: Michaela Coel, Ian McKellen, James Corden, Jessica Gunning
Director: Steven Soderbergh
Running Time: 100 Minutes
Rating: R
Release Date: April 10, 2026 (Theaters)
Here and there, I occasionally assess a movie I’ve seen by asking, “Would I like this to be my life?” Whenever the movie in question takes place in the art world, the answer is almost invariably “No!” So that’s not a good sign for The Christophers, in which Michaela Coel plays a young artist who is hired to sneakily complete a series of unfinished paintings by an aging artist played by Ian McKellen. But this tale actually takes place on the fringes of the art world and toys with the notions that govern it. So I’m saying that despite my built-in skepticism, there’s some fun to be had along the way. Also, there’s this one part with an art-based reality show that looks pretty awful, but in a kind of subversive way. So no, I don’t want to live the life of The Christophers, but I suspect that the people who made this movie don’t want me to either.
Grade: 5.5 Forgeries out of 8 Christophers
April 22, 2026
jmunney
Cinema, Movie Reviews
Antoine Fuqua, Colman Domingo, Jaafar Jackson, Jamal R. Henderson, Jessica Sula, Joseph David-Jones, Juliano Krue Valdi, KeiLyn Durrel Jones, Laura Harrier, Michael, Michael Jackson, Michael movie, Miles Teller, Nia Long, Rhyan Hill, Tre Horton

And Shamone to you too (PHOTO CREDIT: Glen Wilson)
Starring: Jaafar Jackson, Colman Domingo, Nia Long, Juliano Krue Valdi, Laura Harrier, Miles Teller, KeiLyn Durrel Jones, Jamal R. Henderson, Tre Horton, Rhyan Hill, Joseph David-Jones, Jessica Sula
Director: Antoine Fuqua
Running Time: 118 Minutes
Rating: PG-13 for Mild Language and A Troublesome Father-Son Relationship
Release Date: April 24, 2026 (Theaters)
What’s It About?: In the late 1960s, the Jackson 5 were on the verge of emerging from the supposed nowheresville Gary, Indiana into the most rarefied echelons of music superstardom. The biopic Michael starts at this inflection point, with youngest Jackson brother Michael (played as a boy by Juliano Krue Valdi) as the undeniable, precocious phenomenon. It then jumps ahead about ten years (with Jaafar Jackson taking over the title role), as Michael ventures forth into what would almost immediately prove to be one of the most successful solo musical careers of all time. Through it all, he attempts to escape the grasp of his overbearing father manager Joe (thoroughly embodied by Colman Domingo) and live to the fullest the eccentrically creative life that the rest of the world could never fully understand.
What Made an Impression?: What Do We Do with the Rest?: Michael keeps its focus limited to about a 20-year window, a style of compression that is generally a sensible idea for biopics. (Although an even shorter timeframe might have been advisable.) But in the case of Michael Jackson, this decision cannot help but amplify what is left out, namely: the bizarre lifestyle choices that made him the subject of ridicule, the allegations that he was a perpetrator of child sexual abuse, and the controversies surrounding his untimely death. The darkness isn’t completely hidden, but nothing ever emerges in this telling that would make Michael anything other than an angel on Earth. Now, is there even a way to make a movie about him that thoughtfully examines both the positives and negatives of his legacy? I’m not sure, and I don’t know if anyone is even asking for that anyway. But even if it makes sense from a storytelling perspective to leave off certain elements of a subject’s life, you can’t change what’s already come to light.
Moonwalking Down the Middle: If you can personally get past the most discomfiting aspects of Jackson’s legacy (or hold opposing viewpoints in your head simultaneously), does Michael offer significant enough entertainment value to be worthwhile? Well, Jaafar Jackson (one of Michael’s real-life nephews) does deliver a remarkable simulacrum of his uncle’s entire being. It’s impressive, and also a little uncanny. Besides that, though, there’s not a whole lot here that’ll likely blow anyone away. Screenwriter John Logan and director Antoine Fuqua pretty much deliver all the typical biopic beats that’ll make you go, “Yeah, I thought you’d do that.” MJ’s story is compelling enough that a few exciting sequences are inevitable, but overall this is nothing to shout “Shamone!” about.
Familiar Faces?: So my general reaction to Michael was pretty dang similar to that of the thoroughly whelming Queen biopic Bohemian Rhapsody, all the way down to a cameo from a certain fellow that made me go, “Hey wait a minute, that’s … What’s he doing here?!” (I’ll protect the surprise, but you can easily look up who I’m referring to if you can’t wait to find out.) It’s a little slice of perfection in an otherwise mostly flavor-free concoction. There’s a similar moment when a certain comedian of note plays a certain sports promoter of note. I have no idea if the real versions of those moments actually played out like they do here, but I’m not demanding verisimilitude in those instances.
Michael is Recommended If You: Just want to see someone do a really good impression of his famous family member
Grade: 2 out of 5 Shamones
April 21, 2026
jmunney
Cinema, Movie Reviews
documentary, Lorne, Lorne documentary, Lorne Michaels, Lorne movie, Morgan Neville

Noted. (CREDIT: Courtesy of Focus Features. © 2026 All Rights Reserved.)
Starring: Lorne Michaels, Lorne Michaels’ Friends
Director: Morgan Neville
Running Time: 101 Minutes
Rating: R
Release Date: April 17, 2026 (Theaters)
If Lorne Michaels is the most inscrutable man in showbiz, then why even attempt to make a documentary about him? Morgan Neville answers that by responding: lean into that inscrutability, particularly with Chris Parnell’s drolly measured narration and Robert Smigel’s TV Funhouse-style animation about Lorne’s life. Lorne could have easily just been interviews with Saturday Night Live people, mixed in with a smattering of key SNL clips (and it in fact is mostly that), and it would have felt like home to Studio 8H enthusiasts like myself. But is it too unilluminating to appeal to anyone outside that fandom? Perhaps, but the filmmaking is cheeky enough to deliver satisfying facial contortions to those watching.
Grade: 71 “It’s Like, That Things” out of 103 Righttttts
April 17, 2026
jmunney
Cinema, Entertainment To-Do List, Music, Sports, Television
Boston Marathon, Busboys, Chevron Championship, Erupcja, Jessie Ware, Konnakol, Lee Cronin's The Mummy, Lorne, Mother Mary, Nine Inch Noize, Normal, Superbloom, The World Is to Dig, They Might Be Giants, This Is a Gardening Show, Zayn

This Is a Screenshot of the ‘This Is a Gardening Show’ Trailer (CREDIT: Netflix/Screenshot)
Every week, I list all the upcoming (or recently released) movies, TV shows, albums, podcasts, etc. that I believe are worth checking out.
Movies
–Busboys (Theaters) – I’ve been hearing David Spade talk about this with Dana Carvey on their podcast for a while.
–Erupcja (Theaters)
–Lee Cronin’s The Mummy (Theaters)
–Lorne (Theaters)
–Mother Mary (Theaters)
–Normal (Theaters)
TV
–This Is a Gardening Show Season 1 (April 22 on Netflix) – Hosted by Zach Galifianakis.
Music
-Nine Inch Noize, Nine Inch Noize
-They Might Be Giants, The World Is to Dig
-Jessie Ware, Superbloom
-Zayn, Konnakol
Sports
-Boston Marathon (April 20 on ESPN 2)
-Chevron Championship (April 23-26 on Golf Channel, Peacock, and NBC)
April 15, 2026
jmunney
Cinema, Movie Reviews
Ben Wheatley, Billy MacLellan, Bob Odenkirk, Brendan Fletcher, Henry Winkler, Jess McLeod, Lena Headey, Normal, Peter Shinkoda, Reena Jolly, Ryan Allen

A normal view of a Normal movie (CREDIT: Magnolia Pictures)
Starring: Bob Odenkirk, Henry Winkler, Lena Headey, Reena Jolly, Ryan Allen, Billy MacLellan, Brendan Fletcher, Peter Shinkoda, Jess McLeod
Director: Ben Wheatley
Running Time: 90 Minutes
Rating: R for Stunningly Strong, Cartoony Violence
Release Date: April 17, 2026 (Theaters)
What’s It About?: After his last lawman job left him irrevocably haunted, Sheriff Ulysses (Bob Odenkirk) accepts what he expects to be a pretty uneventful gig as the interim sheriff in the small, seemingly unassuming town of Normal, Minnesota. He quickly develops a rapport with his deputies (Ryan Allen and Billy MacLellan) and has a few civil interactions with the mayor, who must be a decent guy since he’s played by Henry Winkler, after all. Plus, he also has some other encounters with the rest of the townsfolk that promise to serve as foreshadowing. During one of his first days on the job, there’s an attempted bank robbery, which quickly develops into a chaotic shootout where it’s not clear who’s on whose side. That’s because Normal isn’t so normal after all, and this threatens to be the moment when every dark secret is revealed.
What Made an Impression?: An Era Continues: Will Bob Odenkirk ever star in a straight-up comedy again, or is he now just a dramatic TV star with plenty of personality and an unlikely action movie hero who gets to occasionally be funny? That’s probably too far-reaching a question for one review to handle, so I’ll let the universe sort it out. In the meantime, though, I’ll note that Normal doesn’t require him to be quite as no-holds-barred as the Nobody films, and it’s all the better for it, with the emphasis on Ulysses’ resourcefulness instead of his knuckles. There’s still plenty of room for fireworks in the vein of one of director Ben Wheatley’s previous action efforts, but it’s all centered around a decent guy trying to compromise something livable out of an impossibly lethal situation.
Domo Arigato: Without giving away too much about Normal’s secrets, I think it’s okay to tease that the first scene takes place in Japan in a way that will make you question whether or not you walked into the right theater. I for one quite enjoy it when a movie begins by confusing me … in a fun way! Especially when it’s accompanied by a foreign language rendition of a classic Black Sabbath banger.
It’s Not These Guys, It’s Those Guys: If you’ve been a devoted viewer of acclaimed TV for the last 10-20 years, chances are high that Normal will have you going, “Hey! Isn’t that that guy… actually, I guess not.” That’s because there’s one actor in this movie who looks quite a bit like Deadwood and Raising Hope star Garret Dillahunt, and another who is almost-certainly-but-not-exactly Veep and Detroiters funnyman Sam Richardson. Doppelgangers deserve work too, after all.
Normal is Recommended If You Like: A maximum amount of discordance between the conversations and the explosions
Grade: 3 out of 5 Bank Vaults
April 15, 2026
jmunney
Cinema, Movie Reviews
AI, Artificial Intelligence, Charlie Tyrell, Daniel Roher, documentary, The AI Doc, The AI Doc: Or How I Became an Apocaloptimist

TFW you’re Co-director Daniel Roher during the production of THE AI DOC: OR HOW I BECAME AN APOCALOPTIMIST, a Focus Features release. (Credit: Courtesy of Focus Features. © 2025 All Rights Reserved)
Starring: Human Beings
Directors: Daniel Roher and Charlie Tyrell
Running Time: 104 Minutes
Rating: PG-13
Release Date: March 27, 2026 (Theaters)
The AI Doc: Or How I Became an Apocaloptimist pretty much confirmed where I’m already at, which is to say:
1. AI doomsayers are out to lunch.
2. AI utopia prophets ought to temper their excitement.
3. Current AI technologies are not going away.
4. It’s up to everyone to wield their influence for the best possible outcome.
So I didn’t need to watch this documentary to become clear-headed about this inflection point in human history, but I nevertheless appreciated the catharsis of getting to see co-director/first-time-father-to-be Daniel Roher working through his anxiety via a creative project.
Grade: 1,000,000,000,000 Gallons of Water out of 8,888,888,888 LLM Prompts
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