August 19, 2025
jmunney
Cinema, Movie Reviews
Aubrey Plaza, Billy Eichner, Charlie Day, Chris Evans, Ethan Coen, Gabby Beans, Honey Don't!, Jacnier, Josh Pafcheck, Kristen Connolly, Lera Abova, Margaret Qualley, Talia Ryder, Tricia Cooke

I’ve heard that local Honey can help with allergies (CREDIT: Karen Kuehn / © 2025 FOCUS FEATURES LLC)
Starring: Margaret Qualley, Aubrey Plaza, Chris Evans, Charlie Day, Kristen Connolly, Talia Ryder, Gabby Beans, Jacnier, Josh Pafcheck, Billy Eichner, Lera Abova
Director: Ethan Coen
Running Time: 89 Minutes
Rating: R for A Few Hardcore Dalliances and Some Ridiculous Fatal Encounters
Release Date: August 22, 2025 (Theaters)
What’s It About?: Another wacky cast of characters has made its way to the big screen in an off-the-wall crime caper from Ethan Coen and Tricia Cooke! It all goes down in dusty Bakersfield, California and revolves around the mostly no-nonsense private investigator Honey O’Donahue (Margaret Qualley). A trail of death starts to form with the discovery of a woman who’s driven off a cliff. Soon thereafter, Honey is dealing with a desperate guy who fears he’s being cheated on (Billy Eichner), as well as her wayward niece (Talia Ryder) and MG Falcone (Aubrey Plaza), the police officer she’s taken a shine to. Their stories all get mixed up with that of Reverend Drew Devlin (Chris Evans), whose flashy church is really just a front for (very messy) organized crime. Also, there’s a mysterious French woman walking around. If anyone can figure out what all these people are up to before it all blows up, it’s probably Honey.
What Made an Impression?: We Gotta Get Out to Get In: Man, I love a good opening credits sequence. And Honey Don’t! has a doozy of an introduction. From the POV of a car driving through Bakersfield, the names of the cast and crew appear on storefronts, graffiti, and other signage, while “We Gotta Get Out of This Place” by The Animals rocks the place. Or at least I thought it was The Animals, until the end credits informed me it was actually a cover version. (But I’m not going to reveal who it actually was. Sure, it’s not like who sings a song is much of a spoiler, but you might enjoy being surprised the way that I was.)
Day for Q: There’s one really important character I didn’t mention in the synopsis, so I better go ahead and mention him now: Detective Marty Metakawich, played by the adorably agitated Charlie Day. He and Honey have quite the crackling repartee, but don’t expect them to end up together by the end! Marty is pretty easily Honey’s favorite man that she’s ever met, but here’s the thing: she’s just not into dudes. For whatever reason, though, Marty just can’t get rid of the mental block that won’t allow him to process her lesbianism. It’s bizarrely kind of sweet, or at least as sweet as something annoying like that can be.
Tough, But Rough: Thank God Margaret Qualley is so goshdarn likable. Most of this cast is pretty compelling, but she’s the one who’s really been solidifying her superstar status lately. Anyway, it really helps to have such an attention-grabbing lead performance when the screenplay feels so random. If you’re feeling particularly ungenerous Ethan Coen (and his brother/former collaborator Joel) could be dismissed as purveyors of unjustifiable kookiness. But at their best, they have a knack for making a circus feel like Shakespeare (or whatever literary inspiration they’re drawing from). Honey Don’t doesn’t quite harmonize in the same way, though. Or maybe we as a moviegoing society just haven’t gotten used to Ethan’s sensibilities while teaming up his wife Tricia Cooke as co-screenwriters. Although I did find their last effort, Drive-Away Dolls, pretty fun. So maybe in a few years I’ll start saying “Honey, I’ll give you another shot.” In the meantime, we’re at “Honey If You Must.”
Honey Don’t! is Recommended If You Like: Movies Where Two Ladies Get Really Handsy with Each Other in a Bar (If You Know What I Mean), Regardless of What Else Happens
Grade: 2.5 out of 5 Macaronis
October 10, 2024
jmunney
Cinema, Movie Reviews
A Different Man, Aaron Schimberg, Adam Brooks, Adam Driver, Adam Pearson, Aubrey Plaza, Chloe Fineman, Conor Sweeney, D.B. Sweeney, Dustin Hoffman, Francis Ford Coppola, Frankie Freako, Giancarlo Esposito, Grace VanDerWaal, James Remar, Jason Schwartzman, Jon Voight, Kathryn Hunter, Kristy Wordsworth, Laurence Fishburne, Matthew Kennedy, Megalopolis, Meredith Sweeney, Nathalie Emmanuel, Renate Reinsve, Rich Evans, Sebastian Stan, Shia LaBeouf, Steven Kostanski, Talia Shire

A Trio of Movie Stars (CREDIT: Shout! Studios/Screenshot; Matt Infante/A24; Lionsgate)
Frankie Freako
Starring: Conor Sweeney, Kristy Wordsworth, Matthew Kennedy, Meredith Sweeney, Adam Brooks, Rich Evans
Director: Steven Kostanski
Running Time: 85 Minutes
Rating: Unrated
Release Date: October 7, 2024 (Theaters)
A Different Man
Starring: Sebastian Stan, Renate Reinsve, Adam Pearson
Director: Aaron Schimberg
Running Time: 112 Minutes
Rating: R
Release Date: September 20, 2024 (Theaters)
Megalopolis
Starring: Adam Driver, Giancarlo Esposito, Nathalie Emmanuel, Aubrey Plaza, Shia LaBeouf, Jon Voight, Laurence Fishburne, Jason Schwartzman, Kathryn Hunter, Dustin Hoffman, Talia Shire, Grace VanDerWaal, Chloe Fineman, James Remar, D.B. Sweeney
Director: Francis Ford Coppola
Running Time: 138 Minutes
Rating: R
Release Date: September 27, 2024 (Theaters)
Hey dudes! I saw a few movies this week that I’m catching up on my thoughts about. Did they have any themes or intellectual concerns in common? Let’s take a closer look and find out.
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October 2, 2024
jmunney
Cinema, Movie Reviews
Alain Goulem, Aubrey Plaza, Carter Trozzolo, Kerice Brooks, Maddie Ziegler, Maisy Stella, Maria Dizzia, Megan Park, My Old Ass, Percy Hynes White, Seth Isaac Johnson

Young Ass & Old Ass Sitting on Their Asses (CREDIT: Amazon MGM Studios)
Starring: Maisy Stella, Aubrey Plaza, Percy Hynes White, Maddie Ziegler, Kerice Brooks, Maria Dizzia, Alain Goulem, Seth Isaac Johnson, Carter Trozzolo
Director: Megan Park
Running Time: 89 Minutes
Rating: R
Release Date: September 13, 2024 (Theaters)
I saw My Old Ass on a Thursday, and now I’m writing a review of it on a Tuesday. I would’ve written it sooner, but I was a little busy. I think this wait has been a blessing in my disguise, though, because now my old ass can tell my younger self how I really felt. Just like in the movie! And well, what I really felt is that this movie is: earnest, heartfelt, and filled with camaraderie. But in fact, I already knew that!🤪Sometimes we just have to trust ourselves.
Grade: 3.5 out of 5 Asses
March 1, 2023
jmunney
Cinema, Movie Reviews
Aubrey Plaza, Bugzy Malone, Cary Elwes, Eddie Marsan, Guy Ritchie, Hugh Grant, Jason Statham, Josh Hartnett, Operation Fortune, Operation Fortune: Ruse de Guerre, Peter Ferdinando

Which one’s Ruse? (CREDIT: Dan Smith/Lionsgate)
Starring: Jason Statham, Aubrey Plaza, Cary Elwes, Josh Hartnett, Hugh Grant, Eddie Marsan, Bugzy Malone, Peter Ferdinando
Director: Guy Ritchie
Running Time: 114 Minutes
Rating: R for Spies Being Spies
Release Date: March 3, 2023 (Theaters)
What’s It About?: Would you watch a movie in which the motley crew of Jason Statham, Aubrey Plaza, and Cary Elwes team up together for some espionage? What if we also threw Josh Hartnett into the mix as one of the biggest movie stars in the world? And what if Hugh Grant played the billionaire arms dealer they have in their crosshairs? Well, that might all sound ridiculous, but it’s exactly what Operation Fortune: Ruse de Guerre has to offer. Will the plot make any sense, or will everyone be too stylish and quippy to even care about something like logic?
What Made an Impression?: I often find espionage movies difficult to parse, and I know I’m not the only one. In a way, that’s the nature of the genre.With all the subterfuge and double-crossings, these stories tend to be opaque by design. And Operation Fortune really takes the cake in that regard, because pretty much immediately I had no idea what was happening. Who are these spies? What country, if any, do they work for? What disaster are they trying to prevent? Does anything even matter?
That confusion isn’t necessarily a problem, especially if you have style and wit to spare, but it’s also nice to have a sense of something resembling a base reality. Instead, the Operation Fortune engine plows forward without letting us know its origin or destination. It’s so ill-defined that I was positively shocked when Guy Ritchie was revealed as the director during the credits. It certainly features some of his trademarks and regular players, but it also feels so out to sea that I could hardly believe that it was actually made by someone so familiar.
Anyway, even though I abandoned all hope of ever understanding what was happening, I at least held out hope that I might be entertained. That happened sporadically, with Plaza providing her trademark bitterly playful edge, which is a new flavor for Ritchie World. And at one point Cary Elwes says something that I’m pretty sure was meant as a subtle reference to The Princess Bride‘s poison cup scene. Other than that, everyone in the cast seemed to be enjoying themselves, while I was left out in the cold crying, “I wish I knew what was going on!”
Operation Fortune: Ruse de Guerre is Recommended If You Like: Hugh Grant being a total dirtbag
Grade: 2 out of 5 Hard Drives
January 22, 2023
jmunney
Saturday Night Live, SNL Weekly Recaps, Television
Aubrey Plaza, Kim Petras, Sam Smith, Saturday Night Live, Saturday Night Live Season 48, Sharon Stone, SNL, SNL Season 48

Aubrey the SNL Host (CREDIT: NBC/Screenshot)
THIS! IS! A! REVIEW! OF! THE! FIRST! NEW! SNL! OF! 2023! Now, as you may be aware, during the month of January, we often say “Happy New Year!” to each other. So, with that in mind, I’m going to review each sketch of this episode according to the format “Happy (Fill in the Blank).” All right, let’s get to it!
Happy New Aubrey Plaza!
Happy New Sam Smith!
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August 31, 2022
jmunney
Cinema, Movie Reviews
Alessandro Nivola, Alison Brie, Aubrey Plaza, Ayden Mayeri, Ben Sinclair, Debby Ryan, Ego Nwodim, Fall, Fred Armisen, Grace Caroline Currey, Hiro Kanagawa, Isabelle Fuhrman, Jeff Baena, Jeffrey Dean Morgan, Julia Stiles, Lil Rel Howery, Mason Gooding, Matthew Finlan, Molly Shannon, Orphan, Orphan: First Kill, Rossif Sutherland, Spin Me Round, Thomas Mann, Tim Heidecker, Tricia Helfer, Virginia Gardner, William Brent Bell, Zach Woods

What’s going to Fall? (CREDIT: Lionsgate)
Fall:
Starring: Grace Caroline Currey, Virginia Gardner, Mason Gooding, Jeffrey Dean Morgan
Director: Thomas Mann
Running Time: 107 Minutes
Rating: PG-13
Release Date: August 12, 2022 (Theaters)
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August 9, 2022
jmunney
Cinema, Movie Reviews
Aubrey Plaza, Emily the Criminal, John Patton Ford, Megalyn Echikunwoke, Theo Rossi

Emily the Criminal (CREDIT: Roadside Attractions and Vertical Entertainment)
Starring: Aubrey Plaza, Theo Rossi, Megalyn Echikunwoke
Director: John Patton Ford
Running Time: 93 Minutes
Rating: R for A Few Nose-Bloodying Encounters
Release Date: August 12, 2022 (Theaters)
What’s It About?: Emily Benetto (Aubrey Plaza) is an aspiring artist who has the chops and the connections to make a real professional go at it. But she’s a young adult in the 21st century, so it’s no surprise that she’s also tens of thousands of dollars in student loan debt. Her gig delivering food orders is hardly making a dent. Ergo, she dips her toe into a scheme as a “dummy shopper,” in which she buys high-value goods with stolen credit cards for an underground operation. And she’s kind of good at it! But when you commit to a criminal lifestyle, you’ve also got to always be looking over your shoulder.
What Made an Impression?: I’m on vacation this week, but I wanted to make sure I checked in for a sec to give you my quick thoughts about Emily the Criminal. The One Big Thought I had was that the dummy shopper recruitment method kind of reminded me of a curse being passed on a la The Ring or It Follows. The colleague who gives Emily the tip seems like he’s ready to get out of the game, you know? But ultimately, Emily kind of embraces it and we get the sense that maybe she’ll be running her own mini-empire soon enough. So in that way, it’s more like a multi-level marketing scheme. You find empowerment where you can when you’ve got all that debt.
Grade: 3 out of 5 Credit Cards
June 20, 2019
jmunney
Cinema, Movie Reviews
Aubrey Plaza, Beatrice Kitsos, Bryan Tyree Henry, Carlease Burke, Child's Play, Child's Play 2019, Chucky, David Lewis, Gabriel Bateman, Lars Klevberg, Mark Hamill, Marlon Kazadi, Tim Matheson, Ty Consiglio

CREDIT: Eric Milner/Orion Pictures
Starring: Gabriel Bateman, Mark Hamill, Aubrey Plaza, Bryan Tyree Henry, Tim Matheson, Marlon Kazadi, Beatrice Kitsos, Ty Consiglio, David Lewis, Carlease Burke
Director: Lars Klevberg
Running Time: 90 Minutes
Rating: R for Prime Bloody Cuts of Human Meat
Release Date: June 21, 2019
The original 1988 Child’s Play was a sneaky little B-horror pic that snuck in some pointed satire about the crass commercialism of marketing aimed at children by asking the question: if the soul of a serial killer were transferred to a toy doll, would all the adults be too distracted to notice? The remake takes its aim at the paranoia surrounding artificial intelligence. This is oft-explored territory, so the horrors of the next-gen Chucky doll (voiced with easy panache by Mark Hamill) are not particularly unique. But the satire is built around a salient, timely concern: what if all of our smart Internet-connected devices suddenly became weaponized against us? The new Chucky is part of the “Buddi” line assembled by Kaslin Industries, an Amazon-esque tech monolith that promises consumers a domestic utopia with its thorough suite of products, with Tim Matheson as the wise, old, just-creepy-enough face of the company.
While the ideas of nu-Child’s Play are impressively on target, its plot machinations are a bit too silly and Grand Guignol for their own good. Original flavor CP worked on a visceral level because while Chucky was nearly impossible to kill, he wasn’t impossible to subdue. But upgraded Chucky is far more omnipotent, as he can basically become telepathic and telekinetic with the right Bluetooth signal. Thus, it is never in doubt that he is going to kill someone, which leads to the hyper-violent stakes being raised in ways that call to mind Saw and Final Destination much more than I expected. Occasionally, there’s a really devastating sick visual joke to lighten up the gore, but most audiences can expect their bloodlust to be satisfied many times over. Ultimately, Chucky is defeated less because of any weakness and more just because the movie is about to end.
Also in the “been there, done that” category is Chucky’s motivation: the old “if I can’t be your friend, then nobody can.” Frankly, I think that Chucky has more on his mind than just what some random kid thinks of him. But that is what his programming demands once he meets young Andy (Gabriel Bateman) and automatically “imprints” on him. It suggests a worst-case scenario of how it would go if the most smartphone-obsessed among us had their feelings reciprocated. Smart A.I. can be dumb, but while this Child’s Play is satisfyingly diverting, it doesn’t convince me that our devices are that psychotic.
Child’s Play is Recommended If You Like: Smart device paranoia
Grade: 3 out of 5 Stabby Stabbies
August 8, 2017
jmunney
Cinema, Movie Reviews
Aubrey Plaza, Billy Magnussen, Elizabeth Olsen, Ingrid Goes West, Instagram, Matt Spicer, O’Shea Jackson Jr., Pom Klementieff, Wyatt Russell

This review was originally posted on News Cult in August 2017.
Starring: Aubrey Plaza, Elizabeth Olsen, O’Shea Jackson Jr., Wyatt Russell, Billy Magnussen, Pom Klementieff
Director: Matt Spicer
Running Time: 97 Minutes
Rating: R for Cosplay Hanky-Panky, Surprise Cocaine, and an Amateur Kidnapping
Release Date: August 11, 2017 (Limited)
An early montage of Instagram posts in Ingrid Goes West features Elizabeth Olsen reading out loud the entirety of the captions. This is jarring for a couple of reasons, partly because captions are not designed to be spoken aloud and mainly because the emoji are given concrete descriptions. I would argue that such straightforwardness is antithetical to the spirit of emoji, whose meanings are often implicitly understood but generally maintain a level of fluidity. Similarly, social media posts purport to present a certain specific message, but there are layers of further meaning lurking underneath.
People like Ingrid Thorburn (Aubrey Plaza) interpret public personae with too much unwavering conviction, overly certain that an interaction with a virtual fan is an invitation to become a flesh-and-blood friend. But what Ingrid Goes West suggests is, maybe that is not exactly what she believes. Maybe that rigidity is just a coping mechanism because the alternative is too complicated to handle. Ingrid becomes obsessed with Taylor Sloane (Olsen) not just because her Instagrams of avocado toast represent the height of L.A. cool, but mainly because of the illusion that her life is perfectly put-together. To someone who is obviously mentally ill (and thus whose brain does not allow any stability), that is intoxicating.
Ingrid Goes West is not a condemnation of Instagram, not really. It is just the medium through which some unhealthy behavior that would still exist otherwise happens to be taking place. Still, if you are wrapped up in it, it is an overwhelming medium. What is fascinating about Plaza’s performance is that her excessive social media use does not drive her to make Ingrid excessively fake, but rather unnervingly real. True, she makes “friends” under false pretenses, but her capacity for genuine relationships and deep cavern of pain are what stick with you.
Ingrid Goes West is Recommended If You Like: Crazy Ex-Girlfriend, The Talented Mr. Ripley, The King of Comedy
Grade: 3.5 out of 5 Avocado Toasts
June 28, 2017
jmunney
Cinema, Movie Reviews
Adam Pally, Alison Brie, Aubrey Plaza, Dave Franco, Fred Armisen, Jeff Baena, Jemima Kirke, John C. Reilly, Jon Gabrus, Kate Micucci, Lauren Weedman, Molly Shannon, Nick Offerman, Paul Reiser, Paul Weitz, The Little Hours

This review was originally posted on News Cult in June 2017.
Starring: Alison Brie, Dave Franco, Kate Micucci, Aubrey Plaza, John C. Reilly, Molly Shannon, Fred Armisen
Director: Jeff Baena
Running Time: 90 Minutes
Rating: R for Naked Witchcraft Acid Trips
Release Date: June 30, 2017 (Limited)
Fred Armisen shows up as a visiting bishop about halfway through The Little Hours. It is a hilarious scene, but it encapsulates the trepidation I had upon viewing this flick. In writer/director Jeff Baena’s riff on one of the tales from 14th-century story collection The Decameron, things are getting wild and crazy at a convent, with a trio of central nuns (Alison Brie, Aubrey Plaza, Kate Micucci) getting into sex, witchcraft, and other debauchery. While the premise alone is worth several chuckles, I had worried that it was better suited to a sketch rather than a full feature length, and Armisen’s routine demonstrates exactly what I was thinking of.
As Bishop Bartolomeo, Armisen takes stock of all the sinning that the residents have been getting up to, and it is a potent mix of petty, mundane, and outrageous. Running down kooky lists and taking a few breaks for exasperation is one of Armisen’s specialties. He revels in a litany that includes envy, “being a busy body,” “eating blood,” and “not being baptized.” This recaps everything important that has happened thus far and if this scene had been an SNL sketch (easily imaginable, considering the cast), our imaginations would just fill in the visuals for all that outrageousness. Instead, we get to see all the vulgarity play out, which could be a recipe for exhaustion after ninety minutes, but The Little Hours has some grounding elements to make the whole course palatable.
The focus is on three young brides of Christ – Alessandra (Brie), Fernanda (Plaza), and Genevra (Plaza) – who are either seeking to escape the convent or happy to stay there but not really interested in living the religious life properly. This would all be just a mélange of nuns behaving badly if not for the appearance of runaway servant Massetto (Dave Franco), who strikes up a romance with Alessandra and a deal with the head priest (John C. Reilly) to keep his true nature a secret. The love story is kinda sweet and Reilly is always so invested in the material no matter how ridiculous, elements that help offset all the debauchery, which is fitfully amusing but could have been exhausting if not for these counterpoints. Besides, this film cannot coast on shock value when its ladies do not bother one iota to resemble actual nuns.
The Little Hours is Recommended If You Like: History of the World: Part 1, The sexier scenes from Monty Python and the Holy Grail, The To Do List
Grade: 3.5 out of 5 Rolls in the Hay